Season 2, Episode 5: Behind every summer is a community that keeps Fire Island alive. This episode explores the history of the beloved Pines Pantry through the eyes of its iconic Pantry Girls, alongside the volunteer firefighters of The Pines and Cherry Grove who protect the island from fires, hurricanes, beach erosion, and an uncertain future.
I am a member of my high school’s Dance Ensemble and completing an Independent Study course with a lower level dance class. In my Independent Study, I assist the teachers by demonstrating movement, choreographing, and taking on extra responsibilities when a teacher is absent and there is a substitute teacher. Our school’s dance program is fortunate to work with numerous guest artists throughout the year, and one of my favorite activities is assisting them!
Recently, I was tasked with choreographing part of the song “I Got Rhythm” for my Independent Study class. I was given the opportunity to choreograph a forty-five second section of my choosing from the song, using hats as a prop for the jazz piece.
As I made my musical cut and began to choreograph, I became aware of the challenges that I would be encountering. Chiefly, I was very nervous that my teachers would not like my choreography. Apart from that, I felt the need to make the choreography visually interesting without making it too difficult for the dancers.
I decided to do a partner section in the choreography, which then presented another challenge. I had to choreograph the partner section without another person to help me ensure that the choreography would function properly. When teaching, I had to pivot a few times when I realized that the movement I had conceptualized in my head would not actually work on stage.
Midway through teaching the section, I was notified that the dancers would no longer be wearing hats - which I had incorporated into my choreography! Although this change presented a real-time challenge to my teaching plan, I created a new partner movement on-the-spot that still resembled my original choreography, but did not incorporate the use of hats. This on-the-spot pivot gave me a lot of anxiety about the movement I was creating - I did not want the movement to look thrown together. After watching the updated choreography, I ended up really feeling proud of my work, my flexibility and the final presentation of the section.
Another obstacle I encountered is that the choreography was a bit challenging for the dancers because it started fast. After drilling it a few times, the dancers really stepped up and were able to execute the choreography. My teacher watched and told me that she loved what I had done!
Once the choreography was set, I was asked to clean my section of the piece. As a very meticulous worker, I knew that I would not be able to fix every crooked hand or movement that was not exactly how I envisioned it. I experimented with different ways of giving productive feedback and re-teaching choreography to ensure the piece would look as good as possible. As we cleaned the piece, I learned that the class was most receptive to walking through the choreography slowly with words, then with counts, and finally with music.
While I am new to choreographing and teaching, I am learning to trust myself and my abilities - I am gaining confidence knowing that others approve of my work and will not be afraid to make big choices! I am also learning how to direct individual dancers, lead a classroom and teach choreography in a more comprehensive way - being direct but constructive with corrections.
Soon, I will be choreographing a song of my choice for a school showcase. I am determined to use this experience to guide me as I create movement and teach it to other dancers!
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