Entering its 30th anniversary year, Mark DeGarmo Dance is a not-for-profit that integrates three focal concerns: educate underserved New York City communities, especially children, through dance arts; create, perform and disseminate original dances, artistic and scholarly work; and build intercult
Nederlands Dans Theater 1 returns to New York with a 2016 season that includes four U.
Morgan McEwen, ballerina turned artistic director, launched MorDance in January of 2013.
Sitting through BalletX's 10th anniversary season performance at Philadelphia's Wilma Theater on July 6, 2016, I was struck with some deep pangs of disappointment.
Alexei Ratmansky's 2015 version of 'Sleeping Beauty,' based on the Stepanov notation of the original 1890 version, as well as Diaghilev's production in 1921, has always posed a problem for me.
"Balanchine and Beyond," the Pennsylvania Ballet's strangely named program that I saw Saturday, June 11, 2016 at the Merriam Theater in Philadelphia, was a very satisfying evening.
A funny thing happened on the evening of May 22, 2016, at the Metropolitan Opera House, where ABT was presenting Alexei Ratmansky's 'Shostakovich Trilogy.
Tome Cousin is an interdisciplinary artist who has molded an award winning international career that includes collaboration and performance on Broadway, television, film, dance, theater, music, photography, and literature.
First things first.
Founder and Artistic Director of The Black Iris Project, Jeremy McQueen is an award-winning emerging choreographer.
By my count, I've seen at least 250 productions in my lifetime, the last one in Australia.
To judge by Sunday's matinee on April 24, 2016, the New York City Ballet is in good dancing hands-shall I say excellent hands.
To judge by the film Reset (Releve)), which was recently shown at the Tribeca Film Festival, Benjamin Millepied, the soon to depart director of the Paris Opera Ballet, was a very lucky man.
We all know what it's like.
Olga El is a writer, director, and performance activist based in New York City.
In the midst of some major illnesses and a deep depression, I was given Marsha Volgyi's new novel, 'The Crewmember,' to review.
Chris Alloways-Ramsey began his early training with Barbara (Olewine) Wouters, later completing his classical training with Mira Popovich and Dame Sonia Arova.
Entering New York University's Skirball Center for the Performing Arts on November 5, 2015, dancers from Troy Schumachers's group, BalletCollective, were already warming up on stage.
Frederick Douglass once described blackface performers as '.
I wish I could have been more enthusiastic about the all-Jose Limon program on October 25, 2015, at 2 pm.
