BWW Review: GETTING MARRIED at SHAW FESTIVAL
To say that George Bernard Shaw's social commentaries were erudite would be an understatement.
The latest reviews and critic recommendations from Toronto.
To say that George Bernard Shaw's social commentaries were erudite would be an understatement.
THE BLACK DRUM is a multi-sensory examination of oppression and self-expression that shows just how necessary deaf theatre is.
Iconic television actor Cindy Williams, best known for her role as Shirley Feeney on the classic sitcom Laverne & Shirley plays the role of Mrs.
The mystical land of BRIGADOON has emerged once again at Niagara on the Lake's Shaw Festival, and the now rarely produced musical still brings with it a sense of hope wrapped around Alan Jay Lerner and Frederick Loewe's hauntingly beautiful lyrics and score.
Defined as a "bio-mythical monodrama," 11:11 is an introspective and deeply personal look into writer and performer Samson Bonkeabantu Brown's life.
In a new production of AUGUST: OSAGE COUNTY, director Jackie Maxwell guides a 13-person cast through the highs and lows of the Weston family during a family tragedy.
WELCOME TO MY UNDERWORLD, directed by Judith Thompson and produced by RARE Theatre Company in partnership with Soulpepper, is an interesting anthology of human stories.
THE BROTHERS SIZE, directed by Mumbi Tindyebwa Otu and produced by Soulpepper, is a look into the lives of two brothers following the youngest's return home from prison.
What would a world where women held power and men were nothing more than eye-candy and tools for reproduction look like? How would women maintain that power, and what would happen to the men who lived there? Factory Theatre's BEAUTIFUL MAN, directed by Andrea Donaldson, looks at all of this and mor
Eraser Theatre's ERASER, presented as part of Why Not Theatre's RISER project, is a highly interactive piece of theatre that forces audiences to walk and talk with students in a sixth-grade classroom.
Young People's Theatre closes their season with the world premiere of Jeff Ho's ANTIGONE, which stands as an impressive contemporary take on Sophocles' classic play.
The women of The Second City return to the mainstage to present SHE THE PEOPLE: THE RESISTANCE CONTINUES, a follow-up to 2018's SHE THE PEOPLE.
A high standard of musical drama is expected from the Musical Stage Company that sadly wasn't present at opening night of NEXT TO NORMAL.
Dark comedy and puppets seem to be a natural link, given the number of film and theatre stories that have incorporated both in the last several years.
End of the Century was the album that skyrocketed the Ramones into the public eye, and in FOUR CHORDS AND A GUN writer John Ross Bowie delves into the strain and tension that came with its recording sessions.
Neptune Theatre's production of The Color Purple is an effortless, empowering production that will be remembered for decades.
Late playwright Lorena Gale's ANGELIQUE makes its Toronto debut in this Black Theatre Workshop and Tableau D'Hote co-production, presented by Factory Theatre and Obsidian Theatre.
In director Soheil Parsa's THE CHERRY ORCHARD, produced by Modern Times Stage Company in association with Crow's Theatre, the concept of nostalgia versus progress seems to be the underlying message.
Mirvish and Royal Manitoba Theatre Centre's production of A DOLL'S HOUSE PART 2 does for theatre what is usually reserved for blockbusters and novels - it provides a sequel, many years down the road, to one of Henrik Ibsen's more controversial works (A Doll's House).
Pull out your kleenex now.
The Second City's 82nd revue WALKING ON BOMBSHELLS is undeniably a look into the many aspects of what it's like to live in Toronto.
Rife with references to some of Alfred Hitchcock's best-known works, THE REAR WINDOW, based on Cornell Woolrich's short story, It Had To Be Murder, offers a tense look into solitude and desperation.
Making its world debut in the Project: Humanity and Crow's Theatre production, TOWARDS YOUTH brings five different drama classrooms from around the world, transitioning from Toronto to England, Greece, Taiwan, and India.
Matthew MacKenzie's award-winning play BEARS has returned to Toronto, taking residency within Factory Theatre.
Jeremy Jordan in concert was like meeting up with an old friend for coffee.
|
Battles Young People's Theatre (4/26-5/06) |
|
The Roll Players Comedy Bar Danforth (6/30-12/29) |
|
SpongeBob the Musical Randolph Theatre (8/22-9/20) |
|
All's Well Theatre Aquarius (1/27-2/13) |
|
Guys and Dolls Stratford Festival (4/22-11/01) PHOTOS |
|
MrBallen: Lights out Live Meridian Arts Centre (10/04-10/04) |
|
THE ART OF SOUND CBC Glenn Gould Studio (6/26-6/26) |
|
Valentine's Bachata & Social Dance Night | Access Ballroom Toronto Access Ballroom (2/13-2/13) |
|
NORDIC GLORY Meridian Arts Centre (5/15-5/15) |
|
Goodnight Desdemona (Good Morning Juliet) Canadian Stage (11/06-11/22) |