The Wonderful Thing 1920 - Articles Page 2

'19: The Musical' is the brainchild of Through the 4th Wall co-founders, Jennifer Schwed and Doug Bradshaw. Both DC natives, Schwed and Bradshaw conceived the idea of a musical about the passage of the 19th Amendment back in 2016, and have been overseeing workshops and concert performances for a little over a year, with an eye toward a full production in time for the Amendment's centennial in 2020.

Rebecca Northan and Bruce Horak are two thirds of the creative team (including Christian Goutsis) who have come together for projects such as Slipper: A Distinctly Calgarian Christmas Story, Undercover, and An Undiscovered Shakespeare. Now, they're taking you back to the age of swashbuckling adventures for a story of what happens after Zorro's happily ever after.

'Hey Nonny Nonny!' 'Sigh No More!' Shakespeare's classic, playful comedy, Much Ado About Nothing, is this year's rip-roaring Season 5 opener for the vibrant, 30 by Ninety Theatre in Mandeville, Louisiana. This suburban playhouse, positioned just across the lake from New Orleans, is named for its' common latitude and longitude, but doesn't hold back on big city ambitions to invigorate, entertain, and challenge local audiences to grow from shared experiences through the stage. It is an idea not lost on Shakespeare himself nearly five millennials ago.

As part of BroadwayWorld's expansive coverage of the 72nd Annual Tony Awards, we are providing the full text of all of the acceptance speeches; from the emotional to the bizarre, and everything in between. Keep up with all of the winners' speeches on our continuously updated list below.

Have you ever wondered what it would be like to drop everything, walk out your door and do something completely new? That is what Diana, the central character in Neil Bartram and Brian Hill's new musical YOU ARE HERE does on the eve of the moon landing - she walks out of her comfortable suburban, Chicago life and learns how the unexpected can lead to a life changing experience. I had the chance to sit down with the duo behind the show, book writer Brian Hill and composer and lyricist, Neil Bartram who shared a little about their creative process, Diana's journey in the show, and how they work effectively together to bring a musical like YOU ARE HERE to life.

The spotlight will shine bright at the Laguna Playhouse' annual gala, May 12, with special performances by 'Phantom of the Opera Star' Davis Gaines, a tribute to the Moulton Theatre's 50th anniversary, and a host of highlights celebrated throughout the much-anticipated, elegant affair.

The spotlight will shine bright at the Laguna Playhouse' annual gala, May 12, with special performances by 'Phantom of the Opera Star' Davis Gaines, a tribute to the Moulton Theatre's 50th anniversary, and a host of highlights celebrated throughout the much-anticipated, elegant affair.

Alex Groth, Riley Walker and Chris Loving are three names to watch in this marvelous production.

BroadHollow Theatre Company announces its 2017-2018 season line up.

Northport's exquisite John W. Engeman Theatre does it again with a stellar version of the iconic Laurents/Styne/Sondheim musical Gypsy. The Tony winner runs at the Long Island venue through October 29th excellently directed by Engeman vet Igor Goldin boasting an outstanding cast. And I know you are probably saying that there are showings of this everywhere you look. However, when you have a production like this, it definitely warrants another visit.

It is a known fact that any cold heart can be warmed by a seven foot mute monster in tap shoes singing Irving Berlin's "Puttin' on the Ritz". If you happen to be a fan of Mel Brooks' film Young Frankenstein, you already know this. But, if you happen to be like me and have never seen the iconic film, you need to go see The Des Moines Playhouse's production of Young Frankenstein immediately.

Welcome to the world of Ernest Hemingway's Paris in the 1920's. Just like with any of the Cafe Nordo shows, the instant you walk into Nordo's Culinarium you're transported to another time and place but they seem to have outdone themselves with their current collaboration with Book-It Theatre with "A Moveable Feast" and the rich sensorial delights they've concocted.

Director Tazewell Thompson, handling a tale that is heavy on narrative, guides the pliable ensemble to a performance that is dynamic, touching, amusing, lively and filled with gothic foreshadowing. Every sequence unfolds a new delight, from slapstick action to nuanced characterization to the most hilarious rendition of Hamlet it has ever been my privilege to witness. Script, direction, casting, performance and tech are each remarkable renditions of their kind. The beautiful language is retained, but made perfectly clear by action and diction. Additionally, it's heartily funny.

