Andria Tieman is a lifelong theatre fan. She has an MFA in fiction, play & screenwriting and presently works as an academic librarian in Providence teaching students how to find and use information. She has been reviewing for BroadwayWord since 2015, and has been a member of the American Theatre Critics Association since 2016.
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First Show
A touring production of Annie in Grand Forks North Dakota
Favorite Show
Come From Away.
Favorite Stories
Absolutely Fantastic COME FROM AWAY at PPAC - I'm kind of a Come From Away evangelist at this point. I had no idea what to expect going into that show, except I knew some people REALLY liked it. I was blown away. Even after seeing it multiple times, it still affects me in a powerful way.
UNCLE VANYA at The Gamm is Close to Perfection - This show had many of my favorite regional actors and a fantastic director, plus a great script. Sometimes a show is so perfectly executed that it almost crackles--this was one of those.
Haunting THE YELLOW WALLPAPER at OUT LOUD Theatre - I had no idea what to expect going to this play, and I was absolutely thrilled at what Out Loud Theatre did to make this short story come alive. It was immersive and strange and unlike anything I've seen before or since. Years later, I still think about it often.
THE HOUSE OF BERNARDA ALBA is one of those deliciously sinister plays that unpacks social mores, female relationships, self destruction and repression in a way that is eminently watchable.
ANASTASIA, based on the 1997 animated musical film of the same name, tells the tale of the supposed daughter of Tsar Nicholas II, who was alleged to have escaped her family's execution.
Playwright Branden Jacobs-Jenkins seems like a man who likes to make theatre audiences uncomfortable, and make them question their most basic reactions.
Festival Ballet's UP CLOSE ON HOPE series is always an opportunity for the company to branch out from the classical ballet most are familiar with to really show the range and talent of the dancers and choreographers.
THE NIGHT OF THE IGUANA is among Tennessee Williams' least-know plays, but still one that resulted in over 300 performances on Broadway and a 1964 film version starring Richard Burton and directed by John Huston.
MISS SAIGON, the tragic love story of a Vietnamese woman who falls in love with an American GI during the Vietnam War, is certainly not short on drama.
It may seem a bit odd to base a play on a movie, but when one considers that SHAKESPEARE IN LOVE was co-written by Tom Stoppard and won him an Academy Award, it becomes a no-brainer.
It probably takes a certain level of masochism to spend part of a weekend at a play called LIFE SUCKS, but it's (probably) been proven that watching the struggles of other people makes us feel better about our own circumstances.
What do you do when you finally buy your dream house and then immediately run into issues with the next-door neighbors? On the surface, that's essentially what Native Gardens is about, but as the plot starts to develop, issues of age, race, gender, immigration, privilege, environmentalism, class, h