As I Remember You 1925

Welcome to the Jazz Age! The new musical adaptation of F. Scott Fitzgerald’s The Great Gatsby opens on Broadway tonight, starring Jeremy Jordan  and Eva Noblezada! Read the reviews!

Led by two incredible performances and a visionary director, it's a production where everything goes right.

The National Theatre Conference announces its 2023 award recipients, including Jacob G. Padrón as Person of the Year, Deaf West Theatre for Outstanding Theater, a.k. payne for Stavis Playwriting, Isabel Pask for The Paul Green, and Joshua Castille for Emerging Professional.

Paper Mill Playhouse, recipient of the 2016 Regional Theatre Tony Award, opened their production of the world premiere of The Great Gatsby, based on the iconic novel by F. Scott Fitzgerald. What did the critics think?

White Heron Theatre Company of Nantucket will open it's first production of the 2023 summer season, Blithe Spirit, by Noël Coward (Present Laughter, Private Lives) and directed by Skip Greer. Greer returns to Nantucket after directing 2017's Outside Mullingar for White Heron.

What did our critic think of I’M NOT A COMEDIAN…I’M LENNY BRUCE at JCC Centerstage Theatre?

The Mint Theater company will be presenting the American Premiere of Noel Coward's The Rap Trap, and the world premiere of Becomes a Woman by Betty Smith (A Tree Grows in Brooklyn).

Notes on David Greenspan in The Patsy, a Mets memory from Take Me Out and keeping track of New York theatre's Lenape Land Land Acknowledgements.

BroadwayWorld is celebrating Women's History Month and International Women's Day by asking the question, 'what does being a woman in theatre mean to you?'

BWW Reviewer Peter Nason chooses the 101 greatest scenes in cinema from 1901 to 2020. See if your favorite movie moments made the list!

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

'In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since. Whenever you feel like criticizing anyone, he told me, just remember that all the people in this world haven't had the advantages that you've had.' Thus famously begins both F. Scott Fitzgerald's novel 'The Great Gatsby' and its stage incarnation 'Gatz' in the Elevator Repair Service (ERS) production currently running at Berkeley Repertory Theatre. Wait, you mean Fitzgerald was addressing the notion of privilege way back in 1925? Yes, indeedy! In fact, so much of his novel resonates so deeply with our current state that it's a perfect time to revisit this classic. Which is exactly and literally what ERS is doing here. The text of 'Gatz' consists of every word in the novel and nothing more. So, yes, that means you're in for roughly six hours (plus 2 intermissions and a welcome dinner break) of Fitzgeraldian theatrical experience. If those last two sentences intrigue you at all, I highly recommend you take the ride.

No No Nanette/book by Otto Harbach and Frank Mandel/adapted by Burt Shevelove/'music by Vincent Youmans; lyrics by Irving Caesar and Otto Harbach/directed by John LaLonde/choreographed by John Vaughn/musical director: Douglas Austin/Candlelight Pavilion Dinner Theatre, Claremont/through April 13 Based on Frank Mandel's 1919 play My Lady Friends, the musical version No No Nanette bowed on Broadway in 1925 and spawned many movies through the years. But it wasn't until 1971, in a rollicking revival adapted by Burt Shevelove, that the

Deep South The Bar celebrates 10 years with special weekend celebration- October 12th- 14th.

The sequel to THE PHANTOM OF THE OPERA runs at the Hippodrome Theatre from October 3 to October 8, 2017.

GOOD MORNING, THEATERATI! It's Thursday, June 8, 2017 - which means it's #theaterThursday (seriously, you could help a guy out here and make that hashtag a #thing) and your latest opportunity to live life dramatically! What better way to do that than by making plans to get yourself to the theater and see a show, live onstage…

Wilton's Music Hall today announces its exciting new season programme, which sees the world's oldest surviving grand music hall welcome a diverse range of work, shining a spotlight on live music and bespoke theatre productions. Highlights include Sadie Frost starring as Gypsy Rose Lee in world premiere BRITTEN IN BROOKLYN and musical FLOYD COLLINS, which tells the story of a 1920s Kentucky cave explorer.

Cleveland Play House's Centennial Season continues with MR. WOLF, an intense and compelling drama about faith, hope and healing.

Cleveland Play House's Centennial Season continues with MR. WOLF, an intense and compelling drama about faith, hope and healing.

The Janet and Mark L. Goldenson Broadway Musical Concert Series at Rubicon Theatre Company continues with three concerts celebrating the genius of two of the most prolific and most important writing teams in musical theatre history in a show entitled RODGERS & HART & HAMMERSTEIN.

The Janet and Mark L. Goldenson Broadway Musical Concert Series at Rubicon Theatre Company continues with three concerts celebrating the genius of two of the most prolific and most important writing teams in musical theatre history in a show entitled RODGERS & HART & HAMMERSTEIN.

Germantown Community Theatre has announced the slate of productions for their 2015-2016 season. The season blends music, theatre for youth, classic literature and raucous fun. Titles include Neil Simon's RUMORS, the movie-turned-musical DIRTY ROTTEN SCOUNDRELS and Tennessee Williams' A STREETCAR NAMED DESIRE. Memberships for the season range from $60 to $200 and are on sale through the GCT box office at (901) 937.3023. The 2015-2016 season of Germantown Community Theatre is sponsored by the City of Germantown, Tennessee Arts Commission, ArtsMemphis, the GCT Trust and the Germantown Arts Alliance.

To celebrate the publication of The Untold Stories of Broadway, Volume 2 on November 18 by Dress Circle Publishing, Jennifer Ashley Tepper will be sharing three short excerpts about each of the Broadway theaters featured in the book-countdown style! Today: The Shubert Theatre!

The Glimmerglass Festival presents the premiere of a new version of An American Tragedy, which was originally commissioned by and premiered at the Metropolitan Opera in 2005, by composer Tobias Picker and librettist Gene Scheer on Sunday, July 20 at 1:30 p.m., with subsequent performances through Sunday, August 24. One hour prior to the opening performance and other matinee performances, Mr. Picker will preview his work in a free discussion at the Preview Pavilion next to the performance venue. The production is directed by Peter Kazaras and conducted by George Manahan, and the cast features Glimmerglass's 2014 Young Artists. Tickets range from $10-$144 and can be purchased by calling the box office at(607) 547-2255 or online at glimmerglass.org.