Plenty 1983 - Articles Page 2

Today (February 9) in live streaming: Lillias White takes over at Stars in the House, Irish Rep presents The Weir, and more!

Spread the word, Upper Eastsiders -- all six seasons of “Gossip Girl” are coming to HBO Max on January 1st.

Blitzen Trapper’s highly anticipated new album, Holy Smokes Future Jokes, is out today on Yep Roc Records.

Happy Gay Pride! BWW Reviewer Peter Nason chooses the 101 greatest LGBTQ songs and anthems from 1920-2020. See if your favorite songs or artists made the grade!

BWW Reviewer Peter Nason chooses the 101 greatest protest songs from 1939-2020. See if your favorite songs or artists made the list!

Music Director Osmo Vänskä and the Grammy Award-winning Minnesota Orchestra today announced plans for the ensemble's 2020-21 season.

The Beatles! Rihanna! Michael Jackson! Johnny Cash! Kanye West! The Rolling Stones! Aretha Franklin! Bob Dylan! Miles Davis! Nirvana! BWW Reviewer Peter Nason chooses the greatest albums from the rock and rap era (1950-2020); see if your favorites made the grade!

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

How do we make a list of the 101 greatest show tunes from the past 100 years? Well, we did the near-impossible task.  Check out our full list here! 

Undermain Theatre presents Whither Goest Thou America: a new work festival.

Neil Simon's indecision about genre in Brighton Beach Memoirs was related to his problem being direct about his parents. A true account would necessarily have revealed their fighting, his father's desertions and infidelities, and the eventual failure of their marriage, and could only have been presented as a tragedy or melodrama. A comedy (and Brighton Beach is formally a comedy) would need to present a sanitized version of what Simon remembered; it would satisfy his audience (which expected comedies) and his parents, but it would also come further from the flavor Simon wanted to present. What we get in consequence is a play in three somewhat inconsistent genres.

I admit this is an absolutely personal, totally one-sided view of what gave one man opera thrills last year and what I will look back on with delight. Some are old works, some are new, some are individual performers, some are ensembles, some are complete productions, some are merely the highlight of an evening, most are domestic, a few are foreign. In any case, as the new decade begins, I recall that these are the vocal highlights that made my heart beat a little faster and made me look forward to the year ahead.

a?oeIf, after the events of recent weeks you need any reason at all to embrace life again, the musical you've been waiting for has arrived.a??

Hang your stockings, mull your beverage of choice and light up your leg lamp, then go to Toby's in Columbia to see A Christmas Story, The Musical, music and lyrics written by Benj Pasek and Justin Paul, book by Joseph Robinette. It's a sweet series of youthful holiday escapades full of quirky characters, brought to you with a wealth of warm fuzzies, in Toby's usual heartwarming style.

On October 12 at 8PM in the Ohio Theatre and October 13 at 3 PM at Fairmount Temple, The Musical Theater Project (TMTP) will present 'BLUE SKIES-IRVING BERLIN AND THE AMERICAN DREAM' with Bill Rudman, Paul Ferguson, Trev Offult and Michael Shirtz, the Cleveland Jazz Orchestra and Joe Hunter Trio. It is a tribute to Irving Berlin.

This fall, Craft Recordings will reissue three titles fromSocial Distortion's independent catalog on vinyl. Set for a September 27th release, the LPs include the band's 1983 debut, Mommy's Little Monster, their 2004 studio album, Sex, Love and Rock 'n' Roll, and 1995's Mainliner (Wreckage From the Past), which compiles early singles and rare B-sides. Celebrating their 40th anniversary this year, the enduring So-Cal punk icons just kicked off their extensive, two-month North American tour with Flogging Molly yesterday (8/13) in Dallas (full tour itinerary below).

On August 30, saxophone master James Carter will release his Blue Note Records debut James Carter Organ Trio: Live From Newport Jazz, a thrilling live performance of Carter's imaginative soul jazz reinvention of Django Reinhardt that was captured at the 2018 Newport Jazz Festival. 

Theatre Arlington closes out the 2018-2019 Season with the first work in Neil Simon's semi-autobiographical trilogy, Brighton Beach Memoirs. This coming-of-age story, opening August 9th, is an affectionate and humorous portrait of a Jewish-American family in 1937 Brooklyn as seen through the eyes of 15-year old Eugene Morris Jerome. Sharing his home with six other family members doesn't give him much privacy to dream about girls, particularly his beautiful cousin Nora, or playing baseball for the Yankees.

Something old, something new…there's still plenty going on for fans of opera and classical vocal music in the Northeast now that summer is upon us. Here's a taste of what to look for.

Gloucester Stage Company opens its 40th Anniversary Season with a nostalgic romp in the park, specifically Neil Simon's 1963 hit play, BAREFOOT IN THE PARK. Pairing McCaela Donovan and Joe Short (who are married in real life) as the young newlyweds moving from their blissful six-day honeymoon into a Manhattan sixth-floor walk up is a stroke of luck for Director Shana Gozansky. Making her GSC debut, she didn't have to worry about establishing trust and comfort in the romantic aspects of the characters' relationship. Not only do Donovan (Corie) and Short (Paul) fit together hand in glove, but Paula Plum and Richard Snee, another offstage married couple, complete the cast and contribute immeasurably to the hilarity.

Birdland will kick-off their exciting month of programming with the following acts:

The Old Vic is delighted to announce Matthew Warchus' Season 5 featuring an exciting and eclectic mix of thought-provoking entertainment.

Even before it opened this month, La Mirada Theatre for the Performing Arts and McCoy Rigby Entertainment knew they had a hit production on their hands with SINGIN' IN THE RAIN, based on the greatest movie musical of all time with screenplay by Betty Comden & Adolph Green and songs by Nacio Herb Brown and Arthur Freed. Adapted from the 1952 movie of the same name which starred Gene Kelly, Donald O'Connor, Debbie Reynolds and Jean Hagen, the plot closely adheres to the original story set in 1920s Hollywood during the waning days of the Silent Screen era, focusing on romantic leading man, Don Lockwood, his tap dancing sidekick Cosmo Brown, aspiring actress Kathy Selden, and Lockwood's platinum blonde leading lady Lina Lamont, whose less-than-dulcet vocal tones make her an unlikely candidate for stardom in the new talking pictures.

The full cast is announced for the Theatr Clwyd and Menier Chocolate Factory co-production of Tennessee Williams' Orpheus Descending. Theatr Clwyd's Artistic Director Tamara Harvey directs Catrin Aaron (Beulah Binnings), Michael Geary (Pee Wee Binnings), Valentine Hanson (Uncle Pleasant), Jenny Livsey (Eva Temple / Woman), Laura Jane Matthewson (Dolly Hamma), Mark Meadows (Jabe Torrance), Ifan Meredith (David Cutrere / Dog Hamma), Hattie Morahan (Lady Torrance), Seth Numrich (Val Xavier), Ian Porter (Sheriff Talbott), Jemima Rooper (Carol Cutrere), Carol Royle (Vee Talbott) and Carrie Quinlan (Sister / Nurse Porter). Public booking for the Menier Chocolate Factory dates opens at 9am today.

Jim Messina's legacy spans five decades and three acclaimed rock super groups: Loggins & Messina, Buffalo Springfield, and Poco. And he's had a vibrant solo career, plus a dizzying array of producing and engineering credits for such luminaries as The Doors, Joni Mitchell, and Herb Alpert. Performing with his band in Folsom, the concert will include songs we all know and love, from across his storied career. Get ready for "…a splendid good-timey sensibility and professionalism" (Los Angeles Times).