I've been enjoying the Shakespeare Kings cycle plays at the Harvey theater. In Richard II, David Tennent plays a scene where he is laying on the floor, almost talking to the floor, and I heard every word up in that high balcony. I assumed it was that great actor thing of knowing how to project your voice, but now it seems impossible. There were moments I felt sound coming from behind me, but not during that scene. I've been puzzling over this for days, and thought someone here might have seen it and know. Thanks.
With very few exceptions (like Mark Rylance, who refuses to perform with any kind of amplification), nearly all theater is amplified in some way these days. Most straight plays use floor mics on the stage; however, it's rare for plays to use body mics. I haven't seen RICHARD II, but I would imagine that at the very least, the stage is plugged.
LarryD2 said: "With very few exceptions (like Mark Rylance, who refuses to perform with any kind of amplification), nearly all theater is amplified in some way these days."
This is even more remarkable when I remember how, well, quietly and softly he spoke in Boeing Boeing and I was able to understand every single word from that dreadful Lyceum balcony.
Is there a sound reinforcement system at BAM to fill the acoustic holes? I haven't noticed one but wasn't looking. If there is such as system, I would think that they may use floor mics - but probably not body mics.
It's the RSC and operas that don't mike these days. Sadly.
I appoligise for any spelling mistakes. I may be on my mobile. Clumsy fingers and small little touchscreen keys don't mixx. I try to spellcheck, but I may miss something.