CAUGHT and More Set for Sundance Institute's 2014 Theatre Lab, Now thru 7/27
Sundance Institute today announced the nine projects selected to participate in its 2014 Theatre Lab, July 7-27 at the Sundance Resort in Utah. The Lab is the centerpiece of the Institute's year-round work with the theatre community and is one of 10 residential labs the Institute will host for artists this summer, collectively representing the most promising new independent theatre and film projects.
The projects selected for the 2014 Sundance Institute Theatre Lab are:
Caught by Christopher Chen, directed by Mark Brokaw
Ghost Supper (Spalding Gray, You're Invited, Too) by Sheila Tousey, directed by Leigh Silverman
The Good Book by Denis O'Hare & Lisa Peterson, directed by Lisa Peterson
The Last of the Little Hours written & directed by Annie Baker
Posterity written & directed by Doug Wright
Skeleton Crew by Dominique Morisseau, directed by Kamilah Forbes
So Go the Ghosts of Mexico, Part Two by Matthew Paul Olmos, directed by Lee Sunday Evans, composed/sound designed by Marios Aristopoulos
T. by Dan Aibel, directed by James MacDonald
Bed by Sheila Callaghan (Playwright-in-Residence)
Written by Christopher Chen directed by Mark Brokaw
An art gallery hosts a retrospective of the work of a legendary Chinese dissident artist who was imprisoned in a Chinese detention center for a single work of art. Recently profiled in The New Yorker, the artist himself is present, and shares with patrons the details of an ordeal that defies belief. A labyrinthine exploration of truth, art, social justice and cultural appropriation, where nothing is as it first appears.
Under the supervision of Theatre Program Artistic Director Philip Himberg and Producing Director Christopher Hibma, the three-week Lab supports emerging and established playwrights and directors developing new work for the stage. For the Lab, the Institute provides rehearsal space, dramaturgical support, and an acting company, creating an immersive environment where artists can experiment, see their work take shape and collaborate with Creative Advisors, dramaturgs, actors and Institute staff to address the compelling needs of their text. The Lab's unique day-on, day-off rehearsal structure provides Fellows additional time to explore revisions and new writing between rehearsals. The Lab culminates in a closed presentation of each project for Lab participants, followed by a collaborative feedback session.
Artists and projects that participated in the Lab in previous years include Branden Jacobs-Jenkins' Appropriate, Lisa Kron and Jeanine Tesori's Fun Home, Robert L. Freedman & Steven Lutvak's A Gentleman's Guide to Love and Murder, Annie Baker's Circle Mirror Transformation, Denis O'Hare & Lisa Peterson's An Iliad, Taylor Mac's The Lily's Revenge, Tracey Scott Wilson's The Good Negro, Adam Guettel & Craig Lucas' The Light in the Piazza, Stew's Passing Strange, Byron Au Yong & Aaron Jafferis' Stuck Elevator, Steven Sater & Duncan Sheik's Spring Awakening, Moisés Kaufman's The Laramie Project and Doug Wright's I Am My Own Wife.
Keri Putnam, Executive Director of Sundance Institute, said, "Developmental opportunities for independent artists are exceedingly rare and yet critical to the success of their projects and careers. Our Lab model offers an independent-minded environment for artists to engage with their work, ask questions, build text and take risks, ultimately helping these artists achieve their unique vision."
Himberg said, "Our Theatre Lab draws on the strengths and generosity of the theatre community to encourage risk-taking and to develop networks of support that will extend throughout each project's journey to the stage. This year's Fellows, bring wildly innovative stories and approaches. It heralds an exciting and productive gathering of new talent and alumni returning "home" and much that audiences can anticipate experiencing onstage soon."
In addition to the Theatre Lab, the Institute offers labs throughout the year and around the world for independent directors, screenwriters, documentary editors, composers, playwrights, producers and New Frontier artists.
The Theatre Program has been a core component of Sundance Institute since Robert Redford founded the Institute in 1981. The Theatre Program identifies and assists emerging theatre artists, contributes to the creative growth of established artists, and encourages and supports the development of new work for the stage. Under the guidance of Artistic Director Philip Himberg and Producing Director Christopher Hibma, the Theatre Program is one of the leading play development programs in the United States.
Titles such as Appropriate, Fun Home, A Gentleman's Guide to Love and Murder, Circle Mirror Transformation, An Iliad, The Lily's Revenge, The Good Negro, The Light in the Piazza, Passing Strange, Stuck Elevator, Spring Awakening, The Laramie Project and I Am My Own Wife have gone from Theatre Program Labs to production from coast to coast and internationally, garnering multiple Pulitzers, Tonys, OBIEs and other recognition.
The Theatre Program's East Africa initiative is the only professional program of its type on the continent, offering Labs, cross-cultural exchange, mentorship and exposure to artists in six African countries. The Theatre Program's newest initiative is the Theatre Directors Retreat in France.
Sundance Institute Founded by Robert Redford in 1981, Sundance Institute is a global, nonprofit organization dedicated to nurturing independent artists and introducing audiences to their new work. Internationally recognized for its Sundance Film Festival, the Institute annually supports over 200 artists with more than a dozen labs for directors, screenwriters, documentary editors, composers, playwrights, producers and New Frontier artists and grants more than $2 million to artists. The Institute has supported projects including Fruitvale Station, Ain't Them Bodies Saints, Beasts of the Southern Wild, Question Bridge, Wadjda, God Loves Uganda, Gideon's Army, Spring Awakening, Appropriate and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.