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Barry Kostrinsky

Barry Kostrinsky

Barry Kostrinsky is the founder of Havensbx and Haven Arts. Gallery and performance spaces that reinvigorated the South Bronx arts scene from 2004-2017. The Municipal Arts Society (MAS) awarded Haven Arts a certificate of merit in 2006. 

Barry has contributed to a variety of  panels including a NYC Department of Cultural Affairs (DCA) Percent for art program, and a Bronx Museum symposium for the Artist in the Artists in Marketplace (AIM) program. Barry formed and moderated  talks for the Artists Talk on Art(ATOA) Series at The School of Visual Arts (SVA) and the National Arts Club that discussed the history of  the Bronx arts scene and contemporary ceramics. Recently he joined the board of ATOA 

Barry served as a member of the Arts in Public Places (AIPP) committee for Rockland County in the past and now sits on the board of "Human Connections Art"

His past experiences managing a family run manufacturing company in the South Bronx for 20+ years gives him a uniquely balanced view of the art world.

He worked in finance and banking from 2010-2013 for a small independent company and then for Bank of America. As a result he sees the art world from both the aesthetic side and the financial market it is. 

As an artist Barry has exhibited in group shows in NYC. He works in a variety of medium including oil paints, ceramics, acrylics, watercolor, photography and mixed medium. Whereas the oil paintings are mostly plein-air works not unlike the impressionists and post-impressionist, his acrylic work is quite contemporary and often on found objects including car parts, light bulbs, beds and more. His photographic work ranges from serene nature shots, to street detritus and social commentary using his simple I-Phone and old Polaroid small format cameras. In ceramics Barry makes modern day minkisi-power figures and has helped developed Bruce Sherman's ceramic career while managing his studio from 2014-2016

Barry special ability is to be able to see others artists work from the eyes of an artist and to dialogue with artists in a meaningful way about their art and where they are going.
 
As a youth Barry was a math major at Vassar College and graduated in 1982. His High School days at New Rochelle High enabled him to develop his artistic talents, Mr. Blackburn was an inspiring teacher. He spent the summer before senior year at Rhode Island School of Design (RISD) and had a firm footing in the arts before college. By chance Vassar had one of the best art history departments in the US and he studied with Linda Nochlin, Susan Kuretsky and in his rookie year, Ken Silver.

He is a proud father of three grown kids ages 29,29 (twins is the way to start) and 24. 
Like so many today he is divorced.

Barry has a strong passion for all things arts related and his love for cooking and eating run a close second. 
 

 

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Most Popular Articles

Giacometti at the Guggenheim: Spiral Inward

Giacometti at the Guggenheim: Spiral Inward

September 12, 2018

You would be pushed to put together anything but a brilliant Giacometti show and the Guggenheim delivers with a show ending soon that I'd say is a must see on every critics list.

Michelangelo and More at the MET/METs

Michelangelo and More at the MET/METs

December 4, 2017

If a lessor Leonardo goes for about half a billion dollars what's the Sistine ceiling worth- the Sun, the Moon and a one time planet like Pluto as a throw in? The exhibition at the Metropolitan Museum, Michelangelo: Divine Draftsmen and Designer only fails for the allusion and lust for alliteration.

BWW Interview: Noah Becker: An Interview with the Interviewer

BWW Interview: Noah Becker: An Interview with the Interviewer

February 14, 2017

Noah Becker has published over 3500 interviews and did hundreds himself with artists, but has the tables turned as I ask this Painter, Founder and Editor-In-Chief at Whitehot magazine questions about his art, writing career and his preferences when compelled to choose between Chinese soups.

Marisa Merz at The MET Breuer
By Barry Kostrinsky

Marisa Merz at The MET Breuer By Barry Kostrinsky

January 24, 2017

Marisa Merz at the Metropolitan Museum's still new Breuer location on Madison and 75th reveals itself when elevator doors open on the second floor to sculptures from 1967 as the MET Opera hopes to when the curtain rises at Lincoln Center.

BWW Blog: Intolerance in the Art World Today

BWW Blog: Intolerance in the Art World Today

November 25, 2016

Who would have thunk it? The all excepting art world ready to hang shit on a wall or in a can, Piss on paper, have someone wank off under the platform of an exhibit or watch a dog get killed in a gallery has become intolerant.




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