BWW Interviews: The First Lady Of The British Theatre, Elaine Paige, Graces The McCallum Theatre Stage 2/27


The incredible Elaine Page brings her one woman concert to the McCallum Theatre tonight for a one-night-only, intimate look into her life and her career, singing the songs and recreating the magical moments from her many hit shows on Broadway and the West End. I had the opportunity to catch up with Ms. Paige as she was preparing for her concert this evening at The McCallum Theatre. Here are a few highlights from that conversation.

DG: I'm sure you hear this a lot, but I'm a big fan, And I'm very excited because this will be the first opportunity I have had to see you perform live.

EP: That's something considering I've been around for over forty years. I'm thrilled that, at last, you've made it.

DG: What's the first song you ever sang in front of an audience?

EP: Oh my goodness, I was a child. A girlfriend of mine and I put together a little - a few songs - for a Cabaret for some charity event or other. I was about fourteen years old, I think, And we sang things like "The Trolley Song" - you know, the real standards, and I can remember being very nervous indeed about it, but thrilled after it was over. I had a great time, you know.

DG: Did you study theatre in school?

EP: Not at regular school. I left school at sixteen and I then went and I did a drama course - a student drama course - for three years at a college called Ada Foster in England. I learned all about drama and dance and performing and Shakespeare and all of that. It was a fantastic three years and that's really what set me on the road, really, I knew once I had started doing that that I was hooked.

DG: Would you consider yourself foremost an actor or a singer?

EP: Well, it's a funny thing It's a bit of a mix. I always used to consider myself an actor first and foremost. Somebody that just happened to be able to sing. I think in many respects that is how I view myself because when I look to sing any kind of song or record any kind of song mostly I'm interested in the lyric or the text of the piece first, you know. But, of course, that's what I love about Musical Theatre is it gives you the opportunity to act and sing. The two things come together, and that's what I love.

DG: What was your first professional role?

EP: My first professional role was in a musical written by Leslie Bricusse and Anthony Newley and it was called - it was the show they did after "Stop The World I Want To Get Off" - and it was called "The Roar Of The Greasepaint, the Smell Of The Crowd" and I was very much in the chorus. I played an urchin. Which is something I seem to do quite a lot. Because I'm short in stature and always looked younger than my years. I was playing urchins right up to the age of about twenty seven. (She laughs)

DG: Who would you say has been the biggest influence on your career?

EP: It's an interesting thing. I think, as you go through your career, you meet different people who are catalyst for your journey along the way, if you like, and I suppose the first person who helped me and made me realize I had a talent at all was my music teacher at my regular school. I was part of the school choir. Her name was Ann Hill and she was the one really who helped me recognize that I had singing voice. I mean, I always knew I loved to sing, but I didn't realize I had anything more than most. But she was the one who started to guide me towards performing. And I suppose further along the route having managed to get some jobs and be successful at the audition process after drama school - I suppose meeting and working with Andrew Lloyd Webber and Tim Rice. They would have been, definitely, people in my career who helped me because, you know, they wrote Evita and that was the show really that made me, if you like, a career at all in Musical Theatre. They were the people in terms of helping me in my career but I also have to consider who I used to look up to and admire as I was a young artist - and I suppose Judy Garland, Lena Horne, Barbra Streisand, Bette Midler - these were the artists that I looked up to and admired.

Comment & Share

About Author

Subscribe to Author Alerts
David Green David Green is the Executive Director of The American Foundation For Arts Education, founded by Carol Channing and her late husband, Harry Kullijian -- working to restore the Arts to our nation’s public schools and provide an arts education to every child in America. He is the founder and President of the nationally acclaimed "Musical Theatre University", a training ground for talented young people with aspirations for careers in theatre, most specifically musical theatre. Mr. Green's Broadway alumni include Tony -nominees Matthew Morrison and Stephanie Block, Drama Desk nominee Lindsay Mendez, Krysta Rodriguez, Scott Barnhardt and Anneliese VanDerPol to name a few. As a producer and director, he has staged over 150 theatrical productions for both educational and professional theatre and with such stars as Carol Channing, Cathy Rigby, JoAnne Worley, Rex Smith, Jonelle Allen, Eric Kunze, Davis Gaines, Stephanie Zimbalist, John Raitt, Betty Garrett and more. Mr. Green is the Regional Editor and Reviewer for the Inland Empire of Southern California.

REST in Costa MesaREST
(Runs 3/28 - 4/27)
(Runs 4/25 - 5/4)
American Idiot in Costa MesaAmerican Idiot
(Runs 5/19 - 5/19)
The Book of Mormon in Costa MesaThe Book of Mormon
(Runs 5/13 - 5/25)
The Year of Magical Thinking in Costa MesaThe Year of Magical Thinking
(Runs 4/29 - 5/25)
THE STINKY CHEESE MAN and Other Fairly Stupid Tales in Costa MesaTHE STINKY CHEESE MAN and Other Fairly Stupid Tales
(Runs 5/23 - 6/8)

More Shows | Add a Show

Message Board