Jeffrey 1992 - Articles Page 4

On Sunday, June 16, Washington, D.C.'s theatre community gathered to celebrate the end of MICHAEL KAHN's 33-year tenure as Artistic Director of Shakespeare Theatre Company with musical and dramatic performances, special guests from the worlds of entertainment, politics, and media, and a mayoral proclamation.

Avante Garage Theatre Company, the award-winning company originally based in Nashville before its founders moved to New York City, will debut its first Los Angeles production this summer at The Avery Schreiber Playhouse in the NOHO Arts District:  the world premiere of The Favorite by Joe Correll, co-artistic director, along with Avante Garage founder Michael Bouson.

Now would seem the perfect time for a Nashville revival of Christopher Hampton's Les Liasions Dangereuses - an intriguing play about powerful men subjugating women to their sexual domination, private missives between aristocrats made public in order to cause embarrassment, and any perceptibly well-meaning act of charity is undermined by far baser instincts - which is perhaps best known for the movies it has inspired: Dangerous Liaisons and Cruel Intentions.

It's another busy weekend in Nashville - but when is Music City not packed with events, festivals, affairs? - and we're back with our Critic's Choice recommendations to have you cut through the theatrical flotsam and jetsam and find a cultural opening that's a good fit for your harried lifestyle. Nashville Opera opens its staging of Marc Blitzstein's The Cradle Will Rock at Noah Liff Opera Center, Way Off Broadway Productions unveils its version of Les Liaisons Dangereuses at Music Valley Event Center, Street Theatre Company invites you to the see their staging of Lynn Nottage's Sweat at their new venue on Elm Hill Pike and Nashville Rep continues its celebration of 10 years of The Ingram New Works Festival at Nashville Children's Theatre.

Les Liaisons Dangereuses - Christopher Hampton's acclaimed 1985 play based on the 1782 novel of the same name by Pierre Cholderlos de Laclos - opens as the latest offering from Nashville's Way Off Broadway Productions, running May 10-June 2 at Music Valley Event Center.

Way back in those days of yesteryear, the early 1990's, Jeffrey Katzenberg was celebrating his success. He had almost single-handedly guided the Walt Disney animation studio back to glory after decades of reduced returns, and he had the bright idea to try to do the same to the live-action movie musical.

Road Less Traveled Productions (RLTP)with close its 2018/19 season with The Undeniable Sound of Right Now by Laura Eason. The Undeniable Sound of Right Now will star RLTP Ensemble member Peter Palmisano alongside Diane DiBernardo, Christine Turturro, Johnny Barden, Jeffrey Coyle and Nick Stevens under the direction of Ensemble member David Oliver.  The production team includes Dyan Burlingame (set design), John Rickus (light design), Maura Price (costume design/props), and Katie Menke (sound design).

Theatre Arlington is proud to present the compelling military courtroom drama, A Few Good Men by Aaron Sorkin. Before his 1992 movie received worldwide praise and recognition, Sorkin's play, which he wrote on cocktail napkins while bartending, opened at the Music Box Theatre in New York City in November 1989 and ran until January 1991. So strong was his dialogue and characters that the film rights were sold before his play even opened.

BroadwayWorld previously reported last year that an all-female production of David Mamet's play Glengarry Glen Ross was in the works.

2017 Tony Award winner for Best Play, Oslo, by J.T. Rogers, is Repertory Theatre St. Louis' artistic director Steven Woolf's final directing project before his retirement begins. It is the story of the Norwegian couple-an academic and social scientist, Terje, who has developed a new approach to conflict resolution, and his clever wife, Mona, who is a dignitary in the office of the Foreign Ministry-who together initiated and facilitated clandestine peace talks between the Israelis and the Palestinian Liberation Organization in 1992 and 1993; talks that would highlight the past and decide the futures of two peoples, each having reasonable grievances, though each striving to find resolution.

In recent years, Center for the Arts has certainly upped the ante with musical productions which have, consistently, been better than the one before, raising the bar for all the shows still to come. Case in point: Disney's Newsies, which closed its sold-out run in Murfreesboro on Sunday.

Tonight, FOX will air their third live musical production. Following in the footsteps of Grease and A Christmas Story, the network will be presenting Jonathan Larson's Rent, a rock musical that is loosely based on Giacomo Puccini's 1896 opera, La boheme. The story follows a group of impoverished young artists struggling to survive and create a life in New York City's East Village in the thriving days of Bohemian Alphabet City, under the shadow of HIV/AIDS.

