by Sabrina Wallace - February 24, 2026
Hyde Park’s production of WITCH is sharp, funny, and quietly ferocious. A Devil with a grin, a witch that questions the status quo, a town built on bargains, and ambition that bites back. You’ll leave checking your own contracts. Through March 21st.
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by Sabrina Wallace - February 24, 2026
Some plays rush. In Horton Foote’s award-winning play, The Trip to Bountiful, longing feels biblical, and patience gets tested, and City Theatre’s production reminds you how to sit still. Judith Laird is all steel beneath fragility, as an aging mother chasing the ghost of her childhood home. But...
by Joni Lorraine - February 19, 2026
What did our critic think of MURDER ON THE ORIENT EXPRESS at ZACH?...
by Sabrina Wallace - February 17, 2026
Big hair, bigger voices, and zero apologies. Beehive: The 60s Musical at TexARTS is pure jukebox joy: love songs turn into liberation anthems, wigs rise as the decade unfolds, and seven powerhouse women keep the audience laughing and singing along. Profound? No. A ridiculously good time? Abso-freaki...
by Sabrina Wallace - February 14, 2026
Urinetown now playing at MMNT - A musical so funny it hits like a warning. Corporate greed, drought, revolt—and the water still runs out. Laugh. Think. Repeat....
by Sabrina Wallace - February 14, 2026
Swing! at Georgetown Palace Theatre proves that when the set disappears, the rhythm takes over. A bare stage, a blazing live band, powerhouse vocals, and choreography that fills every inch of space. The audience was tapping along all night, me included. Theatre adapts, communities rally, and the sho...
by Sabrina Wallace - February 10, 2026
'The Last Match' by Anna Ziegler centers on U.S. Open semifinalists Tim Porter and Sergei Sergeyev, and their partners, blending onstage action with flashbacks and fourth-wall narration. The play explores ambition, love, and the personal cost of success....
by Sabrina Wallace - February 10, 2026
Georgetown Palace’s The Mountaintop skips the monument and gives us the man. A powerful reminder that history isn’t made by saints, but by people who keep walking anyway....
by Joni Lorraine - February 04, 2026
Few titles in the musical theatre canon are as instantly recognizable—or as enduringly beloved—as the SOUND OF MUSIC. Featuring music by Richard Rodgers and lyrics by Oscar Hammerstein II, with a book by Howard Lindsay and Russel Crouse, the musical premiered on Broadway in 1959 and quickly beca...
by Lynn Beaver - January 22, 2026
Darcy Parker Bruce’s the wolf you feed (the playwright stylizes the title without capital letters) howls into The Vortex Theatre for its American debut and what a gift it is. In the hands of Bottle Alley founder Chris Fontanes and the Vortex team, this production becomes a singular theatrical expe...
Past Shows
Terrence McNally's Broadway show comedy. New York City, and it’s opening night of Peter Austin’s new play as he anxiously awaits to see if his...
Jean-Paul Sartre’s famous play endures as a staple in Existentialist thought. It follows three strangers locked in a room, forced to be with one another...
William Inge's timeless American classic and winner of the Pulitzer Prize for Drama. It’s Labor Day in the American Heartland. Two widows and their families...
This celebrated Oscar Wilde classic follows the romantic misadventures of a pair of English cads who devise a double life in order to impress the...
Naomi Patz’s reimagined production of banned World War II lost comedy cabaret. Banned. Lost. Never Forgotten. The Last Cyclist is the Austin premiere stage production...
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