Birth 1871

AIDA Comes to Warsaw in December. Performances run 8 December - 4 February at Teatr Wielki.

The series stars Harriet Slater as “Clara Trenchard (née Dunn)”, Benjamin Wainwright as “Frederick Trenchard”, Edward Bluemel as “Dr. Stephen Ellerby”, Toby Regbo as “Rev. James Trenchard”, Hannah Onslow as “Emily Dunn”, Sophie Thompson as “Mrs. Dunn”, Claude Perron as “The Marquise D’Etagnac”, and more. Watch the video trailer now!

Miko Marks Releases Single 'Jubilee' Featuring Fisk Jubilee Singers and makes an appearance at Grand Ole Opry tonight. The Tennesseean praises the track for its redemptive arc and potential for success.

MasterVoices has announced details of the chorus’ 81st season, celebrating the power of the human voice to unite, inspire and connect since 1941. The 2022-23 season opens on October 25 at the Rose Theater at Jazz at Lincoln Center with Mr. Sperling leading a concert staging of Bizet’s Carmen in its original Opéra Comique version.

The Royal Liverpool Philharmonic Orchestra's 180th season, and Vasily Petrenko's final season as Chief Conductor, before assuming the role of Conductor Laureate, features a compelling programme across a wide variety of repertoire.

'Messiah' is probably Handel's best-known piece; written in 1741, the oratorio was originally composed for Easter time, but you don't have to travel far to find a performance of it at this time of year. Handel at Christmas at the Royal Albert Hall is always a special, festive event. The composition has been performed in full at the venue since 1871 and, as of this month, it has been performed a remarkable 524 times.

At a time when black people were prohibited from walking through the front doors of public spaces, composer and soprano Ella Sheppard (1851-1915) and the Fisk Jubilee Singers performed on international stages for industry barons, cultural icons, and Queen Victoria. That trailblazing work was furthered by composer and baritone Harry T. Burleigh (1866-1949), whose compositions - crossing racial, religious, and class lines - served to bridge the sound and identity of America. Sheppard and Burleigh's barrier-breaking contributions to the foundation of the American music tradition will be examined in an upcoming concert and conference hosted by the Harry T. Burleigh Society on March 2 and 3 at Carnegie Hall.

New Line Theatre, 'the bad boy of musical theatre,' has announced a free public reading of Gilbert and Sullivan's BLOODY KING OEDIPUS, Monday night, Jan. 6, 2020, at 7:00 pm at the Marcelle Theater, in the Grad Center Arts District.

At a time when black people were prohibited from walking through the front doors of public spaces, composer and soprano Ella Sheppard (1851-1915) and the Fisk Jubilee Singers performed on international stages for industry barons, cultural icons, and Queen Victoria. That trailblazing work was furthered by composer and baritone Harry T. Burleigh (1866-1949), whose compositions - crossing racial, religious, and class lines - served to bridge the sound and identity of America. Sheppard and Burleigh's barrier-breaking contributions to the foundation of the American music tradition will be examined in an upcoming concert and conference hosted by the Harry T. Burleigh Society on March 2 and 3 at Carnegie Hall.

The Shakespeare Theatre Association (STA) annual conference came to Prague this year. It has an extensive performance program, crafted by host Guy Roberts and Prague Shakespeare Company, that was open to the public as well as conference attendees. The conference was all about bringing the focus back to the artistic sides of things, as theatre tries to compete in a world filled with on-demand entertainment.

New Line Theatre, "the bad boy of musical theatre," opened its 28th season of adult, alternative musical theatre in October with the critically acclaimed world premiere of THE ZOMBIES OF PENZANCE, Gilbert & Sullivan's comic-horror 'operatic abomination,' in its world premiere, with new text by Scott Miller and music adaptation and orchestration by John Gerdes. And now, the show's script, full piano-vocal score, and a live cast recording are all available on Amazon.com.

New Line Theatre, "the bad boy of musical theatre," opens its 28th season of adult, alternative musical theatre with the world premiere of THE ZOMBIES OF PENZANCE, Gilbert & Sullivan's newly discovered, original 'operatic abomination,' in its world premiere, running Sept. 27-Oct. 20, 2018 at the Marcelle Theater, in the Grand Center Arts District.

New Line Theatre, "the bad boy of musical theatre," opens its 28th season of adult, alternative musical theatre with the world premiere of THE ZOMBIES OF PENZANCE, Gilbert & Sullivan's newly discovered, original 'operatic abomination,' in its world premiere, running Sept. 27-Oct. 20, 2018 at the Marcelle Theater, in the Grand Center Arts District.

Anyone who has ever taken piano lessons, whether as a child or as an adult, will vouch for the fact that it is not an easy instrument to learn. Reading music simultaneously on two separate lines, instantly coordinating what the eye sees with what the hands play can take years to perfect. Now, imagine what this experience must be like for a person who has been blind since birth, for him or her to sit down at the piano, and play a concerto by Chopin. Nobuyuki Tsujii (or Nobu, as he prefers to be known), is that person. His performance with the Orpheus Chamber Orchestra on September 20, 2018 at Carnegie Hall was nothing short of extraordinary.

New Line Theatre, "the bad boy of musical theatre," opens its 28th season of adult, alternative musical theatre with the world premiere of THE ZOMBIES OF PENZANCE, Gilbert & Sullivan's newly discovered, original 'operatic abomination,' in its world premiere, running Sept. 27-Oct. 20, 2018 at the Marcelle Theater, in the Grand Center Arts District.

