Jordan, this time around, I agree with you wholeheartedly!
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
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ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
What actor made of rubber could play Otto Kringelein?
(And I'm heavily influenced by how great she was as Luisa in Nine, but I'd love to see Mary Stuart Masterson take on another Karen Akers role and play Raffaela.)
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
Recently, as an experiment, I typed into a google search field, "the best musical ever". What it came up with, and ultimately linked to, was a sort of March Madness Brackets of Broadway Musicals. The goal was to fill out the form and find out what you believed was the best musical of all times. I was very surprised to not see, Grand Hotel included amount the many musicals competing for the title.
I want the original production back. I want David Carroll and Michael Jeters (both no longer with us) and those who are still among us. NO. I want a time machine to take me back to the night I first saw, Grand Hotel. What an amazing evening that was.
Here is a link with some footage of 'Grand Hotel' at Penn State University last year. This production was choreographed by Jason Sparks and directed by Nathan Brewer; the same team that mounted the NYC Theater at St Clements production last November.
I think it would need the perfect cast, and yes -- the Tommy Tune staging. The Donmar Warehouse revival a few years back was disappointing (save Julian Ovendon as the Baron).
I have been wanting a revival for a long time. I picture Hugh Panaro as The Baron and Leigh Ann Larkin as Flemmchen
<------ Me and my friends with patti Lupone at my friends afterparty for her concert with audra mcdonald during the summer of 2007.
"I am sorry but it is an unjust world and virtue is only triumphant in theatricle performances" The Mikado
Charlotte D'Amboise would be the seemingly obvious choice for Elizaveta Grushinskaya with other likely choices today being along the lines of Aaron Tveit as the Baron (the character is supposed to be fairly young). Stephanie Pope as Rafaela. David Hyde Pierce as Otto Kringelein, etc.
Yeston was perhaps the best choice to flesh out the score, but it still doesn't sound cohesive to me. Wright and Forrest were going for a conceptual score with each song in a different style (Foxtrot, Waltz, Tango, Charleston, etc.). Yeston's contributions are beautiful and add some much needed drama, but it still sounds like a score of two halves.
I also think the character of Raffaela needs one good solo, not the two (incredibly boring) songs she has. Not sure if they beefed up the part for Karen Akers, but for a show with no intermission the role could be trimmed.
And lastly, please god get rid of those those abrasive silverware crates that the scullery workers shake. It takes you out of the moment completely. Perhaps I was too young to when I saw it, but I remember actually getting nervous and tensing up everytime they came onstage for fear of the assault on my ears.
Despite those minor quibbles the show is wonderful with a lot of amazing moments. Of course "Let's Take A Drink Together" remains on of the best showstoppers ever (I'm not even being hyperbolic, it's an amazing number of exuberant joy and friendship).
But also some of the smaller numbers are equally affecting. "At The Grand Hotel/Table With A View", "I Want To Go To Hollywood", and "As It Should Be" are beautifully crafted character songs with depth.
And then there is the shadow of Jeter's performance. It was perfect. One of the most moving and technically amazing performances I've ever had to fortune to see. He left an indelible impression on my young musical loving heart that has yet to be matched.
So yes, let's get a revival sooner rather than later. I'd love to check in for a visit.
I hated this show, except for Jeter. But, y'all have fun!
"Carson has combined his passion for helping children with his love for one of Cincinnati's favorite past times - cornhole - to create a unique and exciting event perfect for a corporate outing, entertaining clients or family fun."
I think so too, Kad. I'd love to see the Tommy Tune staging, and at Encores! they could actually get all those great actors who might not take smaller roles in a full blown production. I've never seen this live, "I Want to Go to Hollywood," "Who Wouldn't Dance with You?" and "We'll Take a Glass Together" are some of my favorite showtunes. Bebe Neuwirth is someone else I was thinking for Elizabeta (though I only know the film and the cast recording, not too familiar with the book of the show), and I'm with MichaelBennett that David Hyde Pierce seems like the most obvious choice for Mr. Kringelein or even Norbert Leo Butz would be good too.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
Yes..I thing GRAND HOTEL is long overdue for a re-examination. So much of the success of the original was due to Tommy Tune's brilliant staging, that it would be hard to see the show without that. It's Probably one reason the show hasn't had much of a life in regional/community theatres since the National tour ended.
Also the scipt sent out by Samuel French does not accurately chronical how the show played on stage.
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
As much as I would love to see it. That first cast was perfection.
"A coherent existance after so many years of muddle" - Desiree' Armfelt, A Little Night Music
"Life keeps happening everyday, Say Yes" - 70, Girls, 70
"Life is what you do while you're waiting to die" - Zorba