BWW Interviews: James Naughton Talks THE WORD, CITY OF ANGELS Reunion

BWW Interviews: James Naughton Talks THE WORD, CITY OF ANGELS Reunion

In the new film "The Word," a man's otherwise perfect life is destroyed when his son is kidnapped and murdered. He finds himself torn between avenging his son's death and moving on with his now hollow existence. Two-time Tony-winner James Naughton plays F.B.I. agent Mike Sheehy, who is tasked with hunting down the boy's killer. "The Word" opens in New York and Los Angeles this week.

Last week, I spoke to Naughton about the film, his iconic role as the original Billy Flynn in long-running "Chicago" revival, being a part of a family of performers, and whether or not there is any truth to the rumors of a "City of Angels" reunion concert.

BWW: How did you get involved with this film?BWW Interviews: James Naughton Talks THE WORD, CITY OF ANGELS Reunion

Naughton: I had an agent who said a casting agent had called, and they sent me a script and asked if I was interested. I thought, "This is kind of cool," and it was being made in Connecticut, which is where I live, so it was sort of a no-brainer.

I have to admit, the movie was a bit of a rollercoaster, I think I suspected that nearly every character was involved in the conspiracy at some point, but I have a feeling that's the feeling that you guys were going for.

I think it's pretty straight forward as a mystery. A child's kidnapped and ends up murdered and sacrificed, and it's a difficult situation for everyone to deal with. What was fun for me was getting to play an F.B.I. agent. Most of my stuff was trying to control the guys that were beneath me, sort of the senior F.B.I. agent in the movie. We were basically in that little room, in a building in Bridgeport, Connecticut for about a week. The other actors were very good, so it was a lot of fun to work on.

One of the things that I thought was really fun, even though you didn't actually have any scenes together, was that you were in a movie with Maggie Lacey, whom you directed on Broadway in "Our Town." Did you two cross paths at all when filming?

I think we were on the set together one time. She's a lovely young lady, and I like her very much as an actress. I obviously like her a lot, I cast her. We had a wonderful time doing that show; I have a very special place in my heart for Maggie Lacey, both as a young woman, and as an actress.

Well, she is great in this movie, and as that was her Broadway debut in "Our Town," you played a pretty instrumental role in her career from the beginning.

I'm a great appreciator of Maggie, she's terrific. That whole experience with "Our Town" was about as wonderful and positive of a working experience as I've ever had.

Why is that?

Well, the people who were involved, the people I cast in it were all a bunch of wonderful folks. It was a celebration of Paul Newman's return to the stage after 36 or 37 years of being away. I never thought it would happen. For 20 years I had talked to him about trying to get back on the stage, and finally it was "Our Town" that did it. It was just a delight, everything about that experience was delightful.

You've obviously had great success on the stage as an actor and as a director, but over the last few years, many of the projects we have seen you in have been on screen. Where do you see your career going at this point?

Well, you know, people always ask you the question, "Which do you prefer? Working on the stage or working in front of a camera?"

I've always answered saying, "Whichever one I'm not doing at the moment is the one I'd rather be doing." If you're on a stage, you're thinking, "Oh my gosh, eight shows a week. Get me out of here, get me a movie, or a TV show."

Then when you're doing that, you think, "Oh to be on the boards again." I think it's kind of human nature. I have been fortunate enough to be able to do a little bit of both. It's nice to have a balance in your life. Now if I could just figure out how to work at home, or around my home, more frequently. That would be ideal.

Yea, not every movie, or TV show, or play happens in Connecticut, does it?

No, unfortunately, that's true. But it would be nice to live and work in the same place. I'm doing a one-man play in the Berkshires at the moment; at the Berkshire Theatre Festival in Stockbridge. I'm living in a house here in the Berkshires, I've been here since the end of June, and my show closes this weekend. So, this is what you have to do if you want to live and work in the same place, you have to go find a place. The Berkshires are pretty sweet.

Absolutely, not a bad place to spend a month and a half.

And my daughter directed the play, which was nice too.

BWW Interviews: James Naughton Talks THE WORD, CITY OF ANGELS ReunionOh wow, that's got to be fun. Is it your personal story, or are you playing a character?

No, I'm playing a character; a guy who goes to visit his father in the hospital, and the father is incubated and comatose, and can't hear anything. He's barely alive, and the son goes and sits there.

In the play I make five visits and I sit and talk to my father, and you discover that the father was abusive, and my mother is crazy, my wife just left me for a younger man, and my law practice is failing (laugh), and the play is funny. It's very smart, and very funny, and ultimately very, very moving. It's a one-man piece, so I've learned this thing, it's 90-minutes of very intense talking. I've been working on it for months now.

What is the play called?

It's called "Cedars," it takes place at Cedars-Sinai Hospital in Los Angeles.

And it's great that your daughter is directing it, how has that relationship been with your child being the one telling you what to do?

Well, it's been wonderful actually. How it came about, Kate Maguire, who's the Artistic Director up here, at first I said to her that I didn't want a director. I was afraid someone would come in and just start messing around, and the writer didn't want one either. We've both directed, so we thought we could just do this ourselves. And Kate said, "No, you're gonna want someone. What about Keira?"

And I said, "That's an interesting idea." The last few things I've done, both musical and dramatic, Keira's given me the best notes of anybody, so I said, "Yea, that makes sense, let's do it." And she was wonderful. And in reality, when you do a thing like this, it is kind of a collaboration among the writer, the director, and the actor.

So it's been great, we've been able to live together in this house, with her three-year-old little boy, and her husband would come up on weekends, so it's been wonderful.

Your family is so filled with people who work in entertainment, what are those family gatherings like? Is everybody clamoring for attention, or are they all more reserved when they aren't performing?

Well, I'm really lucky, I'm really close to all my family, and we all hang out together. It's the family business, so we share a vocabulary. My son, his wife Kelli (O'Hara), and their two children are living with me now, because Greg is directing the play that follows me here. So, I had my daughter and her little boy for the first three or four weeks, now I've got my son and his family for the next three or four weeks.

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Matt Tamanini Matt is BroadwayWorld's Senior TV and Film critic. He also writes across other BWW sites, including BWW Orlando. He also serves as BWW's Advertising and Database Manager. He received a BA in Journalism/Communications from The Ohio State University and has worked in sports broadcasting and media relations and as a theatre director, producer, and teacher. He is also the Executive and Co-Artistic Director of The Squeaky Wheel Theatre Project in Orlando, Florida. You can connect with Matt through Twitter @BWWMatt.