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BWW Reviews: A LULLABY TO MR. ADAM Activates Imaginations at MMAC

BWW Reviews: A LULLABY TO MR. ADAM Activates Imaginations at MMAC

On August 18th, the basement of the Manhattan Movement and Arts Center in Manhattan not only held a beautiful, intimate theater, but a space completely filled by passion from the dancers and creativity from their choreographer's vision.

Abarukas, a Contemporary Dance Company founded by Manhattanville College graduate Yoshito Sakuraba, presented their piece, "A Lullaby To Mr. Adam" to a full house. This show was split up into two sections - The first, a short (few minute) piece titled "Scar" by Vivake Dance Company, which consisted of eight dancers and guest choreographer, Vivake Khamsingsavath. Sakuraba's company then followed this incredible number with their own hour-long visual masterpiece, which seemed to fly by in a matter of minutes.

The first piece by Vivake set the mood for the rest of the show. The dancers started off walking back and forth on the black marley floor, somehow interacting with one another. They wore all different styles of black clothing, accompanied by plain black socks. Three unique songs wove through this piece - The first sounded as if it had come out of a video game, the second had more of a flowy feel through its instruments and contemporary style, and the third had the same contemporary feel with a few sharp-hitting beats. Although the story in this piece was not pinpointed, the whole thing seemed to center around one leading male dancer. In the beginning, he seemed to control the others dancers, and throughout the piece was trying to fight his was out of being controlled by them.

This dance was absolutely beautiful. The lighting, which consisted of red, yellow, soft white and a main spotlight, set the perfect ambiance for the themes of control and animalism that flashed throughout the number. The movements were mainly contemporary, with animal-type references that came through in the lead dancer's movement and noises. His interaction with the other female dancers throughout this number was also breathtaking - There was the right amount of body contact to fit the choreographer's vision and send that sense of control straight through to the audience. The piece ended with the dancers all lying down on the floor, (assumed dead), and the lead male letting out one last "roar."

The second part of the show, Abaruka's "A Lullaby to Mr. Adam," had a similar contemporary style. However, this piece was filled with different dynamics - The speed of the movement, the intensity of the interactions, and the embedded story lines. Sakuraba created scenes throughout this number. It was evident that he had a distinct vision and wanted to create something that was masterful, yet eerie. Each of the dancers was introduced by walking across the back of the floor and into the spotlight, suddenly hitting a sharp pose after staring into the audience for a few seconds. This piece, although open for interpretation, seemed to circle around a leader who seemingly killed all of his people, and at the end, surrendered himself and was surprisingly killed in return. Although I had more specific details and story ideas in my head while watching, I believe that was the overall gist - the rest was up to the audience's perspective.



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Juliane Pettorossi Juliane Pettorossi is a student at Manhattanville College, studying Creative and Professional Writing with a minor in Communications. Upon entering her Junior year, she has pursued studies related to journalism, literature, and both oral and technological communication while maintaining a spot on her college?s Dean?s List. She is a member and newly announced captain of the Manhattanville College Dance Troupe. She has worked for companies such as Silverback Social and Sports Video Group, serving as both Blog Co-Editor and Editorial Assistant. Juliane plans to follow a career path in the field of Broadcast/Entertainment Journalism after graduation in May of 2015, and hopes to fully incorporate her passion for dance and theater in future endeavors.



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