Where do I start? This show was an absolute mess. Tacky, gaudy, vulgar, and oddly enough not sexy in the least. The premise, or storyline if I was to be so bold as to call it that, starts off as fairytale with Little Bo Peep. After two numbers the premise is dropped and the show becomes number after number, and breast after breast. There is a mistress of ceremonies, an unfortunately miscast Shoshana Bean, trying her best as a cross between Bette Midler and Elvira. The reason for her being there is never quite explained. Though she sings well, she is not the least bit sexy and not funny enough to pull of the comedic lines. The songs, some of which were by Andrew Lippa, were milqtoast to say the least. Worse yet, the sound design is terrible and the small band overpowers the singers. Poor Josh Strickland was singing up a storm ( don?t ask me what his character was doing there) and although he sounded great you could not decipher one lyric. I was seated 10th row center. Let?s face it, the majority of men in the audience were not there to hear the lyrics, as was evidenced by the constant catcalls of ?show us your tits?
It seems that the girls originally wore pasties, but because of poor attendance the show was changed to completely topless. Several of the New York dancers left to be replaced by girls from the Strip.
Many T & A shows can have class, sensuality and beautiful production numbers. Mitchell lost his touch on this one as there is no continuity and the numbers are god awful. Imagine girls doing bad hip-hop choreography (courtesy of co-choreographer Nick Kenkel) with bare breasts a- flailing. It seems that Mitchell handed this one over to Kenkel as the dancers mentioned Nick choreographed most of the show. Big mistake.
On to our star attraction, Holly Madison. A stick figure if there ever was one. She can?t act, sing, dance, or even walk across the stage. A deer in the headlights performance. Portraying Little Bo Peep she has her dog, a terrific Albert Cattafi, who is at her side the entire show. That was the one trick Mitchell got right as the dog actually leads her around the stage and places her on her marks. It?s hysterical-in a bad way.
Throughout the entire 75-minute show the men in the audience are catcalling for the women and Holly to show more ?tit?, and at the 73-minute mark Madison does just that. Two big, plastic filled balloons. To make matters worse, Kenkel comes out to sit in the audience in between his numbers, and leads the whistles and screaming. I hope he gets a good paycheck.
It was interesting to compare this show to Broadway Bares. What makes Bares work is the naked men, whereas in Peepshow, Mitchell had no idea of how to make the women look sexy. He really should bury his face in the sand after this one.
Pardon this review for being all over the place, as it just mirrors the show I saw.
pardon my stupidity, but I don't really read about what's going on on the west coast. Is Peep Show supposed to be like Broadway Bares (as in a one night only event) or is the comparison only there because of the nakedness and Jerry Mitchell?
"I've never encountered such religiously, you know, loyal fans as Broadway musical theater fans. It's amazing."
--Allison Janney
For what I understand Hugh gave the show "Two Implants Up!". The retooled website looks like they have definitely changed the marketing and Jerry's name used to be on the mainpage. They are clearing selling T & A now. I hope Josh gets a better gig soon :) He's divine.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
It is still rising, from Stock Dancer to Broadway chorus boy to raising Millions for People in Need several of my friends and strangers to Broadway Choreographer to Broadway Director to TONY noms to TONY win and now working on two Broadway shows of this or next season. He's doing OK.
Huh, a "tacky, gaudy, vulgar" show in Las Vegas. I am shocked, shocked I tell you!
2016 These Paper Bullets (1/02) Our Mother's Brief Affair (1/06), Dragon Boat Racing (1/08), Howard - reading (1/28), Shear Madness (2/10), Fun Home (2/17), Women Without Men (2/18), Trip Of Love (2/21), The First Gentleman -reading (2/22), Southern Comfort (2/23), The Robber Bridegroom (2/24), She Loves Me (3/11), Shuffle Along (4/12), Shear Madness (4/14), Dear Evan Hansen (4/16), American Psycho (4/23), Tuck Everlasting (5/10), Indian Summer (5/15), Peer Gynt (5/18), Broadway's Rising Stars (7/11), Trip of Love (7/27), CATS (7/31), The Layover (8/17), An Act Of God (8/31), The Curious Incident of the Dog in the Night-Time (8/24), Heisenberg (10/12), Fiddler On The Roof (11/02), Othello (11/23), Dear Evan Hansen (11/26), Les Liaisons Dangereuses (12/21) 2017 In Transit (2/01), Groundhog Day (4/04), Ring Twice For Miranda (4/07), Church And State (4/10), The Lucky One (4/19), Ernest Shackleton Loves Me (5/16), Building The Wall (5/19), Indecent (6/01), Six Degrees of Separation (6/09), Marvin's Room (6/28), A Doll's House Pt 2 (7/25) Curvy Widow (8/01)
What he really thought. I would love to hear THAT.
I seem to recall Mitchell yabbering about replacing Borle over Morrison for a subsequent workshop of Catch Me If You Can due to Borle's dancing ability. That seemed plain absurd.
It seems Morrison doesn't bear Mitchell any grudge, though, and why should he? He's got a TV musicale of his own in GLEE, which I'm sure pays better than a workshop in Seattle. Morrison at Peep Show