Theater Resources Unlimited (TRU) announces Miracolo by Jarlath Barsanti-Jacobs and Emilio Solla as part of the 2019 TRU Voices New Musicals Reading Series on Monday evening January 14, 2019 at 7pm at the Actors Temple, 339 West 47th Street, New York, NY. The reading is produced by Harold Heno in association with R.K. Greene, and will be directed by Fred Mann III. It is free but reservations are required: please email name and number of tickets requested to TRUVoicesSeries@gmail.com, or use the bright red ticketing box at https://truonline.org/events/miracolo/.

The following is the unofficial transcript of a CNBC EXCLUSIVE interview with DoubleLine Capital CEO Jeffrey Gundlach and CNBC's Scott Wapner on CNBC's 'Fast Money Halftime Report' (M-F 12PM – 1PM) today, Monday, December 17th. The following is video from the interview on CNBC.com here. 

There's just something about Kristin Chenoweth. It's almost undefinable, perhaps even undescribable, yet as with any writer's efforts to put into words how remarkable the woman behind the image is, I'll give it my best shot, attempting to encapsulate the wonder that is Kristin Chenoweth in 2,000 words or less (but if I go over, don't judge too harshly - I'm simply stating the facts that prove the folly of my initial hypothesis).

For plenty of fast-paced action, along with some stellar performances by a fresh-faced cast of eager young theatrical triple threats and a coterie of Nashville stage favorites, one need look no further than Disney's Newsies, the latest onstage offering from Chaffin's Barn Dinner Theatre, the iconic Music City venue that's been entertaining audiences for more than half a century. In its way, The Barn (as it is affectionately known in these parts) and its laudable history ensure that its treatment of the popular musical theater title lend the show's historical basis more than a little gravitas in the making of a stage spectacle.

Today, The Thursday Five(+1) shines the spotlight on four members of the Chaffin's Barn cast of Newsies - David Ridley, Samantha Blake, Natalie Rankin and Kayla Petrille - who took time out from their rigorous regimen of rehearsals to tell our readers more about themselves and to offer their own suggestions for why you should come see their show, which runs through October 22.

There's just something about Kristin Chenoweth. It's almost undefinable, perhaps even undescribable, yet as with any writer's efforts to put into words how remarkable the woman behind the image is, I'll give it my best shot, attempting to encapsulate the wonder that is Kristin Chenoweth in 2,000 words or less (but if I go over, don't judge too harshly - I'm simply stating the facts that prove the folly of my initial hypothesis).

Based on Emile Ardolino's 1992 film of the same name, Sister Act follows disco diva Deloris Van Cartier as she is put in protective custody after witnessing a murder. Not only that, but she is hidden in the one place that the cops are sure she won't be found, a convent. While struggling through the restrictions of her new lifestyle, Deloris uses her unique disco moves and singing talent to inspire the choir, but in doing so, she jeopardizes her cover.

High-spirited, energetic and enormously entertaining, Circle Players' Newsies is a certified hit - thanks in large part to the focused direction of Jim Manning, the athletic and challenging choreography of Tosha Pendergrast and the superb musical direction of DaJuana Hammonds - performed by an impressive cadre of actors young and old, a blend of familiar faces and Nashville stage newcomers, who infuse the show with all the spunk necessary to bring the turn-of-the-century newsboys and a smattering of historic figures to life.

Nashville's iconic Chaffin's Barn Dinner Theatre is back and better than ever! After some six months - and 50 or more years since its debut - the newly renovated and gorgeously appointed Chaffin's Barn has reopened with a rousing production of Sister Act, the habit-forming musical that played to sold-out audiences last summer.

Based on the 1992 Disney film of the same name, which in turn was inspired by the real-life newsboys strike of 1899 in New York City, Newsies tells the captivating story of a band of underdogs who become unlikely heroes when they stand up to the most powerful men in New York. When I last met up with these newsboys, it was during their strike at DPAC back in 2015. Since then, the tour closed up shop after a two-year run, became a hit Fathom Event, and is now available for licensing to schools, community, and regional theatres all over the world.

On Friday July 13th, I witnessed the incredible performances of Misty Copeland, Isabella Boylston and Jeffrey Cirio as the lead soloists in the mesmerizing and captivating La Bayadere', at the world-renowned Dorothy Chandler Pavilion, at the Music Center in Downtown Los Angeles. ABT was presented as part of the 15th season of Gloria Kaufman Presents Dance at The Music Center. Thank you, Gloria, for being so generous in your love of Dance. It is a vitally important part of Los Angeles being able to appreciate Dance as one of the primary communicative Arts worth sponsoring and being available to our entire community. It is more important than ever, as, sadly, our support and funding for the Arts keeps dwindling on especially the National level.

Our team put our heads together to figure out who we'd want to appear in the production! Check out some of our picks below - and join in the coversation on Facebook and Twitter to share your thoughts!