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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A BRONX TALE THE MUSICAL (LONGACRE) |
$820,878 | $820,878 | $105 $275 |
7,852 | 8,352 | 8 | 94.00% |
|
A DOLL'S HOUSE, PART 2 (GOLDEN) |
$144,520 | $144,520 | $26 $273 |
5,554 | 6,200 | 8 | 89.60% |
|
ALADDIN (NEW AMSTERDAM) |
$1,393,348 | $1,393,348 | $105 $228 |
13,291 | 13,816 | 8 | 96.20% |
|
AMÉLIE (WALTER KERR) |
$378,019 | $378,019 | $81 $276 |
4,682 | 7,416 | 8 | 63.10% |
|
ANASTASIA (BROADHURST) |
$882,853 | $882,853 | $98 $350 |
9,030 | 9,144 | 8 | 98.80% |
|
BANDSTAND (JACOBS) |
$508,757 | $508,757 | $67 $227 |
7,638 | 8,264 | 8 | 92.40% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$855,156 | $855,156 | $115 $249 |
7,447 | 8,208 | 8 | 90.70% |
|
CATS (NEIL SIMON) |
$714,382 | $714,382 | $89 $197 |
8,066 | 11,000 | 8 | 73.30% |
|
CHARLIE AND THE CHOCOLATE FACTORY (LUNT-FONTANNE) |
$1,151,021 | $1,151,021 | $131 $233 |
11,825 | 11,968 | 8 | 98.80% |
|
CHICAGO (AMBASSADOR) |
$597,894 | $597,894 | $85 $187 |
7,063 | 8,640 | 8 | 81.70% |
|
COME FROM AWAY (SCHOENFELD) |
$1,071,386 | $1,071,386 | $126 $247 |
8,527 | 8,368 | 8 | 101.90% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$1,235,972 | $1,235,972 | $155 $397 |
7,991 | 7,872 | 8 | 101.50% |
|
GROUNDHOG DAY (AUGUST WILSON) |
$755,009 | $755,009 | $96 $375 |
7,867 | 9,824 | 8 | 80.10% |
|
HAMILTON (RICHARD RODGERS) |
$2,786,938 | $2,786,938 | $260 $849 |
10,736 | 10,568 | 8 | 101.60% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HELLO, DOLLY! (SHUBERT) |
$2,105,474 | $2,105,474 | $205 $748 |
10,256 | 9,989 | 7 | 102.70% |
|
INDECENT (CORT) |
$241,757 | $241,757 | $53 $197 |
4,544 | 8,584 | 8 | 52.90% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$694,846 | $694,846 | $82 $249 |
8,525 | 11,392 | 8 | 74.80% |
|
MISS SAIGON (BROADWAY) |
$873,433 | $873,433 | $90 $248 |
9,750 | 13,896 | 8 | 70.20% |
|
NATASHA, PIERRE & THE GREAT COMET OF 1812 (IMPERIAL) |
$937,564 | $937,564 | $115 $267 |
8,158 | 9,104 | 8 | 89.60% |
|
ON YOUR FEET! (MARQUIS) |
$653,185 | $653,185 | $84 $199 |
7,735 | 13,008 | 8 | 59.50% |
|
OSLO (VIVIAN BEAUMONT) |
$584,905 | $584,905 | $82 $223 |
7,140 | 8,376 | 8 | 85.20% |
|
PRESENT LAUGHTER (ST. JAMES) |
$812,989 | $812,989 | $94 $350 |
8,671 | 11,176 | 8 | 77.60% |
|
SCHOOL OF ROCK (WINTER GARDEN) |
$852,730 | $852,730 | $91 $248 |
9,333 | 12,184 | 8 | 76.60% |
|
SIX DEGREES OF SEPARATION (ETHEL BARRYMORE) |
$361,926 | $361,926 | $60 $197 |
5,998 | 8,416 | 8 | 71.30% |
|
SUNSET BOULEVARD (PALACE) |
$1,136,966 | $1,136,966 | $122 $297 |
9,292 | 11,753 | 7 | 79.10% |
|
SWEAT (STUDIO 54) |
$292,343 | $292,343 | $71 $199 |
4,134 | 5,272 | 8 | 78.40% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,220,094 | $1,220,094 | $141 $477 |
8,641 | 8,528 | 8 | 101.30% |
|
THE GLASS MENAGERIE (BELASCO) |
$307,364 | $307,364 | $57 $273 |
5,366 | 7,944 | 8 | 67.50% |
|
THE LION KING (MINSKOFF) |
$1,926,741 | $1,926,741 | $143 $225 |
13,503 | 13,568 | 8 | 99.50% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LITTLE FOXES (FRIEDMAN) |
$402,742 | $402,742 | $79 $179 |
5,072 | 5,200 | 8 | 97.50% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,014,276 | $1,014,276 | $85 $203 |
11,949 | 12,840 | 8 | 93.10% |
|
THE PLAY THAT GOES WRONG (LYCEUM) |
$414,318 | $414,318 | $78 $173 |
5,315 | 6,832 | 8 | 77.80% |
|
THE PRICE (AMERICAN AIRLINES) |
$578,894 | $578,894 | $98 $250 |
5,926 | 5,920 | 8 | 100.10% |
|
WAITRESS (BROOKS ATKINSON) |
$1,210,258 | $1,210,258 | $149 $270 |
8,138 | 8,360 | 8 | 97.30% |
|
WAR PAINT (NEDERLANDER) |
$1,001,177 | $1,001,177 | $118 $248 |
8,450 | 9,344 | 8 | 90.40% |
|
WICKED (GERSHWIN) |
$1,591,560 | $1,591,560 | $116 $240 |
13,750 | 14,456 | 8 | 95.10% |
| TOTAL | $32,511,675 | $903,102 | $109.39 $286.72 |
297,215 | 345,782 | 286 | 85.95% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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