BWW Interview: Damian Humbley Talks SPAMILTON
by Marianka Swain
- Jul 17, 2018
Australian actor Damian Humbley's past work includes Merrily We Roll Along, The Woman in White and The Last 5 Years. He's currently starring in Spamilton, an affectionate spoof of the all-conquering Hamilton, at Menier Chocolate Factory.
A Role By Any Other Name: Gender in Shakespeare and Making Room for Women
by Julie Musbach
- Jul 7, 2018
Earlier this week news broke that Glenda Jackson, fresh from her triumphant, Tony-winning run in Three Tall Women, will next don the crown as Shakespeare's tragic monarch King Lear. Broadway is making much ado about something and understandably so. New York stages haven't seen much gender-swapped or gender-blind casting of Shakespeare, but take a peek across the pond to find a revolution of sorts in the interpretation of the Bard's work.
BWW Review: THE LIEUTENANT OF INISHMORE, Noel Coward Theatre
by Nicole Ackman
- Jul 5, 2018
I didn't know it was possible for a play this bloody to be so funny. Martin McDonagh's The Lieutenant of Inishmore is a dark comedy about terrorism and violence set in Ireland in 1993. When Irish National Liberation Army member Padraic finds out his beloved cat is poorly, he immediately heads home only to find the cat already dead and violence ensues. It's an enthusiastically gory piece that isn't for the faint of heart.
BWW Review: ONE FOR SORROW, Royal Court
by Charlie Wilks
- Jun 28, 2018
On a night of absolute destruction paranoia runs rife. The capital is in chaos and the public sit in their home watching the terror unfold. Helicopters circle overhead, police sirens wail and the news channels talks about a city under siege. There are 45 dead and counting.
BWW Review: MACHINAL, Almeida Theatre
by Nicole Ackman
- Jun 11, 2018
Machinal, written by Sophie Treadwell, is based on the sensational 1927 trial of Ruth Snyder, a housewife who murdered her husband. It is a play largely about a woman attempting to find her own agency, with little success, despite the restraints of being a wife and mother. While the Almeida production boasts a wonderful set and the modern relevancy is clear, it ultimately falls short of its source material.
BWW Review: CONSENT, Harold Pinter Theatre
by Laura Jones
- May 31, 2018
Nina Raine's Consent first premiered last year at the National Theatre, before the #MeToo movement happened and the change that it has brought about in society. The topic of consent is extremely relevant today and the production's transfer to the West End is timely, offering those who may have seen it at the National a whole new perspective.
BWW Review: RAMBERT'S LIFE IS A DREAM, Sadler's Wells
by Vikki Jane Vile
- May 26, 2018
Life is a Dream is Rambert's first full-length work is over 40 years. It's perhaps best left to seasoned dance-lovers and those who like a challenge, because choreographer Kim Brandstrup certainly doesn't make it an easy task for his audience.
Photo Flash: First Look at the West End Transfer of Nina Raine's CONSENT
by Stephi Wild
- May 23, 2018
The West End production of Nina Raine's Consent continues previews at the Harold Pinter Theatre with its opening night on 29 May 2018. Directed by Roger Michell and originally co-produced and commissioned by Out of Joint, this strictly limited 12-week run is booking through to 11 August 2018 following the 2017 critically acclaimed sell-out run at the National Theatre.
BWW Review: RED, Wyndham's Theatre
by Nicole Ackman
- May 15, 2018
It's easy to imagine that a play that explores the meaning of art could become bogged down in artistic pretention. However, Josh Logan's Red escapes this as the physicality of the art itself gives it action to bolster its theoretical talk. Alfred Molina reprises his role as the artist Mark Rothko and Alfred Enoch gives a wonderful performance as his assistant, Ken. Once again under Michael Grandage's direction, the show manages to build many humorous moments despite its serious subject matter.
Photo Flash: First Look at Michael Grandage Company's RED
by Stephi Wild
- May 15, 2018
Based on the original Donmar Warehouse production, this new production of Red by John Logan is the first ever UK revival since Grandage originated the premiere at the Donmar in 2009. The production went on to win six Tony Awards including Best Play.
Photo Flash: Inside Rehearsal for the West End Transfer of CONSENT
by Stephi Wild
- May 10, 2018
The West End production of Nina Raine's Consent will begin previews next week at the Harold Pinter Theatre on 18 May with its opening night on 29 May 2018. Directed by Roger Michell and originally co-produced and commissioned by Out of Joint, this strictly limited 12-week run is booking through to 11 August 2018 following the 2017 critically acclaimed sell-out run at the National Theatre.
Photo Flash: Matthew Bourne's CINDERELLA Comes to Canterbury Marlowe Theatre
by A.A. Cristi
- May 8, 2018
One of his most-loved productions, Sir Matthew's interpretation of the classic fairytale is set in London during the Second World War. A chance meeting results in a magical night for Cinderella and her dashing young RAF pilot, together just long enough to fall in love before being parted by the horrors of the Blitz. Sir Matthew's vivid storytelling has never been more heart-stopping and touching, and will take the audience into the heart of Prokofiev's magnificent score, and the sights and sounds of war-torn London.
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