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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
110 IN THE SHADE (STUDIO 54) |
$302,978 | $302,978 | $47 $111 |
6,458 | 7,968 | 8 | 81.00% |
|
A CHORUS LINE (SCHOENFELD) |
$623,753 | $623,753 | $86 $301 |
7,294 | 8,552 | 8 | 85.30% |
|
A MOON FOR THE MISBEGOTTEN (BROOKS ATKINSON) |
$609,148 | $609,148 | $83 $252 |
7,375 | 8,272 | 8 | 89.20% |
|
AVENUE Q (Golden) |
$318,002 | $318,002 | $67 $201 |
4,737 | 6,368 | 8 | 74.40% |
|
BEAUTY AND THE BEAST (LUNT-FONTANNE) |
$716,389 | $716,389 | $67 $175 |
10,759 | 12,072 | 8 | 89.10% |
|
CHICAGO (AMBASSADOR) |
$526,591 | $526,591 | $72 $251 |
7,319 | 8,640 | 8 | 84.70% |
|
COMPANY (BARRYMORE) |
$218,615 | $218,615 | $64 $251 |
3,428 | 8,368 | 8 | 41.00% |
|
CORAM BOY (IMPERIAL) |
$255,070 | $255,070 | $49 $176 |
5,230 | 11,448 | 8 | 45.70% |
|
CURTAINS (AL HIRSCHFELD) |
$796,723 | $796,723 | $81 $252 |
9,799 | 11,376 | 8 | 86.10% |
|
DEUCE (MUSIC BOX) |
$424,075 | $424,075 | $68 $251 |
6,225 | 8,072 | 8 | 77.10% |
|
FROST/NIXON (JACOBS) |
$370,841 | $370,841 | $64 $201 |
5,837 | 8,560 | 8 | 68.20% |
|
GREY GARDENS (WALTER KERR) |
$295,757 | $295,757 | $78 $252 |
3,789 | 7,376 | 8 | 51.40% |
|
HAIRSPRAY (NEIL SIMON) |
$608,037 | $608,037 | $61 $240 |
9,889 | 11,424 | 8 | 86.60% |
|
INHERIT THE WIND (LYCEUM) |
$440,785 | $440,785 | $68 $251 |
6,444 | 7,448 | 8 | 86.50% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
JERSEY BOYS (AUGUST WILSON) |
$1,165,939 | $1,165,939 | $118 $352 |
9,849 | 9,776 | 8 | 100.70% |
|
JOURNEY'S END (BELASCO) |
$131,987 | $131,987 | $49 $201 |
2,717 | 8,136 | 8 | 33.40% |
|
LEGALLY BLONDE (PALACE) |
$608,904 | $608,904 | $48 $250 |
12,597 | 13,096 | 8 | 96.20% |
|
LES MISÉRABLES (BROADHURST) |
$629,510 | $629,510 | $72 $251 |
8,765 | 8,976 | 8 | 97.60% |
|
LOVEMUSIK (BILTMORE) |
$217,708 | $217,708 | $60 $101 |
3,656 | 4,952 | 8 | 73.80% |
|
MAMMA MIA! (WINTER GARDEN) |
$918,176 | $918,176 | $76 $251 |
12,028 | 11,984 | 8 | 100.40% |
|
MARY POPPINS (NEW AMSTERDAM) |
$1,009,369 | $1,009,369 | $80 $250 |
12,667 | 14,328 | 8 | 88.40% |
|
PRELUDE TO A KISS (AMERICAN AIRLINES) |
$138,354 | $138,354 | $45 $86 |
3,106 | 5,920 | 8 | 52.50% |
|
RADIO GOLF (CORT) |
$133,896 | $133,896 | $37 $201 |
3,620 | 7,574 | 7 | 47.80% |
|
RENT (NEDERLANDER) |
$325,074 | $325,074 | $55 $200 |
5,949 | 9,448 | 8 | 63.00% |
|
SPAMALOT (SHUBERT) |
$779,475 | $779,475 | $78 $251 |
9,959 | 11,528 | 8 | 86.40% |
|
SPRING AWAKENING (EUGENE O'NEILL) |
$458,394 | $458,394 | $74 $201 |
6,219 | 8,720 | 8 | 71.30% |
|
TALK RADIO (LONGACRE) |
$233,396 | $233,396 | $59 $251 |
3,985 | 8,760 | 8 | 45.50% |
|
TARZAN (RICHARD RODGERS) |
$547,876 | $547,876 | $68 $251 |
8,001 | 10,552 | 8 | 75.80% |
|
THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE (CIRCLE) |
$212,118 | $212,118 | $52 $175 |
4,101 | 5,472 | 8 | 74.90% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE COAST OF UTOPIA (VIVIAN BEAUMONT) |
$543,619 | $543,619 | $82 $100 |
6,609 | 7,329 | 7 | 90.20% |
|
THE COLOR PURPLE (BROADWAY) |
$946,606 | $946,606 | $82 $251 |
11,589 | 13,744 | 8 | 84.30% |
|
THE DROWSY CHAPERONE (MARQUIS) |
$720,036 | $720,036 | $72 $250 |
10,001 | 12,888 | 8 | 77.60% |
|
THE LION KING (MINSKOFF) |
$1,151,342 | $1,151,342 | $89 $251 |
12,943 | 13,232 | 8 | 97.80% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$698,266 | $698,266 | $63 $201 |
11,009 | 12,856 | 8 | 85.60% |
|
THE PIRATE QUEEN (HILTON THEATRE) |
$656,079 | $656,079 | $62 $111 |
10,582 | 14,392 | 8 | 73.50% |
|
THE YEAR OF MAGICAL THINKING (BOOTH) |
$416,163 | $416,163 | $80 $251 |
5,181 | 5,474 | 7 | 94.60% |
|
WICKED (GERSHWIN) |
$1,389,502 | $1,389,502 | $96 $300 |
14,472 | 14,472 | 8 | 100.00% |
| TOTAL | $20,538,553 | $555,096 | $72.27 $220.43 |
284,188 | 359,553 | 293 | 79.04% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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