dance.broadwayworld.com

BWW Reviews: MADE IN AMERICA – A Terrific Triptych

Related: Ballet, Houston Ballet, Wortham Center, Made in America, Nicolo Fonte, Anna Clyne, See(k)

The iconic Wortham Theater Center is celebrating its twenty-fifth birthday this month. This building serves as a monument to Houston's long-standing desire to encourage and support the arts, as the $66 million dollars raised to build the center that celebrates performing arts came entirely from 3500 private sector donors. Without a doubt, the best birthday present that the building could be bestowed is the Houston Ballet's terrific triptych of works, Made in America. Artistic Director, Stanton Welch's trio of selections are wonderful and inspired choices. Each piece is moving and beautiful, and each piece offers audiences a different and very enjoyable experience.

Tonight's show began with the Houston Ballet Premiere of Drink to Me Only With Thine Eyes, originally commissioned by Mikhail Baryshnikov as choreographer Mark Morris's third work for American Ballet Theatre in 1988.  This piece is nothing short of beautiful. It opens with pensive, thought-provoking notes lightly stuck on the piano. The dancers slowly appear on stage, as the lights gently warm. The choreography, plain, white costumes, and bare set evoke the feeling of a rehearsal hall, causing the audience to feel as if they are sitting in on a rehearsal. The score maintains a light, frolicking ambience and the choreography suggests subtle flirtation and jovial showmanship. The piece never strays from being joyful and sweet, and closes on the same warm note that it opens with. The onstage pianist, much like the 12 dancers in the piece, is nothing short of exceptional herself, playing beautifully and never missing a beat.

Made-in-America-Review-A-Terrific-Triptych-20010101

The second act, the world premiere of See(k) choreographed by Nicolo Fonte with music by Anna Clyde, is the absolute shining star of the trio. Nicolo Fonte costumes the dancers in form fitting flesh tone and black ensembles that do not distract from his expert choreography. The music, along with the choreography, is mesmerizing and captivating, yet unnerving. As the music moves through both tonal and temporal dissonance, the dancers portray raw and animalistic emotions through sharp and impressively 

Made-in-America-Review-A-Terrific-Triptych-20010101technical dances. The piece begins with stunning and visceral violent imagery and tonality, which grabs the audience's attention and does not relent for the entire piece. Slipping from movement to movement, the audience is just as involved in the emotional journey as the dancers and music. The darkness in this piece is a stark contradiction to the first act, but it displays passion at its finest, as the audience watches acts of seduction that are reminiscent of predator/prey relationships. The only question that the audience may have by the end of the piece is who was hunting whom? Additionally, the lighting design by Brad Fields is minimalistic, but a character in itself. The spots lights interact with the dancers in a way that adds amazing emotional depth and clarity to the frenetic, intense choreography. This piece leaves the audience speechless and with a pounding, racing heart.

Related Links
Smuin Ballet to Kick Off Spring 2015 Season with PETAL, ROMEO AND JULIET and MoreSmuin Ballet to Kick Off Spring 2015 Season with PETAL, ROMEO AND JULIET and More
March 27, 2015
CounterPointe to Perform in New York Next MonthCounterPointe to Perform in New York Next Month
March 27, 2015
Houston Ballet to Welcome Alberta Ballet in 2015Houston Ballet to Welcome Alberta Ballet in 2015
December 24, 2014
Hubbard Street Dance Chicago Announces Schedule for Spring 2015 Studio SeriesHubbard Street Dance Chicago Announces Schedule for Spring 2015 Studio Series
December 24, 2014
BWW Reviews: Misty Copeland Transforms into Princess ClaraBWW Reviews: Misty Copeland Transforms into Princess Clara
by Rose Marija - December 24, 2014


About Author

   Subscribe to Author Alerts
David Clarke David Clarke has had a lifelong love and passion for the performing arts, and has been writing about theatre both locally and nationally for years. He joined BroadwayWorld.com running their Houston site in early 2012 and began writing as the site's official theatre recording critic in June of 2013.



BWW Reviews: BALLET WEST Debuts at the Joyce Theater in NYCBWW Reviews: BALLET WEST Debuts at the Joyce Theater in NYC

Become a Fan, Follower & Subscriber

          

From the Archives: Balanchine in MontrealFrom the Archives: Balanchine in Montreal
by Barnett Serchuk