Woolly Mammoth Theatre Company Announces 35th Season: MARIE ANTOINETTE, CHEROKEE & More

Woolly Mammoth Theatre Company's 35th anniversary season is one of inward and outward revolution, of daring and breakthroughs in style, content, process, and even international borders for the Company's biggest, most ambitious season yet!

The apocryphal quip by Marie Antoinette-"Let them eat cake!"-sparks a deliciously decadent Season 35, but also one in which we skewer our leaders and walk the widening divide between the haves and the have-nots. The cast of characters include queens and presidents, boomers and hustlers, the living and the living dead, and all of the works explore societies and individuals under attack from outside and inside forces, breaking down, breaking out, and groping toward new solutions.

Season 35 begins and ends with two plays about governments under siege: Marie Antoinette by David Adjmi and Zombie: The American, a World Premiere, and Woolly's first "Free the Beast!" commission by Andrew W. Mellon Playwright in Residence Robert O' Hara. Both show conflicted and complicated leaders attempting to keep the hordes at bay, even as rebellion is inevitable.

But if the above present the world from the point of view of those with power, the four works between them present stories of societal attack and change by everyday individuals who struggle to rise up and take down the established order. The Russians Are Coming! A Festival of Radical New Theatre from Moscow showcases new work by four innovative companies using revolutionary and inventive theatrical approaches to investigate the urgent concerns of contemporary Russia, questioning authority, and shattering the old rules. Canada's Old Trout Puppet Workshop comes to Woolly in December with Famous Puppet Death Scenes about a hapless parade of characters who are captivating, goofy, and helpless against the power of the ultimate overlord-death. Cherokee by Lisa D'Amour-a companion piece of sorts to last year's hit play Detroit-presents two couples whose break from society finds them scrabbling toward a whole new way of life. And the three underdogs in Lights Rise on Grace by Chad Beckim have no choice but to go their own way-societal transgressors due to who they are, who they love, and where they've been.

"This landmark season is a culmination of our thinking over the last few years about what it means to make theatre," says Woolly Artistic Director Howard Shalwitz. "With the expansion of our Company of Artists to include directors, designers, and playwrights, we have been using new processes for production development that harness meaningful and early collaborations among all the artists involved in a production. With our focus on Connectivity, we are asking more probing questions about the relevance of our work in our community. And with scripts like Bootycandy, Mr. Burns, and Stupid Fucking Bird, we have continued to seek out writers who are re-inventing the traditional idea of a play. These three threads have been the biggest influences on my thinking about the direction of Woolly. They have seamlessly combined in Season 35 for our boldest season to date, one which will engage and challenge our audience in new ways."

ABOUT SEASON 35*

"Let them eat cake."
MARIE ANTOINETTE
By David Adjmi
Directed by Yury Urnov
September 15-October 12, 2014

On the surface, Marie Antoinette is the famous story of the rise and fall (mostly fall) of the iconic and controversial Queen of France. But was Marie just a shallow, rich party girl, or a tragic figure constructed by a culture of luxury and celebrity?

"Through David Adjmi's incisive contemporary lens, history's most notorious queen becomes a full-blooded, complex, and tragic heroine who realizes too late that there's an unstoppable revolution brewing outside her window," says Woolly Artistic Director Howard Shalwitz. "This is a Marie Antoinette for today: a potent symbol of all the things that keep us from seeing the real forces bearing down on us: our cult of celebrity, our fatuous politics, and a pace of change we can hardly fathom. I am thrilled to welcome David back to Woolly, along with visionary director Yury Urnov and Woolly Company Member Kimberly Gilbert as Marie."




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