BWW Review: THE ROYALE Hits Hard on Sport, Sacrifice, and Honour
Written by Marco Ramirez and directed by Guillermo Verdecchia in this Soulpepper production, THE ROYALE is described as a match told in six rounds.
The latest reviews and critic recommendations from Toronto.
Written by Marco Ramirez and directed by Guillermo Verdecchia in this Soulpepper production, THE ROYALE is described as a match told in six rounds.
The soul of Motown is alive in Toronto.
How do you charge a person in the flesh for their actions in a simulation? Produced by Coal Mine Theatre and Studio 180 Theatre, Jennifer Haley's work shines as a multi-world crime investigation.
Sarah DeLappe's first foray into playwriting is a complete knockout, and is brilliantly directed by Courtney Ch'ng Lancaster and produced by The Howland Company and Crow's Theatre.
Striking audio and powerful stories drive ORALTORIO: A THEATRICAL MIXTAPE as the lives of black women, never named yet eerily familiar, are brought to life in this new Soulpepper and Obsidian Theatre production, directed by Mumbi Tindyebwa Otu.
What happens when you get a group of talented women together to write a show? Over a dozen sketches that reveal the funnier aspects of being a woman.
How do you dust off an old classic and make it engaging and fresh for a 21st Century audience.
From the first crash of drums, you could feel the excitement ripple through the theatre.
Mark Crawford's BED AND BREAKFAST is a two-man show stuffed to the brim with vibrant, interesting characters, that takes place after Brett (Gregory Prest) inherits a family home in some Ontario small-town and packs up his life in Toronto with his partner Drew (Paolo Santalucia) to open a bed and bre
Calling all Evan Hansens! Mirvish Productions will be doing an open casting call on Monday, July 23, 2018 for the roles of Evan Hansen and Alana Beck.
There's no escaping it - this Rodgers and Hammerstein classic has not aged well.
How can a life be described when the only constants are a name and a poem? In Soulpepper's production of ORLANDO, the title character struggles with existentialism and a fixation on death - something that seems to constantly elude them.
After nearly 15 years, WICKED is still defying gravity.
When the stage directions in a script indicate 'to kiss' any good actor knows it will be 'stage kiss.
'People come, people go,' 'some have, some have not.
There's a new chandelier, new sets, and new costumes! But new doesn't necessarily mean improved.
What happens when a street performer is thrown into a court theatre troupe? In Soulpepper's production of the 1991 David Hirson play, the result includes a lot of body humour, monologuing, and deeper-than-expected political commentary.
Soulpepper's production of INNOCENCE LOST: A PLAY ABOUT STEVEN TRUSCOTT is an intense look into a case that changed Canada's judicial system and divided a town.
Nothing brings people together quite like Harry Potter.
AFTER THE BLACKOUT began as a testimonial play but developed into a dramatic, rich collection of stories told by a great ensemble.
A layered stage and stellar cast bring dimension to Soulpepper's production of MA RAINEY'S BLACK BOTTOM.
The final production of Neptune Theatre's 55th season is the worldwide musical (and feature film) phenomenon; MAMMA MIA!.
The title role is one of the most challenging soprano roles in the repertoire.
The word most-associated with Robert Lepage's THE NIGHTINGALE AND OTHER SHORT FABLES is 'magic'.
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