Here and There 1917 - Articles Page 3

This Anastasia is impeccably performed, gorgeously rendered, and entertaining to be sure. Still, to me, the new songs don't soar alongside the old ones. I wonder how I'd feel if I didn't already know those old songs by heart. That's the risk the show's creators took in translating Anastasia for Broadway.

Having two completely different shows premiere within a month of each other might be a daunting concept for many playwrights, but Eli Pasic is taking it in stride. The emerging Toronto writers' first fully produced work, the comedic farce FALSE CLAIMS, follows the story of a man who poses as his late aunt's husband in order to collect her life insurance policy and opens August 2. His nautical musical parody SOMETHING FOR THE BUOYS is set to premiere this fall. Pasic was able to take some time away from his heavy workload to discuss his journey from musician to produced playwright, and offered an in-depth look into the differences between writing for plays versus musicals, his creative process, and an unexpected collaboration with an established Broadway composer.

Celebrated songwriters Rosanne Cash and Burton Cummings, American Idol winner Ruben Studdard, returning favorites Tommy Emmanueland Lea Salonga, and Whose Line is it Anyway? stars Colin Mochrie and Brad Sherwood are just a few of the artists set to appear at the Lisa Smith Wengler Center for the Arts at Pepperdine University during its 2019-2020 season.

Baby's touchy-feely storyline follows three unrelated couples as they anticipate the joy and the pain of parenting.

I've never been disappointed by a show at Signature Theatre. Even their ongoing Grand Hotel, which is working with some less-than-stellar source material, is elevated by the wonderful craftsmanship and talented artists this theater welcomes. The same can unfortunately not be said of the disappointing Spunk, which opened in Signature's more intimate ARK theater on Friday. Zora Neale Hurston's masterful prose falls flat in a production that feels like it opened too soon, resulting in an evening lacking in the gumption this show tries to champion.

What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!

Isango Ensemble's SS Mendi: Dancing the Death Drill is a sad lament for needlessly lost lives and a celebration of the cultures from which the men had sprung. And it's ever so emotional.

Mint Theater (Jonathan Bank, Producing Artistic Director) will present the American Premiere of The Mountains Look Different by Micheal mac Liammoir, hailed as 'a courageous play in which there is no beating about the bush' by The Christian Science Monitor. Performances will begin May 30th and continue through July 14th only at Theatre Row (410 West 42nd Street). Opening Night is set for June 19th.

A glorious group of ghosts are converging on Theater for the New City - and it has nothing to do with the theater's annual Halloween ball slated for later in the year.

An upright piano, a bottle of something strong, a door leading somewhere else. Billy Bishop Goes to War, on now at the Southwark Playhouse, after transferring from the Jermyn Street Theatre, is evocative and wistful, like a tune you remember from your youth, but no one else does.

Carnegie Hall's citywide festival, Migrations: The Making of America kicks off with Live from Here with Chris Thile on Saturday, March 9 at 5:45 p.m. in Stern Auditorium / Perelman Stage. Debs Composer's Chair Chris Thile is joined by Grammy Award-winning banjo player Béla Fleck, renowned bassist Edgar Meyer, multi-award winning Gaelic singer Julie Fowlis, and Irish-American singer and songwriter Aoife O'Donovan for an evening of traditional Scots, Irish, and American folk music.

The University of Washington School of Drama will present Githa Sowerby's 1912 drama, Rutherford and Son, January 23 - February 3, 2019. Despite being a smash hit when it premiered in London in 1912, Sowerby's tale of a tyrannical patriarch who loses his grip on his children has rarely been produced in the U.S.

The University of Washington School of Drama will present Githa Sowerby's 1912 drama, Rutherford and Son, January 23 - February 3, 2019. Despite being a smash hit when it premiered in London in 1912, Sowerby's tale of a tyrannical patriarch who loses his grip on his children has rarely been produced in the U.S.

As BroadwayWorld previously reported, the historic Drama Book Shop will leave its 40th Street home because of recent rent escalations. Today playwrights of incredible shows such as Oslo, Sweat, and others will appear at a signing to support the shop.

FIRE IN A DARK HOUSE opens tonight at the Whitefire Theatre in Sherman Oaks and runs every Thursday. Co-Creators Mona Z. Smith and Traci Mariano chat with us about the play and their collaboration. Written by Steve Peterson You live on opposite coasts and have worked together before.  How did you meet and how did this partnership come to be?

