Miss Revolutionary Idol Berserker began, strangely enough, in the Dunstan Playhouse foyer, as the loose gathering of ticket holders were herded down the stairs.
This special concert to honour Dante Alighieri took place in Elder Hall at the University of Adelaide.
I would have liked to have seen this work a second time as there is so much to take in.
On any night during the OzAsia Festival, between 5 and 9pm, you can take a ride in a private sepeda lampu, a double bicycle conveyance.
It all begins simply, with Tupu playing on a hobby horse, until frightened by a loudly barking dog.
These are The Streets of Jakarta, presented in a powerful, moving, and confrontational presentation by Teater Garasi.
The work is a response to the ecological damage happening to Jailolo due to climate change.
This enjoyable Sunday afternoon concert was entitled The Best of British, featuring the RCS Ensemble
Joh Hartog directs Krystal Brock and Clare Mansfield as Stella, a director holding auditions, and Lauren, a hopeful actress.
Ensemble Galante chose a handful of his concerti, an operatic aria, and a solo motet to show off Vivaldi's skill.
Playwright, Martin McDonagh, introduces a group of very quirky characters in a small isolated community.
This is one more in a long line of successful Independent Theatre productions.
One cannot imagine what the first audience felt when Verdi broke the mould of the requiem.
Volpone is the richest nobleman in Venice, but he still wants more.
State Opera of South Australia is presenting one of the grandest of grand operas, Charles Gounod's Faust.
This is one of the best works that I have seen presented by this company.
Mark Nadler showed just what can be done with a fine piano.
The Soundstream Ensemble is the contemporary music ensemble of the University of Adelaide.
The exciting English vocal ensemble makes its debut Australian tour for Musica Viva.
Sydney Dance Company's De Novo is a trio of very diverse works.
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