"Impossible is just a big word thrown around by small men who find it easier to live in the world they've been given than to explore the power they have to change it. Impossible is not a fact. It's an opinion. Impossible is not a declaration. It's a dare. Impossible is potential. Impossible is temporary. Impossible is nothing.”
~ Muhammad Ali
If it's anything like 110 (which I liked) and the APPLE TREE (which I didn't so much) expect 4 teenagers in tHE TELEPHONE number. Why can't Rose be Italian?
Well, if you want to get technical, the jokes (and song) are about Mae Peterson's not liking Rosie because she thinks she's "spanish" when in reality she's from Allentown, PA (or Pittsburgh, depending on the version).
But, Mae's assumption comes from Rosie's last name (Alvarez) and darker complexion, so it's a pretty safe bet that Rosie is at least part latina.
I would be pretty upset if they didn't cast a latina Rosie. There's no reason now, it would just be keeping a minority actress from playing a role that was written for one.
That's not true. Mae says 'Spanish' as a catch-all term to mean what we say today as Latino/a. So no, nowhere in the script should it be understood that Rosie is ever mistaken for European.
But much of the imagery in the song SPANISH ROSE is based as much in European Spanish culture as it is in, say, Mexican culture. An argument could be made, of course, that the character, specifically shaped around the talents of Chita Rivera, is Puerto Rican in descent.
There are many skin tones that can come from Puerto Rico. Which is why Anika Noni Rose could believably pull off Rose. And I think she'd be smashing.
"I'm so looking forward to a time when all the Reagan Democrats are dead."
Um, the role of Rose Grant is a dancing role. Sara Ramirez doesn't seem to be the 'dancing' type of gal. I could be wrong, but she ain't look likes no dancer-type to me.
I hope they follow their Roundabout tradition and cast headliner-types for the leads -- no need to use the original Broadway cast as a prototype for this revival. Its the first revival the show has EVER had on Broadway. Do it right.
I'd love to see Harry Connick Jr return to Broadway as Albert Peterson and Rosie Perez as Rose and can we have Cheyenne Jackson breaking stereotype for once and have him for Conrad Birdie?
The imagery in the song is taken from Eupopean Spanish, Mexican, South America. All over.
But the role was originally played by a Puerto Rican. And then, later, the actual name of the role was changed (see Brody's post above) to the Anglican "Grant".
I, actually, would love to see a Latina in the role. But it's going to be a star name. So my question is: who?
"I'm so looking forward to a time when all the Reagan Democrats are dead."
You are all right! The point of the Mae/Rosie relationship is that Mae is too small-minded and has her head too far up her own rear to aknowledge a difference between Puerto Rican, Spanish or any other latin or hispanic heritage. This is exaggerated by the fact that Rose considers herself to be American. There are allusions to several different ethnicities because to Mae Peterson, they're all the same.
As for casting... I would just like to see Brooks Ashmanskas as Albert. I would also completely be on board with the Cheyenne Jackson as Conrad suggestion (I assume you were kidding about the "breaking stereotype" thing).
I love Cheyenne-he'd be great as Conrad. I think a latina should play Rosie. We've got some talented ladies who could take on the role. I think Rosie Perez might be perfect. For the Dick Van Dyke role-I could see Ashmanksas.
"A birdcage I plan to hang. I'll get to that someday. A birdcage for a bird who flew away...Around the world."
"Life is a cabaret old chum, only a cabaret old chum, and I love a cabaret!"-RIP Natasha Richardson-I was honored to have witnessed her performance as Sally Bowles.