Review: THE IMPORTANCE OF BEING EARNEST at Dunstan Playhouse, Adelaide Festival Centre
Petra Kalive has made some interesting casting choices.
The latest reviews and critic recommendations from Australia - Adelaide.
Petra Kalive has made some interesting casting choices.
If you have never seen a live opera, this would be an excellent introduction.
Australia is not a classless society.
Heather Mitchell delivers a master class.
Biggins raises many questions, but provides no answers.
You will likely want to go back and see it a second time.
It all begins hilariously, as the four boys claim that they support feminism, but the misogyny shows through.
King Hamlet and Yorick are an hilarious Shakespearean Odd Couple.
For Isabelle Huppert, this is a massive undertaking, a tour-de-force performance.
Alex Frayne’s analogue photography captures the history, presence, and future of people and place.
This is high risk theatre.
The world premiere of Faraway, a new work by Jenni Large.
This is very fine; not perfect, but who else in Adelaide would be up to the task?
They are dedicated to bringing Adelaide performances of the cantatas.
I really need to see this production again.
Charles Gounod took Shakespeare’s tale of the star-crossed lovers and adapted it to create the 1867 opera, Roméo et Juliette, with an overture and Shakespeare’s explanatory prologue, delivered by the chorus, followed by a five-act opera, with a libretto by Jules Barbier and Michel Carré.
The hills are alive with the sound of music and the Arts Theatre is alive with The Sound of Music, in this most enjoyable production from the Gilbert and Sullivan Society.
Almost forty years ago, in 1987, I happened to be sent on a training course in Melbourne, when Andrew Lloyd Webber’s musical, Cats, had its run in Sydney and been transferred to Melbourne’s Her Majesty’s Theatre, and I took advantage of the opportunity to buy a ticket to see the performance.
Singer/songwriters who play guitar a bit were disappointing in a guitar festival.
We heard three remarkable musicians.
A thought-provoking reworking of Mozart's popular opera.
Ah, memories.
I have not laughed so much at the theatre in God knows how long.
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