It’s a big season at the Met for tenor Jonathan Tetelman—born in Chile, raised in New Jersey—and he’s taking every advantage of it. He’s come to town with a reputation as a Puccini specialist (not that there’s anything wrong with that). How does he feel about that? “Well, I basically built my voice on Puccini repertoire. I’ve taken it as a gift because he’s a great writer for my voice.” His debut at the Met in March was in LA RONDINE but he’s looking forward to showing off more of his dramatic ...
Back in December, I saw the chamber version of John Adams’s EL NINO—dubbed EL NINO: NATIVITY RECONSIDERED—at the Cathedral of St. John the Divine. Pared down to its essence, it was wonderful, starred two of the singers who made their debuts in the premiere at the Met, soprano Julia Bullock and bass-baritone Davone Tines plus countertenor Anthony Roth Costanzo, who were at their best. It was a somber evening in a dramatic setting—a far cry from the oratorio/opera’s over-the-top welcome to Lincoln...
Explore THE ELECTRONIC LOVER, a tragicomic opera in 9 episodes by Lisa Mezzacappa and Beth Lisick....
Nashville Opera will welcome the return of American soprano Rainelle Krause to the U.S. for her signature role as The Queen of the Night in Mozart's The Magic Flute. Krause, acclaimed for her thrilling vocal abilities and dynamic stage presence, will star in this magical production directed by John Hoomes and conducted by Dean Williamson, with performances on April 12 and 13....
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