Broken Box Mime Theater to Present WITH WORDS Talk Back Series
by Marissa Tomeo
- Apr 9, 2022
Broken Box Mime Theater will present the With Words Series, as part of their World Premiere of Take Shape at the Jeffrey and Paula Gural Theatre at A.R.T./New York Theatres (502 West 53rd Street New York, NY 10019), April 1-May 1.
BWW Review: THE 47TH, The Old Vic
by Cindy Marcolina
- Apr 9, 2022
One for the money, two for the show. The second play written by Mike Bartlett has now opened in London. With a revival of Cock running at the Ambassadors and Scandaltown opening in Hammersmith next week, the playwright is quite the rarity, one of the very few to’ve had multiple productions on at the same time in the capital.
Olivier Awards 2022 - Full List of Winners!
by Team BWW
- Apr 10, 2022
British theatre's biggest night is here at last. The Olivier Awards 2022 with Mastercard take place tonight, 10 April, at the Royal Albert Hall. The ceremony will be hosted by Jason Manford and broadcast via official media partners ITV and Magic Radio. We'll be updating the list of nominees LIVE.
Joel Harper-Jackson Takes Over Taron Egerton's Role in West End's COCK
by Marissa Tomeo
- Apr 2, 2022
Joel Harper-Jackson will take over the role of M in Mike Bartlett's razor sharp, hilarious play, Cock. Harper-Jackson is to star in the show until the end of its run. The part was originally played in this production by Taron Egerton, who has had to withdraw from the play due to personal reasons.
Final Day To Vote In The 2021 BroadwayWorld UK Awards!
by Marianka Swain
- Mar 25, 2022
It's the final day to vote in the 2021 BroadwayWorld UK Awards! Nominations were reader-submitted and now our readers get to vote for their favourites. Voting closes at midnight, so you've still got time to get those last votes in...
BWW Review: COCK, Ambassadors Theatre
by Marianka Swain
- Mar 16, 2022
It's 13 years since Mike Bartlett's provocatively named play made its debut at the Royal Court. Now, Marianne Elliott assembles a starry cast for this West End revival. But how has Bartlett's exploration of sexuality and identity aged, and does it earn its place in the current theatre landscape?
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