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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A BRONX TALE THE MUSICAL (LONGACRE) |
$710,184 | $710,184 | $89 $225 |
8,000 | 8,352 | 8 | 95.80% |
|
ALADDIN (NEW AMSTERDAM) |
$2,110,432 | $2,110,432 | $136 $228 |
15,513 | 15,543 | 9 | 99.80% |
|
ANASTASIA (BROADHURST) |
$1,075,859 | $1,075,859 | $116 $348 |
9,253 | 9,144 | 8 | 101.20% |
|
ANGELS IN AMERICA (NEIL SIMON) |
$933,031 | $933,031 | $97 $247 |
9,595 | 9,954 | 7 | 96.40% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$686,327 | $686,327 | $86 $247 |
7,987 | 8,208 | 8 | 97.30% |
|
CAROUSEL (IMPERIAL) |
$1,070,265 | $1,070,265 | $106 $323 |
10,059 | 11,424 | 8 | 88.10% |
|
CHICAGO (AMBASSADOR) |
$852,020 | $852,020 | $100 $203 |
8,551 | 8,640 | 8 | 99.00% |
|
CHILDREN OF A LESSER GOD (STUDIO 54) |
$363,848 | $363,848 | $57 $247 |
6,350 | 8,032 | 8 | 79.10% |
|
COME FROM AWAY (SCHOENFELD) |
$1,293,049 | $1,293,049 | $152 $347 |
8,535 | 8,368 | 8 | 102.00% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$1,744,352 | $1,744,352 | $218 $448 |
7,991 | 7,872 | 8 | 101.50% |
|
ESCAPE TO MARGARITAVILLE (MARQUIS) |
$600,673 | $600,673 | $76 $247 |
7,860 | 13,008 | 8 | 60.40% |
|
FROZEN (ST. JAMES) |
$2,246,998 | $2,246,998 | $167 $297 |
13,423 | 13,440 | 8 | 99.90% |
|
HAMILTON (RICHARD RODGERS) |
$2,882,014 | $2,882,014 | $268 $849 |
10,735 | 10,568 | 8 | 101.60% |
|
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO (LYRIC) |
$1,589,033 | $1,589,033 | $163 $287 |
9,732 | 9,732 | 6 | 100.00% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HELLO, DOLLY! (SHUBERT) |
$1,111,874 | $1,111,874 | $98 $297 |
11,320 | 11,568 | 8 | 97.90% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$1,043,121 | $1,043,121 | $96 $249 |
10,913 | 11,392 | 8 | 95.80% |
|
LOBBY HERO (HAYES) |
$409,431 | $409,431 | $90 $299 |
4,545 | 4,648 | 8 | 97.80% |
|
MEAN GIRLS (AUGUST WILSON) |
$1,468,683 | $1,468,683 | $149 $300 |
9,854 | 9,800 | 8 | 100.60% |
|
MY FAIR LADY (VIVIAN BEAUMONT) |
$1,060,532 | $1,060,532 | $124 $297 |
8,552 | 8,552 | 8 | 100.00% |
|
ONCE ON THIS ISLAND (CIRCLE IN THE SQUARE) |
$594,646 | $594,646 | $115 $250 |
5,160 | 5,568 | 8 | 92.70% |
|
ROCKTOPIA (BROADWAY) |
$761,838 | $761,838 | $66 $247 |
11,498 | 14,040 | 8 | 81.90% |
|
SCHOOL OF ROCK (WINTER GARDEN) |
$1,298,597 | $1,298,597 | $106 $248 |
12,263 | 12,184 | 8 | 100.60% |
|
SPONGEBOB SQUAREPANTS (PALACE) |
$1,034,963 | $1,034,963 | $84 $248 |
12,292 | 12,880 | 8 | 95.40% |
|
SPRINGSTEEN ON BROADWAY (WALTER KERR) |
$1,925,795 | $1,925,795 | $508 $850 |
3,792 | 3,792 | 4 | 100.00% |
|
SUMMER (LUNT-FONTANNE) |
$568,993 | $568,993 | $106 $197 |
5,358 | 5,880 | 4 | 91.10% |
|
THE BAND'S VISIT (ETHEL BARRYMORE) |
$870,463 | $870,463 | $117 $297 |
7,419 | 8,312 | 8 | 89.30% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,255,187 | $1,255,187 | $144 $478 |
8,742 | 8,376 | 8 | 104.40% |
|
THE ICEMAN COMETH (JACOBS) |
$968,162 | $968,162 | $153 $397 |
6,324 | 6,324 | 6 | 100.00% |
|
THE LION KING (MINSKOFF) |
$3,092,152 | $3,092,152 | $203 $225 |
15,266 | 15,264 | 9 | 100.00% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,605,070 | $1,605,070 | $127 $247 |
12,598 | 12,840 | 8 | 98.10% |
|
THE PLAY THAT GOES WRONG (LYCEUM) |
$431,330 | $431,330 | $70 $197 |
6,196 | 6,832 | 8 | 90.70% |
|
THREE TALL WOMEN (GOLDEN) |
$599,626 | $599,626 | $95 $297 |
6,296 | 6,296 | 8 | 100.00% |
|
TRAVESTIES (AMERICAN AIRLINES) |
$151,212 | $151,212 | $61 $147 |
2,468 | 2,896 | 4 | 85.20% |
|
WAITRESS (BROOKS ATKINSON) |
$883,889 | $883,889 | $111 $270 |
7,975 | 8,360 | 8 | 95.40% |
|
WICKED (GERSHWIN) |
$2,723,040 | $2,723,040 | $158 $240 |
17,190 | 17,334 | 9 | 99.20% |
| TOTAL | $42,016,689 | $1,200,477 | $131.46 $309.07 |
319,605 | 335,423 | 266 | 95.28% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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