Katrina Stevenson News

Jobsite Theater, resident theater company at the Straz Center in downtown Tampa and recipient of the 2022 Best of the Bay Award for Best Professional Theater Company, will continue their 24th season with Steven Dietz’s adaptation of Bram Stoker’s DRACULA. The show runs Oct. 21 - Nov. 23 in the Straz Center’s Jaeb Theater. Specially-priced preview performances will be held Oct 19-20.

In its complexities of storytelling, we find a narrative grounded in teacher-student relationships that surround the 100-minute One-Act currently onstage at the Shimberg Playhouse at Tampa’s Straz Center. Written by Rajiv Joseph in 2008 this one-act quirky romantic comedy packs a punch just boiling below the surface. Analyzing the relationship between student/teacher/mentor we meet three unlikely individuals whose lives are impacted by lessons grounded not just in origami, but also in the way that as humans we feel pain and how we adapt/deal with such. Rajiv Joseph won the Pulitzer Prize for Drama in 2010 with his work Bengal Tiger at the Baghdad Zoo, which enjoyed a stint on Broadway featuring the late great Robin Williams. Rajiv Joseph also went on to win an Obie Award for his work Describe the Night in 2018. No stranger to telling the inner workings of human relationships, Rajiv Joseph has garnered critical acclaim for his many works, and yet still is considered slightly unknown in certain arenas.

Director Scott Cooper has done it again with this incredible production!

The show opens with a Ghost Light center stage. As most shows of a Brechtian nature go, characters of nondescript fashion layout the evening events in the manner of Prologue. The Resistible Rise of Arturo Ui, or as it is subtitled “The Parable Play,” tells the story of the rise of Arturo Ui a fictional Chicago Mobster as he ruthlessly tries to control the Chicago vegetable market despite opposition. A political satire based on Adolf Hitler’s rise to power in Nazi Germany prior to the events of World War II.

Murder on the Orient Express a stage adaptation of the Agatha Christie novel was written and adapted by Ken Ludwig and premiered in New Jersey in 2017. Based on the Christie novel that was first published in the United States in February 1934, and originally published under the name Murder on the Calais Coach. The twisted plot is full of a wild cast of characters. As Poirot puts it, “It was like a painting by Pablo Picasso.” We open the play in Istanbul at the Tokatlian Hotel, as we meet Poirot we understand he is due in London in three days' time due to the delivery of a telegram, and he runs into his old friend Bouc. His friend then arranges a trip on the Orient Express which he is the owner, and the two climb aboard with Poirot hoping he makes it to London on schedule. Upon boarding the Orient Express one by one Poirot meets an oddity of characters much like boarding a train to Carnival. As the train departs the station amidst the snowy conditions like an onion we see the layers of each of the passengers peeled back one by one.

In 1962 English author Anthony Burgess published the Dystopian-Black Comedy novel entitled A Clockwork Orange. The novel itself was partially written in a Russian-influence argot called “Nadsat” which in a Russian suffix took on its namesake for the equivalent of “TEEN” in English. In 2005 the novel was included by Time Magazine in a list as one of the 100 best English Language novels of the 20th Century. The novel is divided into three parts: Alex’s World, Ludovico Technique, and After Prison, and each of the novel’s three parts contained only 7 chapters. 7 x 3= 21 which was an intentional nod to the age of 21 which is considered a milestone in adult maturation.

The year 1985, the setting Fair Verona where we lay our scene. Over the years Romeo & Juliet has been translated, interpreted and conceived in many different forms and fashion. Outside of literature none more so than that of film and stage. Diverting back to literature briefly, Romeo & Juliet was first translated into English in 1562 as a poem entitled The Tragic History of Romeus and Juliet by Arthur Brooke.

