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'The Showtune Mosh Pit' for March 2nd, 2011

The_Showtune_Mosh_Pit_for_March_2nd_2011_20010101

THE LATEST IN UNAUTHORIZED GOSSIP AND BUZZ

FROM THE HEART OF CHICAGO'S SHOWTUNE VIDEO BARS,

AND MUSICAL THEATER NEWS FROM CHICAGO TO BROADWAY

by Paul W. Thompson

Overheard last weekend under the showtune

video screens at Sidetrack and The Call:

As March dawns, and spring slowly awakens, there sure seems to be a heck of a lot going on at Broadway In Chicago! For one, the highly anticipated production of "Working" that has New York, Chicago and the nation talking opens tonight at the Broadway Playhouse at Water Tower Place. Word has it that this production will be the model for all future productions of the now-revised 1978 tuner. Does this mean there will be a commercial recording of the show (and its two new songs by Lin-Manuel Miranda) by the Chicago revisal cast? Who knows. But Studs Terkel's work is firmly rooted here, and this musical based on the late author and interviewer's best known book is now firmly rooted here as well, and hoping for a significant run. Let's hope the hype was worth it! 

Last week, BIC announced a new Facebook-oriented ticket offer, whereby select seats for select performances of select shows will be available to Facebook fans of Broadway In Chicago for $25 each, only on the 25th day of each month. That's mildly creative, and Mosh Pit peeps approve. "Working" was the beneficiary of the first such offer. 

Also going on as of this writing is the availability (as of last week) of single-ticket sales for the VERY highly anticipated national tour of the Pulitzer Prize-winning musical "next to normal," running April 26-May 8, 2011 at the Bank Of America Theatre. This Friday, March 4, tickets for the return engagement of the Tony Award-winning "Spring Awakening" will be on sale. And did we somehow miss the announcement that yet another return of "Beauty And The Beast" is happening, and this time for six weeks! This show business legend will park itself at the Ford Center For The Performing Arts, Oriental Theatre for six weeks, beginning June 29. Amazing. 

Broadway in Chicago Home Page 

Oh, the Oscars were last Sunday. Yay, Randy Newman. Moving on from that (lol)..... 

Academy of Motion Picture Arts and Sciences 

There is significant showtune news coming out of a somewhat unlikely local source--Chicago Shakespeare Theater at Navy Pier. They actually have compiled an impressive track record of musical productions out there, but the name still throws people off in this regard. However, check it out! They are mounting two new musicals in the coming months, "Murder For Two" by Joe Kinosian and Kellen Blair, directed by David H. Bell (May 12-June 19), and "The Adventures Of Pinocchio" by Neil Bartram and Brian Hill ("The Story Of My Life"), directed by Rachel Rockwell (July 13-August 28). "Murder For Two" is an intimate affair, wherein two actors play all the parts of a murder mystery, and play the piano as well. "Pinocchio" is designed to be a major draw for family audiences in summertime on the Pier. They both sound lovely to me. 

Chicago Shakespeare Theater - Home 

Even more excitingly, the man largely responsible for CST's musical successes, Gary Griffin, will be directing a major production of Stephen Sondheim and James Goldman's "Follies," announced to play just five weeks (October 4-November 6, 2011). Though it will not gain the press nor the cache of this summer's production of the show at Washington's Kennedy Center, is it the most significant production of the show in these parts in quite some time, if ever. If Griffin's CST "A Little Night Music" with Barbara Robertson and Kevin Gudahl seven years ago is any indication of what is in store for us, hold onto your chorus-girl hats! And it will be fascinating to see how a show about the destruction of a proscenium theater fits into the modified thrust configuration of the Courtyard. This will be a hot ticket, you guys! 

FOLLIES Press Release 

For those who can't wait until fall to get their Sondheim on, the students in the University Theater at the University of Chicago are obliging you with a mounting of the Sondheim/James Lapine "Into The Woods" at the Reynolds Club on the Hyde Park campus, March 10, 11 and 12. Adam Rosenthal and Amanda Jacobs star, directed by William Glick

INTO THE WOODS | The University of Chicago 

Actually, next weekend will be a hot one in Hyde Park, as the Gilbert And Sullivan Opera Company will be performing "The Sorcerer" on March 11, 12 and 13 in Mandel Hall on the University of Chicago campus, accompanied by the University of Chicago Chamber Orchestra. Crazy scheduling, you guys! 

