Sylvestra Le Touzel

A tale of transformation, coersive control and eventual female empowerment performed by two of our best stage actors should be a guaranteed hit. However, Richard Jones' revival of George Bernard Shaw's Pygmalion fails to pack the expected punch.

The Old Vic has released production images for its upcoming revival of George Bernard Shaw’s Pygmalion.

The Old Vic has announced the full cast and creative team for Pygmalion, a play by George Bernard Shaw, directed by Richard Jones

The play is directed by actor and director Geraldine Alexander, and is performed by a first-rate cast of Penny Downie, Sylvestra Le Touzel, Matthew Tennyson and Iniki Mariano.

Harriet Lane's memorably unsettling 2012 novel, about an overlooked sub-editor who infiltrates the literary elite, has been adapted for stage by Lucinda Coxon. Its combination of psychological thriller and industry satire is decently translated, but a conservative production from Bridge boss Nicholas Hytner (who, astonishingly, is here directing his first ever play by a female writer) makes a middling case for the virtues of a theatrical version.

Directed by Nicholas Hytner, Lucinda Coxon's new play Alys, Always based on Harriet Lane's novel of the same name is playing at the Bridge Theatre until Saturday 30 March 2019.

Joanne Froggatt (Frances) and Robert Glenister (Lawrence) lead the cast in the world premiere of Lucinda Coxon's Alys, Always and are joined by Danny Ashok (Sid), Joanna David (Charlotte), Leah Gayer (Polly), Simon Manyonda (Oliver),Sylvestra Le Touzel (Mary/Audrey), Jeff Rawle (Robin/Mr Thorpe), Vineeta Rishi (Julia Price), Sue Wallace (Mrs Thorpe) and Sam Woolf (Teddy).

Joining the previously announced Joanne Froggatt (Frances) and Robert Glenister (Lawrence) in the premiere of Lucinda Coxon's Alys, Always are Danny Ashok (Sid), Joanna David (Charlotte), Leah Gayer (Polly), Simon Manyonda (Oliver), Sylvestra Le Touzel (Mary/Audrey), Jeff Rawle (Robin/Mr Thorpe), Vineeta Rishi (Julia Price), Sue Wallace (Mrs Thorpe) and Sam Woolf (Teddy).

The National Theatre end their series of rehearsed readings with Elizabeth Robins' Votes for Women. Written in 1907, the play dramatises the birth of the suffragette movement and, presented in 2018, shines a light on how slow the progress of equality has been.

The NT marks the 100th anniversary of the first women in the UK gaining the right to vote, with a series of rehearsed readings, talks and events, as well as a free exhibition in the Lyttelton Lounge. World-class directors Nadia Fall, Phyllida Lloyd, Jenny Sealey, Lyndsey Turner and Dawn Walton will bring to life five plays on themes of suffrage, courage and the fight for political equality in the UK and around the world.

The NT marks the 100th anniversary of the first women in the UK gaining the right to vote, with a series of rehearsed readings, talks and events, as well as a free exhibition in the Lyttelton Lounge. World-class directors Nadia Fall, Phyllida Lloyd, Jenny Sealey, Lyndsey Turner and Dawn Walton will bring to life five plays on themes of suffrage, courage and the fight for political equality in the UK and around the world.

The NT marks the 100th anniversary of the first women in the UK gaining the right to vote, with a series of rehearsed readings, talks and events, as well as a free exhibition in the Lyttelton Lounge. World-class directors Nadia Fall, Phyllida Lloyd, Jenny Sealey, Lyndsey Turner and Dawn Walton will bring to life five plays on themes of suffrage, courage and the fight for political equality in the UK and around the world.

