Raymond Pinto

CPR – Center for Performance Research, which supports the development and incubation of new work in dance, performance, and time-based art, has announced its 2023 Fall Season of public programs and residencies. Learn more about the full season here!

Immerse yourself in the captivating world of Matthew Lutz-Kinoy's exhibition 'Filling Station,' as it takes you on a journey through the fascinating realm of art and architecture. Presented by The Kitchen and Dia Art Foundation, this exhibition is a must-see for art enthusiasts and architecture lovers alike.

Artist, choreographer, and dancer Madeline Hollander's new piece, Hydro Parade, is a processional performance inspired by the water sources moving under, within, and around The Met.

Artist, choreographer, and dancer Madeline Hollander's new piece, Hydro Parade, is a processional performance inspired by the water sources moving under, within, and around The Met.

Jonah Bokaer Choreography presents its annual New York City season, unveiling never-before-seen pandemic dances created between 2020-2023, debuting on Thursday, April 6th at 7:30pm.

Center for Performance Research, which supports the development and incubation of new work in dance, performance, and time-based art, has announced its 2023 Spring Season.

Baryshnikov Arts Center has announced the Spring 2023 season of dance, music, and multimedia performances. The season will feature the New York Premiere of AMOC (American Modern Opera Company)’s How to Fall Apart composed by Carolyn Chen, the World Premiere of Eunbi Kim’s music and new media work it feels like a dream and more.

Center for Performance Research has announced the ten artists selected for its 2023 Artist-in-Residence Program. Now in its 12th year, this year-long residency supports artists working within various perspectives of contemporary dance, performance, and time-based forms.

The Chocolate Factory Theater has announced its 18th season of performances - the second at its new permanent facility - featuring 10 Commissioned Premieres, 4 Supported Creative Residencies, and partnerships with Abrons Arts Center, ISSUE Project Room, Queens Museum, and The Bushwick Starr.

American Ballet Theatre’s in-house choreographic  program, ABT Incubator, is scheduled for April 11-22, 2022, with new works to be created on  ABT dancers by four choreographers. The workshop was announced today by ABT Artistic Director Kevin McKenzie. 

American Ballet Theatre’s in-house choreographic program, ABT Incubator, is scheduled for April 11-22, 2022, with new works to be created on ABT dancers by four choreographers. The workshop was announced today by ABT Artistic Director Kevin McKenzie.

Sufjan Stevens debuts “Sugar,” a new song from his forthcoming eighth studio album The Ascension, today.

Earlier this year, on April 22, The Phantom of the Opera, reached a milestone that no other Broadway show has even come near. Phantom, the longest-running show in Broadway history, became the first Broadway show EVER to reach #13,000 performances. This is just one of many incredible achievements made by the show since it opened on Broadway over three decades ago.

Cedar Lake Contemporary Ballet presented their second performance in the Festival Theatre, following the very successful first production last night, Mixed Rep.

Juilliard's 2013 graduating class captivated the audience on Sunday, May 4, at the Rosemary and Meredith Willson Theater, with seven new world premiere choreographed works by Jason Collins, Julia Headley, Garth Johnson, David Norsworthy, Raymond Pinto, Lilja Ruriksdottir and Lea Ved.

The Juilliard School presented an interesting program on the afternoon of April 7, 2013, at the Peter Jay Sharp Theatre. Before I even start my review , I want to extend my congratulations to Lawrence Rhodes, the Juilliard Artistic Director, for his commitment and dedication in producing, what is in my mind, some of the best graduate dancers I have ever seen-and I've seen many of them over the years. These dancers are what we need in our artistic venues, whether as performers, or, as I hope, future administrators, teachers and choreographers. Time will tell. My only problem: will there be enough places for the dancers when they graduate? I hope so. When you scrutinize highly gifted college artists, you want them to exit, blazing and seething with their talent, ready to change the artistic world around them. By their ardor and enthusiasm, they only help to reinforce our country's need for greater commitment to the arts, which is sorely lacking and much needed. Mr. Rhodes, keep up the splendid work. I'm always watching your dancers.