If the word Fragile (pronounced Frah-GEE-lay) or the phrase "You'll shoot your eye out, kid" bring a smile to your face, then you are likely one of the many people who love A CHRISTMAS STORY, the classic 1983 movie that has become required viewing for many families each Christmas season. And, while you may know the story by heart, you have likely never seen it told the way you will if you check out A CHRISTMAS STORY the musical on stage at the Palace Theatre in Waterbury, CT for just two performances on November 18th and 19th. Told with the flair only a musical can bring, A CHRISTMAS STORY puts an unfamiliar twist on the familiar classic. I caught up with Susannah Jones who plays the role of Ralphie's mother, and discussed her experience with the show, life on tour, and even her childhood equivalent to Ralphie's Red Ryder BB Gun.

One of the most eagerly awaited new shows of this year's New York Musical Festival (NYMF) is the special event 'Midnight at the Never Get' which will be presented at 42WEST (514 West 42nd Street) for three (3) performances: Thursday, July 28 @ 9pm; Sunday, July 31 @ 9pm; Monday, August 1 @ 8pm. Produced by Michael Chase Gosselin, the musical is conceived by and starring Sam Bolen and Mark Sonnenblick, with musical direction and arrangements by Adam Podd, choreography by Andrew Palermo and directed by Max Friedman. Audiences will be transformed back to 1965 when they enter the venue to the back room of The Never Get.  Featuring a sultry score fashioned after the American Songbook, 'Midnight at The Never Get' imagines two men who never existed at a time that very much did.

As the characters Alfred Lunt and Lynn Fontanne, Mark Edward Lang and Alison J. Murphy seem to be a perfect fit in the play about the famous Broadway actors. Lang and Murphy are married in real life and have been performing together for many years. Recently visiting San Antonio, Texas, BWW had a chance to sit down and chat with them about their roles and about the show LUNT AND FONTANNE 'THE CELESTIALS OF BROADWAY.'

Reagle Music Theatre of Greater Boston will bring the bright lights of 1920's New York City to the stage with the Tony Award-winning musical comedy Thoroughly Modern Mille from July 7-17, 2016.  Millie will run for eight performances at the Robinson Theatre (617 Lexington St. Waltham, MA, 02452).  Directed by Broadway veteran Cynthia Thole (Me and My Girl), Millie will star Gabrielle Carrubba (American Idol Season 11, Spring Awakening) as Millie Dillmount, a small-town girl who arrives in New York City to lead a thoroughly modern life. Millie will also feature Maryann Zschau (Nunsense National Tour) reprising her IRNE Award-winning role as Mrs. Meers (Reagle Music Theater 2006) and IRNE nominee Mark Linehan (Shrek The Musical, South Pacific) as Trevor Graydon.  This lavish musical is filled with fabulous flappers, eccentric New Yorkers and soaring musical numbers including "Forget About the Boy" and "Only In New York."  

'Spring is here! Why doesn't my heart go dancing?' - or at least to the theater to be transported to a different world, another time and place where life is transformed and magic happens before your very eyes...

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Vassar & New York Stage and Film have announced a few of the projects tapped for the upcoming 32nd Powerhouse Season, the annual summer season which stages full productions of new plays, workshop presentations of new plays and musicals, and readings of other works in progress, among other developmental programming.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Nashville Repertory Theatre's unveils its production of the Kander and Ebb classic Chicago this weekend, as Music City is transformed into the Windy City - well, the Andrew Johnson Theatre at TPAC will be, at least - for a three week run of the show that asks the musical question "What price fame?"

?The Broadway musical Nice Work If You Can Get It, with book by Joe DiPietro, inspired by material by Guy Bolton and PG Wodehouse, debuts at Teatro CETIP, in Sao Paulo, with adaptation by Miguel Falabella, who also assumes the role of playboy Jimmy Winter. The show is set in New York in the 20s, when Jimmy's marriage does not come out as planned after he met a certain smuggler, played by Simone Gutierrez. The score is composed by George and Ira Gershwin the direction is by Jose Possi Neto.