Photos: A NIGHT OF JAZZ at The King's Academy

A first-class experience. That is the epitome of The King’s Academy (TKA) Jazz Ensemble’s Night of Jazz. From walking the red carpet into the beautiful Page Family Center for Performing Arts to the electrifying buzz in the air from the sold-out audience, everyone knew they were in store for a special evening.

The sound, the look, and the stage presence of the TKA Jazz Ensemble is undeniable as they carry themselves with style, grace, and sophistication as ambassadors of the Great American Songbook. Director of Instrumental Arts Wes Lowe opened the night speaking about the transformative teaching and training happening at TKA and how concerts like this go a long way in creating innovative experiences for the students. This concert was proof that there is something transformative at TKA that sets it apart from the rest.

The night began with the impressive sounds of Julia Drahos as she dazzled the audience with a powerful trumpet solo followed by a remarkable drum solo by Ashton Horne on the opening number “Tiger of San Pedro.” Senior vocalist and Young Artist Award Winner (from The Society for the Preservation of the Great American Songbook) Maddie Begin took the audience on a musical journey with stunning renditions of “Feeling Good” and “But the World Goes Round.” The way she flawlessly sung these difficult numbers goes to show that she will be a force to be reckoned with in the future. Junior vocalist Ella Garcia sung a beautiful cover of the Etta James classic, “At Last.” Just when you thought it couldn’t get any better, another Julia, trombonist Julia Basile, completely owned the stage with precision, presence, and power with her rendition of the Latin standard Black Orpheus. Hadiya Stewart, a bassist extraordinaire and another Young Artist Award Winner, had everyone grooving to the sounds of “Ziggy Strut,” a newly commissioned piece written specifically for her by TKA Composer-In-Residence, Mark Taylor.

This Night of Jazz concert continued to crescendo to the point that many in attendance had been waiting for. Sometimes a beautiful voice that is delivered with authenticity and experience is all you need. In the case of Nashville based Wendy Moten, things went well beyond expectation when she added her talent to the teaching at The King’s Academy as their Artist-In-Residence. Wendy Moten captivated the audience from the moment she stepped on the stage to the Stevie Wonder classic “Signed, Sealed, Delivered.” Whether it has her rendition of Whitney Houston’s “I have Nothing,” a gospel hymn like “How Great Thou Art,” or an Aretha Franklin classic “Ain’t No Way,” Moten’s voice that night was a bright and transcendent light that gave all that listened hope to hold on to through those songs.

Wendy not only has massive vocal chops, but a heart for music and those young people you will become the future. That was on full display as she dueted the Natalie Cole classic “This Will Be an Everlasting Love” with Maddie Begin and dueted “Sir Duke” with TKA Jazz Alumnus, Mikayla Smith. The soulful and moving voice of Wendy Moten along with the first-rate players of TKA Jazz Ensemble made this year’s Night of Jazz a night to remember. The combination of this band with this balladeer made for a musical moment in time no one wanted to end.

Many in attendance for this sold-out show were there as fans from Wendy’s appearance on NBC’s The Voice in 2021. Many were also aware of Wendy’s collaborations with fellow luminaries like Julio Iglesias, Michael McDonald, Kirk Whalum, Vince Gill, and Blake Shelton, just to name a few. But her collaboration that night with the students of The King’s Academy Jazz Ensemble under the direction of Wes Lowe was both a sight and sound to behold. This year’s Night of Jazz was more than just a concert. It felt like a chapter had been gracefully added to the Great American Songbook.