New Line Theatre, "the bad boy of musical theatre," opens its 28th season of adult, alternative musical theatre with the world premiere of THE ZOMBIES OF PENZANCE, Gilbert & Sullivan's newly discovered, original 'operatic abomination,' in its world premiere, running Sept. 27-Oct. 20, 2018 at the Marcelle Theater, in the Grand Center Arts District.

New Line Theatre, "the bad boy of musical theatre," announces its 28th season of adult, alternative musical theatre, including the world premiere of THE ZOMBIES OF PENZANCE, Gilbert & Sullivan's newly discovered, original 'operatic abomination,' in its first ever production, running Sept. 27-Oct. 20, 2018; followed by the 'family values' classic musical LA CAGE AUX FOLLES, running Feb. 28-March 23, 2019; and to close the season, the St. Louis premiere of the new sci-fi rock musical BE MORE CHILL, based on the bestselling novel, running May 30-June 22, 2019. All New Line's mainstage shows will be in the company's home, the Marcelle Theater, in the Grand Center Arts District.

New Line Theatre, "the bad boy of musical theatre," announces its 28th season of adult, alternative musical theatre, including the world premiere of THE ZOMBIES OF PENZANCE, Gilbert & Sullivan's newly discovered, original 'operatic abomination,' in its first ever production, running Sept. 27-Oct. 20, 2018; followed by the 'family values' classic musical LA CAGE AUX FOLLES, running Feb. 28-March 23, 2019; and to close the season, the St. Louis premiere of the new sci-fi rock musical BE MORE CHILL, based on the bestselling novel, running May 30-June 22, 2019. All New Line's mainstage shows will be in the company's home, the Marcelle Theater, in the Grand Center Arts District.

New Line Theatre, the bad boy of musical theatre, continues its 27th season of adult, alternative musical theatre, with a public reading of the new/old musical THE ZOMBIES OF PENZANCE, 'Gilbert & Sullivan's original operatic abomination,' free and open to the public, on January 8 for one night only; followed by Cole Porter's satiric masterpiece ANYTHING GOES, running March 1-24, 2018; and the St. Louis premiere of the world's first bio-historical musical comedy, YEAST NATION, written by the Urinetown team, running May 31-June 23, 2018. All shows will be in the company's home, the Marcelle Theater, in the Grand Center Arts District.

New Line Theatre, the bad boy of musical theatre, will present a public reading of the new/old musical THE ZOMBIES OF PENZANCE, Gilbert & Sullivan's original 'operatic abomination,' free and open to the public, on Monday, January 8, 2018, at 8:00 pm at the Marcelle Theater, 3310 Samuel Shepard Drive, in the Grand Center Arts District. Admission is free.

Art and history, as vividly recalled in both the public oratory and private thoughts of Abraham Lincoln, will come alive at Chesterwood today, Aug. 9 at 5 p.m., with the return of 'Lincoln Speaks,' a program of dramatic readings held in Daniel Chester French's Stockbridge studio alongside the sculptor's six-foot-high plaster model of the seated figure of "Abraham Lincoln" for the Lincoln Memorial, arguably the most famous and compelling Lincoln image in the world. The "Lincoln Speaks" program debuted to a sold-out house at Chesterwood last summer.

Art and history, as vividly recalled in both the public oratory and private thoughts of Abraham Lincoln, will come alive at Chesterwood on Wednesday, Aug. 9 at 5 p.m., with the return of 'Lincoln Speaks,' a program of dramatic readings held in Daniel Chester French's Stockbridge studio alongside the sculptor's six-foot-high plaster model of the seated figure of "Abraham Lincoln" for the Lincoln Memorial, arguably the most famous and compelling Lincoln image in the world. The "Lincoln Speaks" program debuted to a sold-out house at Chesterwood last summer.

John Millington Synge, the Irish playwright who so singularly combined gritty realism and haunting spiritualism, penned one more play before his untimely death: DEIRDRE OF THE SORROWS, drawn from the legends of ancient Ireland's great heroine.

New Line Theatre, "the bad boy of musical theatre," announces its 27th season of adult, alternative musical theatre, including the St. Louis premiere of the four-woman rock opera LIZZIE, a very different take on the Lizzie Borden legend, running Sept. 28-Oct. 21, 2017; followed by Cole Porter's satiric masterpiece ANYTHING GOES, running March 1-24, 2018; and the St. Louis premiere of the world's first bio-historical musical comedy, YEAST NATION, written by the Urinetown team, running May 31-June 23, 2018. All New Line's mainstage shows will be in the company's home, the Marcelle Theater, in Grand Center, St. Louis' arts district.

New Line Theatre, "the bad boy of musical theatre," announces its 27th season of adult, alternative musical theatre, including the St. Louis premiere of the four-woman rock opera LIZZIE, a very different take on the Lizzie Borden legend, running Sept. 28-Oct. 21, 2017; followed by Cole Porter's satiric masterpiece ANYTHING GOES, running March 1-24, 2018; and the St. Louis premiere of the world's first bio-historical musical comedy, YEAST NATION, written by the Urinetown team, running May 31-June 23, 2018. All New Line's mainstage shows will be in the company's home, the Marcelle Theater, in Grand Center, St. Louis' arts district.