Peter Sellars News

The Fisher Center at Bard will present a 2020-2021 season of virtual and interactive works that focus on healing and transformation in troubled times. In each project, leading artists engage with cutting-edge technology to create compassionate and courageous offerings for a world riven by the pandemic and political strife.

The International Committee of The League of Professional Theatre Women, an organization which has been championing women in the professional theatre for over three decades, announced today that they will postpone the previously announced virtual presentation of the 2020 Gilder/Coigney International Theatre Award to the week of February 14, 2021.

As a virtual dance institute, The Bridge will invite world renowned as well as up and coming dancers and choreographer to come to guest teach the class.

Must the Devil Have All the Good Tunes? is American composer John Adams' latest creation for piano and continues his provocative exploration of that instrument heard in Grand Pianola Music (1983) and Hallelujah Junction (2001).

A lot of repertoire you do over and over, while finding new things within those pieces, but something totally new is interesting

The Los Angeles Master Chorale announced today that it will postpone the originally scheduled 2020-21 season at Walt Disney Concert Hall to the 2021-22 season due to the pandemic.

Works & Process, the performing arts series at the Guggenheim, presents a Virtual Works & Process: Dance Heginbotham on Sunday, May 31, 2020 at 7:30pm. The event is free, but space is limited and RSVP is required at www.worksandprocess.org; a Zoom link and password will be emailed the day of the performance.

The Martin E. Segal Theatre Center is proud to announce the fourth weekly line-up of its new global series, SEGAL TALKS. New York, US, and international theatre artists, curators, researchers and academics will talk daily for one hour with Segal Center's director, Frank Hentschker, about life and art in the Time of Corona and speak about challenges, sorrows, and hopes for the new Weltzustanda?"the State of the World. The Segal Center is the only theatre institution in New York City and the US creating original programming every day during the week.

During the shutdown, we're taking the opportunity to look back at some memorable productions. Here, Dick Bird discusses his career with BroadwayWorld, and gives us some fantastic insights into designing the Royal Danish Theatre, Teatro Real Madrid and Scottish Opera's co-production of a modern classic: John Adams' Nixon in China.

Must the Devil Have All the Good Tunes? is American composer John Adams' latest creation for piano and continues his provocative exploration of that instrument heard in Grand Pianola Music (1983) and Hallelujah Junction (2001).

The Met on Demand had another week of exciting performances, from the divine [Rossini's IL  BARBIERE DI SIVIGLIA] to the, well, the divine [Adams's NIXON IN CHINA].

Returning guest conductor David Robertson leads a stellar cast of vocal soloists, the Houston Symphony, and the Houston Symphony Chorus in two performances of John Adams' celebrated and contemporary musical telling of the nativity story, El Niño, Saturday, Mar. 14, 8 p.m. and Sunday, Mar. 15, 2:30 p.m. at Jones Hall.

Bard College has announced the appointment of Liza Parker as executive director of the Fisher Center, a leading performing arts center and hub for research and education. Previously a member of the senior leadership team at Lincoln Center, most recently as chief operating officer, Parker was responsible for overall strategy and direction, overseeing management of the campus, including Avery Fisher Hall, Alice Tully Hall, and the David Rubenstein Atrium. As executive director of the Fisher Center, she will lead senior administration, and manage operations and external relations for the Center's professional and educational programs.

Los Angeles Philharmonic Music & Artistic Director Gustavo Dudamel and David C. Bohnett Chief Executive Officer Chair Chad Smith today announced the 2020/21 Walt Disney Concert Hall season featuring three trailblazing new projects: Pan-American Music Initiative and America: The Stories We Tell led by Gustavo Dudamel and Seoul Festival curated by Unsuk Chin; the premieres of 27 LA Phil commissions; the revival of LA Phil productions including the landmark Tristan Project collaboration of Esa-Pekka Salonen, Peter Sellars and Bill Viola; and performances by world-renowned guest artists including Yuja Wang, Hélène Grimaud, Lang Lang, Itzhak Perlman, Yefim Bronfman, Leila Josefowicz, Katia and Marielle Labèque and Barbara Hannigan.

The Royal Conservatory of Music regrets to announce that, due to health issues, American pianist Murray Perahia has made the difficult decision to cancel his upcoming tour, which includes his Toronto appearance at Koerner Hall on February 25.

'If evidence were needed that imaginative staging can provide us with access to difficult works of art, then it was offered in abundance by the Los Angeles Master Chorale in an extraordinary performance of Orlando di Lasso's a cappella masterpiece, Lagrime di San Pietro ...' (Simon Williams, Opera News)

UCLA's Center for the Art of Performance (CAP UCLA) presents Pam Tanowitz/Brice Marden/Kaija Saariaho's Four Quartets on Saturday, February 15 at 8 p.m. and Sunday, February 16, at 3 p.m. at Royce Hall. Tickets starting at $28 are available now at cap.ucla.edu, 310-825-2101, and Royce Hall box office.

Visit the Cathedral of the Rockies on Friday, January 24 for a recital with Grammy Award-winning artists soprano Jessica E. Jones and tenor Thomas Glenn with special guests Michele & Jason Detwiler. Accompanied by pianist Betsi Hodges, they will perform music by Bellini, Bizet, Crumb, Delibes, Gounod, Mozart, Wolf, Strauss, Verdi and more.

The Los Angeles Master Chorale announced today the appointment of three new members to its Board of Directors: Alex G. Romain, Laura Smolowe and Andrea Williams.

Arena Stage at the Mead Center for American Theater announces casting for Octavio Solis' Mother Road, a sequel to John Steinbeck's The Grapes of Wrath. Mother Road premiered at the Oregon Shakespeare Festival in 2019 and will run at Arena Stage from February 7 - March 8, 2020 in the iconic in-the-round Fichandler Stage.