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Video: NYC Ballet Presents Christopher Wheeldon's THIS BITTER EARTH Photo by Joshua Wright - May 07, 2024

Watch this all new video from NY City Ballet. Principal Dancers Sara Mearns and Adrian Danchig-Waring are poetry in motion over the haunting vocals of Dinah Washington's This Bitter Earth, amplified by the strings of Max Richter's On the Nature of Daylight....

Eglevsky Ballet Returns To The Tilles Center Photo by Stephi Wild - December 01, 2022

Eglevsky Ballet, Long Island's premier ballet company and academy, presents its annual production of the holiday classic, 'The Nutcracker' starring New York City Ballet soloist Miriam Miller as the 'Sugar Plum Fairy' and New York City Ballet principal Tyler Angle as the 'Cavalier'....

iHeartDance NYC Announces One Night Only Evening of Dance To Raise Funds For Ukraine Photo by Stephi Wild - March 22, 2022

iHeartDance NYC, an arts initiative committed to using dance as a vehicle to make positive change in the community and around the world, announces a one night only benefit performance to raise humanitarian aid for the people of the Ukraine, April 9 at 7:00 p.m. at the Florence Gould Hall Theater....

THE NUTCRACKER AT WETHERSFIELD Announces Special Twitch Live Stream Event Photo by Chloe Rabinowitz - December 17, 2020

The Nutcracker at Wethersfield, a Covid-19 compliant Nutcracker, choreographed and directed by Troy Schumacher, has announced a special Twitch live stream this Sunday, December 20 at 5:00PM EST...

VIDEO: Dance Against Cancer Celebrates 10 Years by Streaming 'Year 1' Performances Photo by Chloe Rabinowitz - May 01, 2020

This Monday, May 4, was set to be Dance Against Cancer's 10th Anniversary Performance at Lincoln Center's Alice Tully Hall, which has now been postponed to October due to COVID-19. ...

BWW Review: New York City Ballet - The Show Goes On for BRAHMS-SCHOENBERG QUARTET Photo by Rose Marija - May 20, 2019

New York City Ballet (NYCB) has gone through some changes in the past year. In an interview with Jonathan Stafford, Artistic Director, and Wendy Whelan, Associate Artistic Director, Whelan said, 'Change is hard, but change is natural. It's not always easy, but it is informative. And ultimately, it's healthy. It's part of life.'...

BWW Review: New York City Ballet presents Ratmansky, Moretti and Peck, April 26, 2019 Photo by Barnett Serchuk - May 01, 2019

New York City Ballet opened its spring season with a week of 21st-century ballets-no Balanchine, or Robbins, just anything that was created after 2000. Some prove eminently worthwhile and destined to remain in the company's repertoire for a long time; others, I'm not quite sure....

BWW Review: New York City Ballet's Prodigal Son and Liebeslieder Walzer Photo by Barnett Serchuk - March 04, 2019

The wait is finally over!!! An artistic director for New York City Ballet has been named. Or should I say, two artistic directors?...

BWW Review: New York City Ballet's New Combinations, February 3, 2019 Photo by Barnett Serchuk - February 10, 2019

I always enjoy mingling with the crowd during ballet intermissions to hear their views and to see if mine corresponds with theirs....

BWW Dance Review: BALANCHINE: THE CITY CENTER YEARS Photo by Barnett Serchuk - November 05, 2018

October 31, Halloween. I was walking to City Center for the opening of 'Balanchine: The City Center Years.' But then I began thinking of Stephen Sondheim's 'Follies.' You must all know the musical. Everyone returns for a reunion, only to be met with ghosts and remembrances of their past lives. After all, City Center is where New York City Ballet began in 1948. I wondered who I would encounter? I saw Allegra Kent. I think I saw two other members of the company who danced on New York City Ballet's...

BWW Dance Review: Balanchine, Peck, Wheeldon and Bournonville/Martins. Photo by Barnett Serchuk - October 08, 2018

An admission. I didn't go to the New York City Ballet fashion gala. Why? Because I didn't care. The New York City Ballet is probably the only company in the world that never had to pander to an audience seeking couture thrills, at least when Balanchine was alive. I know that's changed and the company has to bring in the bucks, but when the draw seems to be clothes and not choreography, it gets me thinking. What's in store for us?...




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