Over 30 years since The Art of Success was first performed, beginning in Stratford-upon-Avon and running in both New York and London (where it picked up an Olivier Award nomination), and Nick Dear's play has been revived alongside the world premiere of his new work The Taste of the Town. William Hogarth is the focal point of both plays, alongside wife Jane, fittingly set 30 years apart. They show a marked contrast between the up-and-coming, angry young artist and the disgruntled establishment figure - neither quite fitting in, instead blazing a trail for themselves. Together they form Hogarth's Progress, a curious but entertaining double bill of plays.

Rose Theatre Kingston presents Nick Dear's double-bill Hogarth's Progress. Anthony Banks directs Bryan Dick as the younger William Hogarth in the first major UK revival of Dear's acclaimed comedy The Art of Success, which follows Hogarth through a bawdy night in 1730 and Keith Allen as the older William Hogarth in the world premiere of The Taste of the Town which rejoins the now hugely successful artist 30 years later towards the end of his career. Ruby Bentall (Jane Hogarth and Nancy/Mrs Ryott), Emma Cunniffe (Louisa and Mrs Colquhoun/Mrs Bascombe), Ben Deery (Frank and Zachariah Blunt), Jack Derges (Henry Fielding and Parson Venables), Ian Hallard (Oliver and Horace Walpole), Susannah Harker (Queen Caroline and Jane Hogarth), Jasmine Jones (Sarah Sprackling and Bridget), Sylvestra Le Touzel (Mrs Needham and Lady Thornhill) and Mark Umbers (Robert Walpole and David Garrick) complete the company.

Rose Theatre Kingston is now in rehearsal for Nick Dear's double-bill Hogarth's Progress. Anthony Banks directs Bryan Dick as the younger William Hogarth in the first major UK revival of Dear's acclaimed comedy The Art of Success, which follows Hogarth through a bawdy night in 1730 and Keith Allen as the older William Hogarth in the world premiere of The Taste of the Town which rejoins the now hugely successful artist 30 years later towards the end of his career.

Rose Theatre Kingston today announces the full cast for Nick Dear's double-bill Hogarth's Progress. Anthony Banks directs Bryan Dick as the younger William Hogarth in the first major UK revival of Dear's acclaimed comedy The Art of Success, which follows Hogarth through a bawdy night in 1730 and Keith Allen as the older William Hogarth in the world premiere of The Taste of the Town which rejoins the now hugely successful artist 30 years later towards the end of his career. Ruby Bentall (Jane Hogarth and Nancy/Mrs Ryott), Emma Cunniffe (Louisa and Mrs Colquhoun/Mrs Bascombe), Ben Deery (Frank and Zachariah Blunt), Jack Derges (Henry Fielding and Parson Venables), Ian Hallard (Oliver and Horace Walpole), Susannah Harker (Queen Caroline and Jane Hogarth), Jasmine Jones (Sarah Sprackling and Bridget), Sylvestra Le Touzel (Mrs Needham and Lady Thornhill) and Mark Umbers (Robert Walpole and David Garrick) complete the company.

The bells, the bells! They're ringing out at the Donmar - ushering girls into class, and nuns into cloister. It's one of the creative ways in which director Polly Findlay reframes this beloved classic, although a new adaptation from David Harrower also rings the changes.

At Marcia Blaine School for Girls, Miss Jean Brodie presides over her 'set', her chosen few. In return for their absolute devotion, Miss Brodie will provide an education far beyond the confines of the curriculum.

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a ground-breaking musical to a mighty modern classic, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld reviews, interviews and features!

The Donmar Warehouse presents an arresting new stage adaptation of Muriel Spark's iconic novel The Prime of Miss Jean Brodie by Scottish playwright David Harrower, in the 100th anniversary year of Muriel Spark's birth. The production will star Lia Williams in the title role, with rising talent Rona Morison, alongside a cast including Nicola Coughlan, Emma Hindle, Edward Mackliam, Grace Saif, Sylvestra Le Touzel, Helena Wilson, Angus Wright and Kit Young. The Prime of Miss Jean Brodie will be directed by Polly Findlay, who returns to the Donmar following her acclaimed production of Limehouse.