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Philadelphia's Kun-Yang Lin/Dancers Moves to Mandell Theater with World Premiere on March 22nd & 23rd

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Yang Lin/Dancers Moves to Mandell Theater with World Premiere on March 22nd & 23rd" src="http://images.bwwstatic.com/columnpic6/2AF3ED208-C606-09F3-D01AEC3E85EC6E99.jpg" alt="" width="200" align="left" border="0" hspace="10" />

Kun-Yang Lin/Dancers makes their Spring Philadelphia appearance at Drexel University's Mandell Theater on Friday, March 22 at 8 PM and Saturday, March 23 at 3 PM and 8 PM. The program, ONE: Gifts from Afar, features the world premiere of One, an exploration of humankind's rituals surrounding the drive to win. Offering contemporary, Zen-inspired works of poetic sensibility, Kun-Yang Lin/Dancers will pair One with the return of its critically acclaimed work Mandala Project which serves as a complementary piece for the new work. Tickets starting at $27 are available on Dance Box Office. Mandell Theater is located at 33rd and Chestnut Streets.

"We are delighted to be performing in University City and introducing new audiences to our work after four consecutive years of sold-out performances at the Painted Bride Art Center," said Ken Metzner, Executive Director.

A dynamic meditation on the journey from external division to internal oneness, One takes the game of chess as its point of departure. Chess, like dance, cuts across social, religious and cultural backgrounds. Similar to dance, the adaptability of chess to local customs and context; the variation in the way it is played in different societies reflects the infinite diversity of humanity. In addition to its competition aspect, chess, like dance, is a means of bringing people together from all classes, genders, ages and races. And chess, like choreography, involves balancing and integrating parts and the whole, as well as the arrangement of those many parts into meaningful patterns.

"One proceeds from an embodied exploration of some of the more obvious parallels between chess and dance to an examination, via the dancing body, of the less apparent but compelling resonances I see, including the utility of both chess and dance as holistic vehicles for the development of an integrated human being, and chess as an art and a practice for living, which is how I conceive of dance," explained Kun-Yang Lin, choreographer and artistic director of Kun-Yang Lin/Dancers.

Lin continued: "Just as chess includes, and is not limited to, the pieces, the chess board and the way the pieces are moved on the board, so, too, dance is not confined merely to the shapes, the forms, the space and the bodies that make them. The totality of each of them is much more than that - it includes the stories communicated or explored on the board/in the space, the personal processes of The Players/dancers. The dynamics among them, the politico-historical context in which the game/dance plays out, and ultimately, in my view, the relationship of all of this to our common humanity."

Mandala Project, which premiered in spring 2011, was constructed over a two-year period, during which Lin conducted research in the field, with trips to Cambodia, Indonesia, Europe and India, and incorporated these experiences into the body research of the studio. Mandala is the Sanskrit word for circle, community, unity and connection. In Eastern traditions, the mandala is a form of sacred art that depicts the totality of the self as well as the path to a more awakened state of being. In Mandala Project the dances enter into conversation with the sacred form of the mandala, examining and challenging it through body, time, space and energy with reverence and wonder for the effects on the mind, experiencing and sharing the potential of dance as facilitator and inspiration for communication across artistic, generational, cultural and religious boundaries.

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