Pasadena Playhouse - State Theatre of California is announcing more entertainment and participants for the Playhouse Block Party, the theatre's Centennial celebration in partnership with the Playhouse District Association.  This all-day event, free to the public, is from 12-noon to 10:00pm today, June 9 on El Molino Ave. at Colorado Blvd.  There will be more than twenty performances on two different stages - a Main Stage and a Kids' Stage -- during the course of the day, in addition to activity booths hosted by some of Pasadena's most celebrated arts organizations, theatre tours, a silent disco, and more. 

Pasadena Playhouse - State Theatre of California is holding the Playhouse Block Party, the theatre's Centennial celebration in partnership with the Playhouse District Association.  This all-day event, free to the public, is from 12-noon to 10:00pm on Saturday, June 9 on El Molino Ave. at Colorado Blvd.  There will be more than twenty performances on two different stages - a Main Stage and a Kids' Stage -- during the course of the day, in addition to activity booths hosted by some of Pasadena's most celebrated arts organizations, theatre tours, a silent disco, and more. 

The most honorable of the honorable mentions in 2018's Tony race will likely turn out to be Travesties, Tom Stoppard's 1974 tragifarce which took top Tony honors for Best Play and Best Actor (John Wood) in 1976 and is now putting up a game bid for Best Revival, Best Actor (Tom Hollander) and Best Director (Patrick Marber).

Pasadena Playhouse - State Theatre of California is announcing more entertainment and participants for the Playhouse Block Party, the theatre's Centennial celebration in partnership with the Playhouse District Association.  This all-day event, free to the public, is from 12-noon to 10:00pm on Saturday, June 9 on El Molino Ave. at Colorado Blvd.  There will be more than twenty performances on two different stages - a Main Stage and a Kids' Stage -- during the course of the day, in addition to activity booths hosted by some of Pasadena's most celebrated arts organizations, theatre tours, a silent disco, and more. 

Tim Hatley/Costume and Set Design My starting point as a designer is always to read the play, and in the case of Travesties, which is a complex play, it required careful reading and thought to begin to understand the threads and layers of the writing, and talking closely with the director, Patrick Marber. It seemed to me that our production needed a strong yet simple approach to the design. The shifting of time and location is clear in the writing and did not need physical transitions to interrupt the flow. Our space is both present and memory, library and apartment, and allows for characters to appear and disappear within. The costumes are rooted strongly in the period, and their palette was developed in tandem with the development of the space. Cross references to Oscar Wilde's play, The Importance of Being Earnest, were an enjoyable anchor to designing the play.

On April 21, 2018, Patrick Marber spoke about Travesties with Education Dramaturg Ted Sod as part of Roundabout Theatre Company's lecture series.

 In the context of ongoing national debates over immigration, the timely new two-hour documentary The Chinese Exclusion Act, from Emmy® Award winning documentary filmmakers Ric Burns and Li-Shin Yu, will debut as a special presentation of the award-winning PBS television series American Experience on Tuesday, May 29 2018 at 8:00-10:00 PM ET. The film is narrated by actor Hoon Lee (Banshee).

The San Francisco Conservatory of Music (SFCM) announces the expansion of its campus and the construction of the Ute and William K. Bowes, Jr. Center for Performing Arts (The Bowes Center) in San Francisco's Civic Center. The $185 million performing arts center and residential tower will be located at 200 Van Ness Avenue and construction will begin in the summer of 2018. The opening of the new building is slated for the fall of 2020 when it will welcome its first class of residents to a facility that will transform students through the study of music at the highest level. The name of the building is in honor and recognition of a financial gift of $46.4 million from the William K. Bowes, Jr. Foundation, which is the largest single gift ever made to a conservatory or music school for a new facility. To date, $96 million has been raised toward a fundraising goal of $110 million. The existing SFCM building at 50 Oak Street will remain in active use through the construction of the new building and after it is completed.

Luigi Pirandello's 1917 "Cosi e (se vi pare)", or "You Are Right, If You Think", playfully toys with subjectivity as one gossipy family tries to get at the truth. Theatre9/12 presents a delightful and streamlined adaptation of "You Are Right, If You Think", now performing at the Trinity Episcopal Church, that packs a punch in a humble environment. Charles Waxberg's adaptation of this gossipy romp is pure, classic fun.