Katie Mitchell News

Manchester's Hope Mill Theatre announces today an exciting programme of live and online content for their annual LGBTQIA+ theatre festival Turn On Fest which will return between 18th and 31st January 2021.

The Yard Theatre's brand new programme, Live Lab, is a four month paid opportunity for six artists to take part in workshops, masterclasses and to create new work with a funded week-long research and development stage. 

Three independent theatre directors have joined forces to combat the devastating toll of COVID-19 on Brisbane's theatrical landscape.

Following the success of the Coronavirus Time Capsule project which saw 20 young people creating a video record of their lockdown experiences, Horsecross Arts has developed three online performance projects for its youth groups to take part in this autumn.

Adam Spreadbury-Maher, Artistic Director of the King's Head Theatre, Islington will step down from his post this September after a decade of service. 

Happy summer to everyone, but especially to all the recently-graduated high school seniors out there: this blog post is for you!

The Arden Theatre Company in Philadelphia has spent considerable time looking at how they can safely move forward with a 2020/21 season.

Main Street Theater (MST)'s 45th Season will include six (6) productions on its MainStage and seven (7) at its Theater for Youth for 2020-2021.

Need something new to read or watch? Check out this week's list of new and upcoming releases!

It appears the standard season-subscription model has failed across the board to provide the financial safety net individuals and institutions need to survive a global pandemic, (which is upsetting because the moderate tastes of the elite have dictated what theatres will produce for long enough that it seems we should be getting some return on that investment at this point). Theatrical staffs cannot afford to take a breath as they email ticket-holders assurances which they will later rescind and try to keep their sinking ships afloat. Aging figureheads form their mouths around new words like a?oelivestreama?? and a?oeZooma?? and pass them on to millennial assistant this-and-thats to fill in all the blanks as generation Z associate this-and-thats dig through archival images to keep social media accounts appeasing the gods of the algorithms. There is a need to be immediate. A need to be incessantly productive. A need for quantity over quality. A need to keep up. To be first. While many of us are feeling the burnout from this mad dash for constant output keenly right now, has this not been an underlying system in the theatre for a long time? 

Following the success of last Monday's streamed Academy Concert, the Bayerische Staatsoper is planning to launch a series of 'Monday Concerts' starting next Monday, March 23, 2020: each starting at 8:15 pm (CET) on STAATSOPER.TV, live and free of charge. New as video-on-demand: Lucia di Lammermoor under General Music Director Kirill Petrenko with Diana Damrau in the title role.

Children's Theatre Company (CTC) has announced the impossibly possible 2020 - 2021 Season, including seven productions, a brand new preschool show, and four musicals designed to delight and inspire families and children of all ages and backgrounds.

This April, a live stage version of everyone's favorite Dr. Seuss book, DR. SEUSS' THE CAT IN THE HAT, returns to Philadelphia at the Arden Theatre Company in Old City. All of the beloved characters-Sally, the Boy, Thing 1 and Thing 2, the Fish, and, of course, the Cat himself-come to life on the Arcadia Stage from April 8 through June 7, 2020. A limited number of seats have been reserved for reviewing press on April 18 at 4PM, or any performance afterwards.

Fewer Shakespearean characters have caused as much uncertainty as Hamlet's mother, Gertrude: a side-lined female in a canonical story; a shadowy icon of mid-life sexuality; a fearless woman whose power was consistently undermined by the men around her. 400 years since Hamlet was written, storyteller and Shakespeare's Globe consultant Debs Newbold imagines what her story would have been and asks what a?" if anything a?" has changed since her creation.

The National Theatre today announces nine productions that will play on the South Bank in 2020-2021 alongside previously announced shows. These run alongside our international touring productions, three plays that will tour to multiple venues across the UK and a West End transfer. The NT also announces today that it will increase the quantity of low-price tickets on the South Bank by 25%, with 250,000 available across the year at £20 or less.

A season filled with thrilling music, captivating stories, world-class singers, and exciting productions goes on sale by subscription Thursday, February 13. Eight new-to-Chicago productions, including three Lyric premieres plus two original Lyric productions, will entertain and thrill audiences from September 2020 through June 2021.

Through three generations of women who have lost someone close to them, Killing It is a dark and funny exploration of the very modern pressure to make grief useful. When a young man goes missing at sea, his girlfriend does what the traditions of her culture demand and turns her loss into a stand-up show. His mother takes comfort from her YouTube audience, and her son's best friend. His grandmother is not paying attention because she is busy plotting the assassination of the US president.

Royal & Derngate Northampton and York Theatre Royal, in association with Oxford Playhouse, today announced that their world premiere of Alone in Berlin, translated and adapted for the stage by Alistair Beaton from Hans Fallada's acclaimed novel, will feature illustrations by Jason Lutes, from his epic graphic novel Berlin and songs by Orlando Gough performed by cabaret singer Jessica Walker.

Shakespeare's Globe has announced full casting for the next two productions opening in the candlelit Sam Wanamaker Playhouse in February: The Taming of the Shrew, directed by Maria Gaitanidi, and Thomas Middleton's Women Beware Women, directed by Amy Hodge.