Click below to access all the grosses from all the shows for the week ending 3/2/2014 in BroadwayWorld.com's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
Even with the good reviews for Kelli O'Hara the grosses for THE BRIDGES OF MADISON COUNTY are discouraging. I'm sure it is not an expensive show to run but when you are only making 39% of your potential gross and the average ticket price is less than half of the full top ticket price, the producers have some soul (and pocketbook) searching to do. This might have done better as a limited run at a not-for-profit theater (and given Sher's and O'Hara's history with LCT they should have done it at the Newhouse).
The chart says that Aladdin is at 93% of potential gross with an average ticket price of $80. That seems off to me. For example, Matilda had a similar percent of seats filled and a ticket price of $87 but is only at 75% of potential gross. Is there something weird about the configuration of the New Amsterdam where there are a lot of low-priced tickets?
Gentlemen's Guide and Bridges have pretty similar grosses ($388K vs $390K) and gross potential percentages. I haven't seen either one; do you think the budgets are similar? Neither gross is good enough for a long run.
"What was the name of that cheese that I like?"
"you can't run away forever...but there's nothing wrong with getting a good head start"
"well I hope and I pray, that maybe someday, you'll walk in the room with my heart"
I think Aladdin had discounts when it open bookings, I imagine the gross potential will be higher when the discounts have finished later on plus the New Amsterdam has a balcony which likely lowers the gross potential as well.
a bad week all around. the cold weather has to be keeping people away from NYC. Spring needs to arrive quickly.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
It will be sad if Les Miz is this season's blockbuster. As good as the show is.....enough. It is turning into another Gypsy. Post Tonys will be especially brutal with many shows closing.
It would be GREAT if Les Miserables turns out to be a blockbuster. Broadway can only benefit from a successful show. Time will tell. Which shows seem to be on shaky ground? I noticed that Cinderella registered a significant drop from the previous week. Less than 3 weeks till Spring.
"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)
broadway already has successful shows like Pippin, Wicked, Book of Mormon, Matilda and many more the last les miz revival only lasted for a year and a half
The last Les Mis revival was actually a limited engagement to celebrate the show's becoming the world's longest running musical, but got extended a few times. What a thrill to see performers like Lea Salonga, Judy Kuhn and John Owen-Jones in it.
Cinderella at 47% flog potential gross. Guess Carly Rae isn't dragging the teens in. Given it is winter and they are in school not the best stunt casting idea. Need to bring the adult tourists in during the winter. Summer is for the teena
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
"Need to bring the adult tourists in during the winter."
Which is exactly why they have Fran, and at the Saturday Matt I saw + stagedoor afterwards it was clear that the audience were there to see her. They should have said they show was starring "Call me Maybe Girl" and Fran because I don't think many people know who Carly actually is.
"The last Les Mis revival was actually a limited engagement to celebrate the show's becoming the world's longest running musical, but got extended a few times"
Was it truly a limited engagement in the sense that the theatre had the next booking already lined up? Producers want to make money so I could easily imagine it was a "limited engagement" that would have certainly become an indefinite open-ended run if the ticket sales were there.
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I find ALL THE WAY interesting. People are willing to shell out the big $$ to see the show but the theatre is just too large to sell all those Mezz tickets.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I hope Les Miz is a hit and of course it will be. What I meant was that with so many shows opening, it will be a shame that a revival could be the biggest hit of the season.