Calendar of Events | The Sorcerer 

There's another reason that Hyde Park is on ours minds lately. Have you seen the neat ads on CTA trains for the Court Theatre's upcoming production of  the Gershwin/Gershwin/Heyward "Porgy And Bess?" They say, "The thoughtful retelling of a classic." And yes, the sound you hear is the pendulum swinging. For years, people wondered why opera companies weren't mounting this American masterwork. And now that they are, people are wondering why theater companies aren't. So, here you have it. Actually, a certain Audra McDonald is reported to be involved with such a venture on the east coast. But she doesn't have Charles Newell directing, Doug Peck musical directing, or a cast of 14 national and New York musical theater performers led by Alexis J. Rogers, Todd M. Kryger, Karla Beard, Sean Blake and James Earl Jones II.  You probably don't want to miss this, I'm just saying.... It's "Porgy And Bess!" 

The Gershwins' Porgy and Bess Court Theatre 

George Gershwin's contemporary, Irving Berlin, will be represented on a local stage this month, though on a more modest scale. On Tuesday, March 15, Kevin Moore of WJJG Radio (1530 AM) will host a concert called "Score-by-Score: An Evening of Irving Berlin" at the Metropolis Performing Arts Center in northwest suburban Arlington Heights. Part of Moore's Great American Songbook Series, the evening will feature performances by some of the local cabaret world's biggest names, including Becky Menzie, Anne Burnell, Tom Michael and Heather Moran. Sounds classy! 

Kevin Moore Presents An Evening of Irving Berlin 

And, in a fusion of the cabaret and theater worlds, Bailiwick Chicago is throwing themselves a fundraiser at Mary's Attic in the Andersonville neighborhood, on Saturday, March 5th. It's called "Bailiwick Chicago LIVE," and it's a low-key, fun and freewheeling affair for the younger adults among the Mosh Pit. You may remember that Bailiwick is mounting the adventurous small-scale musicals "Passing Strange" and "Violet" this year, and that may prompt you to include the company's modestly-priced benefit in your weekend plans. I'm just sayin.' 

Bailiwick Chicago - Season Overview 

Thanks for checking us out this week! I knew I'd see you online at some point. And, hey, if we play our collective cards just right, I'll see you under the video screens. Take care....-PWT 

[Be sure to subscribe to the Mosh Pit! Click here to subscribe to our BroadwayWorld Message Board discussion thread. Receive your e-mail notice that the weekly "Showtune Mosh Pit" is available!] 

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Paul W. Thompson Paul W. Thompson, a contributor to BroadwayWorld.com since 2007, is a Chicago-based singer, actor, musical director, pianist, vocal coach, composer and commentator. His career as a performer, teacher and writer is centered at Paul W. Thompson Music, located in Chicago’s historic Fine Arts Building, where he teaches the great songs of Broadway to the next generation of musical theater performers. A native of Nashville, Tennessee, Paul was raised in a family of professional musicians and teachers, steeped in classical, gospel, country, pop, sacred and show music. Dubbed a “thin, winsome lad” at the age of 13 by a critic for the Nashville Banner, he earned two degrees in musical theater (a B.F.A. with Honors from Baylor University and an M.M. from the University of Miami, Florida), plus an M.B.A. with Distinction from DePaul University. Paul’s memberships include Actors’ Equity Association, the American Guild of Musical Artists, the National Academy of Recording Arts and Sciences (proud voter for the Grammy Awards!), the National Association of Teachers of Singing and New York’s Drama League.

Moving easily between the worlds of classical music, religious music, classic pop and musical theater, Paul has appeared onstage or in the orchestra pit in concerts, musicals, operettas and operas in 30 states and in Europe, in a career spanning more than 35 years. His Chicagoland stage credits include “Forever Plaid” at the Royal George Theater and twenty mainstage productions at Light Opera Works. Paul joined the Chicago Symphony Chorus in 1995 (he was Tenor I Section Leader for four years and sings on two Grammy-winning recordings), and is one of Chicago’s foremost liturgical singers, marking 20 years as a member of the choir at St. James Cathedral (Episcopal) in 2011.He has composed and arranged a number of anthems, hymns and songs for worship and concert use, and collaborates on the creation of new works of musical theater. Paul can be found on Monday nights watching showtune videos at the world-famous Sidetrack nightclub, the inspiration for his weekly column, “The Showtune Mosh Pit.” His proudest achievement is that he has seen the original Broadway production of every Tony Award-winning Best Musical since “Cats.” No, really. Since “Cats!”


 
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