Photo Flash: Inside Rehearsal for the West End Transfer of CONSENT
by Stephi Wild
- May 10, 2018
The West End production of Nina Raine's Consent will begin previews next week at the Harold Pinter Theatre on 18 May with its opening night on 29 May 2018. Directed by Roger Michell and originally co-produced and commissioned by Out of Joint, this strictly limited 12-week run is booking through to 11 August 2018 following the 2017 critically acclaimed sell-out run at the National Theatre.
Photo Flash: Matthew Bourne's CINDERELLA Comes to Canterbury Marlowe Theatre
by A.A. Cristi
- May 8, 2018
One of his most-loved productions, Sir Matthew's interpretation of the classic fairytale is set in London during the Second World War. A chance meeting results in a magical night for Cinderella and her dashing young RAF pilot, together just long enough to fall in love before being parted by the horrors of the Blitz. Sir Matthew's vivid storytelling has never been more heart-stopping and touching, and will take the audience into the heart of Prokofiev's magnificent score, and the sights and sounds of war-torn London.
BWW Interview: Liam Mower Talks Matthew Bourne's CINDERELLA
by Nicole Ackman
- May 4, 2018
Liam Mower is currently playing the Angel in Matthew Bourne's Cinderella, after joining New Adventures in 2011. Liam made his West End debut at the age of 12 in Billy Elliot the Musical, as one of the original three Billys; together, they won an Olivier Award for Best Actor in a Musical.
BWW Review: ABSOLUTE HELL, National Theatre
by Marianka Swain
- Apr 26, 2018
The original version of Rodney Ackland's provocative work, The Pink Room, had a bruising reception back in 1952, losing thousands for investor Terence Rattigan amidst furious reviews. Since salvaged by the Orange Tree in the Eighties, its rebirth was cemented by a Judi Dench-starring production at the National, where it now returns for an intriguing if not entirely convincing encore.
Review Roundup: STRICTLY BALLROOM Waltzes to the West End
by Nicole Rosky
- Apr 25, 2018
Strictly Ballroom has waltzed its way to the West End! Strictly Ballroom is the romantic story that was embraced around the world, and went on to put the Strictly into Come Dancing! Based on the multi award-winning movie, the first installment from Baz Luhrmann's acclaimed Red Curtain Trilogy, the musical production is a kaleidoscope of color and fun.
BWW Review: STRICTLY BALLROOM THE MUSICAL, Piccadilly Theatre
by Marianka Swain
- Apr 24, 2018
Love is in the air, and revolution too. Baz Luhrmann's beloved 1992 film (originally a student play, now back on stage as a musical) is even more adamantly anti-establishment in this latest incarnation, opening out a delicious satire of 1980s Australian competitive ballroom into a more universal story of the fight for fearless self-expression. In short: 'Love, freedom and sequins'.
Photo Flash: First Look at the National's ABSOLUTE HELL
by Julie Musbach
- Apr 23, 2018
Bomb-blasted London. A Soho den in the hangover from World War II, where members drink into the darkness, night after night. Lying, fighting and seducing, these lost souls and bruised lovers struggle from the rubble of war towards an unknown future.
BWW Interview: Tracy-Ann Oberman Talks PRESENT LAUGHTER
by Rona Kelly
- Apr 20, 2018
Chichester Festival Theatre is a place of firsts for Tracy-Ann Oberman. Last year, she performed in The Fiddler on the Roof, her first professional musical. This Spring, she returns to CFT once again for her first Noel Coward play, Present Laughter.
With tech week coming up, Tracy-Ann spoke to us about why she wanted to take on Coward, what else is on her wish list, and what audiences can expect from Present Laughter.
BWW Review: INSTRUCTIONS FOR CORRECT ASSEMBLY, Royal Court
by Charlie Wilks
- Apr 18, 2018
Let's face it, we never turn into the person our parents hope we'll be. Most of the time, our maternal up-bringers learn to adjust to this fact, and accept their offspring for who they are. Granted, it's harder to do this when the son you've raised ends up using drugs, blowing money left right and centre and burgling the family's possessions.
FROZEN Starring Suranne Jones Enters Final Weeks
by Julie Musbach
- Apr 13, 2018
Bryony Lavery's critically acclaimed play Frozen, starring Suranne Jones (Save Me, Doctor Foster, Scott & Bailey), Nina Sosanya (W1A, Last Tango in Halifax) and Jason Watkins (Line of Duty, Taboo, W1A), will end its scheduled run at Theatre Royal Haymarket on Saturday 5 May 2018.
BWW Review: THE MODERATE SOPRANO, Duke Of York's Theatre
by Charlie Wilks
- Apr 13, 2018
After its momentous success at the Hampstead Theatre, David Hare's sweet love story transfers to the West End. Centring on the formation of the worldly revered Glyndebourne, the play reveals the two great passions of John Christie: the opera, and his beautiful wife, Audrey Mildmay.
BWW Interview: Charles Edwards Talks ABSOLUTE HELL
by Rona Kelly
- Apr 13, 2018
Two decades after it was previously performed at the National Theatre, Rodney Ackland's Absolute Hell returns to the very stage it played back then: the Lyttelton.
With a career spanning over two decades too across stage and screen, Charles Edwards is no stranger to the National Theatre. Catching up during rehearsals, Charles spoke to us about his 'innate connection' to the play, and reveals the greatest challenge he's faced in his career (which came only last year).
BWW Review: QUIZ, Noel Coward Theatre
by Emma Watkins
- Apr 11, 2018
By any standard, playwright James Graham is having quite a week. Labour of Love won Best New Comedy and Bertie Carvel won Best Supporting Actor for Ink at last weekend's Olivier Awards, and Tuesday saw the West End opening of Graham's latest play Quiz, which recounts the tale of the man who won the top prize on Who Wants to Be a Millionaire? but was found guilty of cheating.
BWW Review: THE WAY OF THE WORLD, Donmar Warehouse
by Charlie Wilks
- Apr 6, 2018
William Congreve's restoration classic originally premiered in 1700 and even though it bombed back then, nowadays it is adored for its bonkers farce and balletic lyricism. The story may be long; the play lasts three hours in total and as an audience your patience will be tested. But stick with it; the overall pay off will certainly be worth it.
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