IAGO

O22, as Opera Philadelphia's festival was called this year, wasn’t exactly “something old, something new” but more like big fat sandwich cookie. On one side, there was a kind of “traditional” contemporary opera, Hosokawa’s THE RAVEN , a big filling of Rossini’s OTELLO opera seria in the middle, and finished with the Little-Waldman BLACK LODGE, a rock opera that was half ear-blasting concert performed live, half film....