BWW Reviews: Excellent Production of THE RIME OF THE ANCIENT MARINER by Upstream Theater

In the director's notes for Upstream Theater's recent production of The Rime of the Ancient Mariner, Patrick Siler mentions the fact that he was first exposed to Samuel Taylor Coleridge's work when he was around ten years of age. Interestingly enough, I brought my nine year old along with me so that he could experience this wonderful classic for the first time. And, what he saw was an absolutely amazing production, adapted by Siler with original music composed and performed by Sleepy Kitty. What a great introduction to a timeless piece. From the excellent musical accompaniment, which was simply beyond cool, to the projected images of Gustave Dore's original wood-engraved illustrations, to the fabulous performance of the cast, this was a presentation that was truly special in every sense of the word.

Coleridge's poem, a kind of lyrical ballad, tells the story of a sailor who has returned from a harrowing sea voyage that has left him the sole survivor. Apparently, an albatross which aided the ship in navigating the treacherous waters of the Antarctic, was shot by the mariner with his crossbow. This oddly cruel act brings a string of misfortune and death to every member of the crew except the mariner himself. Filled with supernatural imagery and consistently engaging, this is a tale that deserves a staging that is able to create just the right atmosphere. And, it receives one that is decidedly remarkable.

Jerry Vogel portrays the ancient mariner, and gives yet another fantastic performance with his work here. He's simply mesmerizing to watch, and you find yourself hanging on his every word as the story unfolds. And, while I don't recall ever hearing him sing onstage before, he handles his vocal duties in fine fashion. Patrick Blindauer and Shanara Gabrielle make up the ensemble, playing a variety of roles, including crew members, angels, sea snakes, and wedding guests to whom the tale is told. They provide excellent support no matter what part they take on, and they both add superb singing voices as well.

The other important part of this production is Sleepy Kitty, which consists of Paige Brubeck and Evan Sult. Brubeck's incredible instrumental performances (guitars, piano, organ) and vocals, and Sult's equally outstanding contributions on percussion, vocals, and guitar complement this endeavor with a mood that's just perfect. Their compositions drive the plot along with thunder, tenderness, and suitably distorted ambiance that makes the narrative spring to life with a kind of edgy energy.

Patrick Siler's direction and adaptation are a revelation for those who may have only read the yarn in print form. He's aided by Kyra Bishop's evocative scenic design, Lou Bird's imaginative costumes, and Joseph W. Clapper's expressive lighting design. Julia Graham's props also lend an authenticity to the proceedings.

The true test of classic material like this is whether a young person such as my son can come away understanding and appreciating what's he's just witnessed. And he thoroughly enjoyed it, easily following this engaging story, which might be considered a bit of a chore for someone his age. Actually, we both had a great time. Upstream Theater is another St. Louis treasure, and their production of The Rime of the Ancient Mariner is just more proof that we're lucky to have them as part of our theater community.

Photo credit: Peter Wochniak

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