HALF MOON

by Vikki Jane Vile - March 21, 2026

English National Ballet’s new Sadler’s Wells programme includes just two works. One, a UK premiere from the much admired Crystal Pite, responsible for Flight Pattern and Light of Passage....

by Aliya Al-Hassan - March 23, 2026

Last seen in London at the National Theatre nearly 25 years ago, Nicholas Wright's thoughtful and thought-provoking play, Vincent In Brixton, now has a well-deserved revival at the Orange Tree in a beautifully performed, intimate and multi-layered production, showcasing some formidable acting tale...

by Clementine Scott - March 20, 2026

In a staging device that feels made for the cavernous Wilton’s Music Hall, Bibi Simpson as convicted murderer Ruth Ellis addresses the audience with aristocratic authority, a tiny figure within an isolated prison cell. We are instantly drawn into her world, witnesses and voyeurs to her version of ...

by Cindy Marcolina - March 20, 2026

Politically involved art is crucial to the healthy functioning of a nation. Even when it’s of subpar quality, this type of outlet is vital. Mohammedally Hashemi’s play is most probably not ready to be staged quite yet. It means well and it has lots of big ideas, but it requires a complete overha...

by Matthew Paluch - March 20, 2026

What makes work interesting? What it is? How it makes you feel? That's the million dollar question I suppose…and one that Alexander Whitley's work continues to ask. Whitley has just opened a double bill of new work at Sadler’s Wells East called The Rite of Spring / Mirror, with both pieces looki...

by Abbie Grundy - March 18, 2026

Rosie arrives at the Adelphi Theatre for a one-off staged concert with great promise. Described as a ‘thrilling tale of passion, scandal and courageous determination’, the soundtrack has already received multiple international awards. Yet, while many of the songs are pleasant and the cast deliv...

by Aliya Al-Hassan - March 18, 2026

It’s a hot, beautiful summer in 1905, and Russia’s elite retreat to the countryside to swim, sip champagne and start affairs. When they’re having this much fun, why care about anything else? But Varvara just can’t shake the feeling that their holiday idyll is built on borrowed time. As the p...

by Gary Naylor - March 18, 2026

Splendid new adaptation of a play that can be seen as a respectful response to The Cherry Orchard...

by Katie Kirkpatrick - March 17, 2026

Aether is, above all else, strikingly original. It’s hard to draw comparisons for a show so unapologetically strange and ambitious. It combines very technical and theoretical scientific language with dance sequences and multi-roling, in a piece of theatre that feels akin to an oxymoron....

by Cindy Marcolina - March 17, 2026

Loeb certainly offers a list of thought-provoking provocations but doesn’t delve into anything that’s not already obvious if you’re a cynical mind. Predictably, money is the source of all evil, and what begins as a legitimate project to help heal the illnesses of the world becomes a profitable...