This is the last chance to vote for the 2021 BroadwayWorld Tampa Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

Time is running out to vote for for the 2021 BroadwayWorld Tampa Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

Our readers set the nominees, and now voting is open for the 2021 BroadwayWorld Tampa Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

Our readers set the nominees, and now voting is open for the 2021 BroadwayWorld Tampa Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

In 1983, Sally Ride, or as proclaimed in the play, “She should be called Dr. Ride,” an Astrophysicist became the first and youngest American woman in Space aboard the Orbiter Challenger. Liza Birkenmeier’s play is not about Sally Ride, even though her name is mentioned throughout the 85 minutes. However, under the veil of the ’80s in St. Louis, Missouri we meet four women living out their lives and by a matter of opinion telling stories that boldly go where none of them have gone before so to speak. At its heart, Birkenmeier’s script is compelling, enlightening, and stunning from top to bottom, a true marvel of live theatre. In her script, we get to meet characters that are not as often displayed on-stage, and that is what makes this show so endearing. Being that this show is set in the 80’s smartphones, and other things like social media, don’t exist yet; which renders the compelling humanity shown throughout the script. It’s a breath of fresh air as we learn of these women, and how they may or may not enjoy their current way of life, and yet so different in a matter of opinions and lifestyle they are all one and the same.

It's one hell of a moving, thrilling, never-want-it-to-end evening of theatre!

“WHAT BECOMES OF A CHILD THAT STARVED FOR AFFECTION?” -M.C. IN SHOCKHEADED PETER “YOU’VE GOT TO BE CRUEL TO BE KIND, IN THE RIGHT MEASURE. CRUEL TO BE KIND, IT’S A VERY GOOD SIGN....” -NICK LOWE FROM “JESUS OF COOL” ALBUM (1978). Once every so often audiences of a theatre-going persuasion are treated to something a little out of the ordinary. Something that may just have to be experienced before allowing it to fully sink in. Jobsite revels in the strange, the unorthodox, the Masterclass of all things twisted and warped; and these are some centralized moments of Shockheaded Peter or its namesake Der Struwwelpeter. Having personally never heard of Der Struwwelpeter or William Maloney’s The Worst of Everything, I had no idea what I was in store for. Which made this particular show more zany, exciting, and mentally stimulating than most seen as of late. From every angle, there was something to watch, something to leave our mouths agape and make you just think what the hell?

Based on a notoriously deranged German children's book, it's a theatrical marvel...but will audiences get it?

Jobsite, the independent resident theater company of the Straz Center for the Performing Arts in downtown Tampa, continues their annual Shakespeare tradition with HENRY V, on stage now through Apr. 25 in the reconfigured-for-distance Jaeb Theater. The show enjoyed a SOLD OUT opening week, with all future dates all filling fast.

Jobsite the Independent In-Resident Theatre Company of the Straz Center as by annual tradition brought Shakespeare to Tampa Bay once again with the first of Shakespeare’s History offerings to be staged locally. For me, Jobsite is the “Cream of the Crop” when it comes to presenting Shakespeare’s works. No one in this region “Rocks the Bard” as hard, as relevant, and as daring as Jobsite and their players. David Jenkins and Giles Davies have outdone themselves here. To a rocking, and pulse-inducing score by Jeremy Douglass and flashes of projections making you feel like you’re in a different time frame this production has it all. Henry V normally not the most sought-after of the History offerings is a stellar and triumphant display of magnanimous proportions and this cast is in true form.

ED WARREN: “The devil exists. God exists. And for us, as people, our very destiny hinges on which we decide to follow.”- from the 2013 film, THE CONJURING While preparing to see the irreverent and shockingly funny Hand to God, I did not know what to expect. I did however know going in that this is the absolute perfect play for Jobsite Theater to tackle, as I feel that no other theater company in the bay-area could tackle its humor more effortlessly than what the fine folks at Jobsite have accomplished. Robert Askins' foreword in the script says it best, “...this is a blueprint. It is a suggestion. It is a speech bubble in a long conversation. It is an invitation to play.” Jobsite hit their mark with this blueprint and has etched in our memories a ballsy, hilarious, and heartbreaking spectacle that is a provocative piece of unabashed panoramic-thrusted vulgarity and humanity that I will soon not forget.

I swear, my hand to God, that you’ve never seen anything quite like it.

Jobsite Theater presents HAND TO GOD, Robert Askins' Tony-nominated hilariously irreverent play featuring a foul-mouthed puppet.