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Edinburgh Festival

Edinburgh Festival Articles


EDINBURGH 2018: BWW Review: BOTTOM, Summerhall
by Natalie O'Donoghue -

Locked in his bathroom during a tragic third date, Willy Hudson asks: are you a top or a bottom? Bottom is about bums, Beyonce and burnt fish fingers. Join Willy for a queer coming-of-age remix, as he questions if 'bottom' in the bedroom means 'bottom' in life - and whether Beyonce can help put his love on top.

EDINBURGH 2018: BWW Review: REVELATIONS, Summerhall
by Natalie O'Donoghue -

My best friends, Sarah and Emma, asked me for my sperm. This is the tale of what happened after I gave it to them. A storytelling show about love, faith and trying to do the right thing. Made with Daniel Goldman and set in the same universe as Team Viking and A Hundred Different Words for Love.

EDINBURGH 2018: BWW Review: Gary Delaney: Gagster's Paradise, Pleasance Beyond
by Fraser MacDonald -

As one-liner comics go, you'd be hard pushed to find anyone as close to the top of their game as Gary Delaney. Building his following from regular appearances on BBC's Mock The Week, his show has become a beg, steal or borrow ticket at this year's Edinburgh Festival Fringe and it's easy to see why.

EDINBURGH 2018: BWW Review: Kelty Clippie the Musical, Greenside at Nicolson Square
by Fraser MacDonald -

Juxtaposed against the classic folk melody, upbeat dance numbers feel out of place; perhaps some more traditional folk songs could have helped keep this bus on the right route.

EDINBURGH 2018: BWW Review: DON'T TELL ME NOT TO FLY, Underbelly McEwan Hall
by Fraser MacDonald -

Intertwining music with her stories of family, friends and showbiz, this really is a great mix of song and story.

EDINBURGH 2018 - BWW Review: WAR WITH THE NEWTS, Summerhall
by Amy Hanson -

Adapted from Karel Capek's 1930s sci-fi satire, War With The Newts is set on an oyster trawler, en route to a colony of human survivors after the titular conflict.  Along the way, the show takes in issues of race, refugees, nationalism and animal experimentation.


EDINBURGH 2018: BWW Review: PRIVATE PEACEFUL, Underbelly Cow Barn
by Fraser MacDonald -

The ability to hold the attention of the audience in delivering a complex, multi-character script with one actor makes this piece a real treat for audiences.

EDINBURGH 2018 - BWW Review: SQUARE GO, Roundabout @ Summerhall
by Amy Hanson -

Max is hiding in the school toilets.  There's only an hour left before he has to face a huge rite of passage in the form of a school gates fight with terrifying teenage tough guy Danny Guthrie.  With best pal Stevie there to pump him up, or, more realistically, warn that he's in for a pounding, the two 13-year-olds explore what it means to be a man.

Edinburgh 2018: BWW Review: NOTFLIX, Gilded Balloon Teviot
by Fiona Scott -

There's a growing trend of films and TV shows being adapted for the stage. Just look at the list of this year's Tony Awards Best Musical nominees (Mean Girls, Frozen, Spongebob Squarepants and The Band's Visit) or your local UK regional theatre summer/autumn programme (Summer Holiday, Flashdance etc.).

Edinburgh 2018: BWW Review: AH DINNAE KEN, TheSpace
by Fiona Scott -

Take Shakespeare's star-crossed epic, Romeo and Juliet, and set it in a not too distant future in Scotland when a second independence referendum has been called. Imagine two families, on both sides of the debate and how far they might go to win their cause this time around.

Edinburgh 2018: BWW Review: CHEMO BARBIE, Gilded Balloon Teviot
by Fiona Scott -

It is not uncommon for cancer stories to be told by former patients in order to educate others to empathise with those going through treatment. Heather Keller brings her personal story to the Edinburgh Fringe in a solo theatre piece, Chemo Barbie.

EDINBURGH 2018: BWW Review: THE WEDDING RECEPTION, The Principal
by Fraser MacDonald -

As the peal of wedding bells ring out across Edinburgh's Royal Mile, the sweet smell of success fills the air as Interactive Theatre International bring their riotous farce, The Wedding Reception, back to the Fringe for another year.

EDINBURGH 2018: BWW Review: THIRTEEN, Gilded Balloon
by Natalie O'Donoghue -

A fast- paced, hilarious coming of age musical by Tony award winning composer Jason Robert Brown with book by Dan Elish and Robert Horne. Evan Goldman's parents have split up and he is forced to leave the buzz of New York for the 'lamest place in the world' in rural Indiana. Will he find his place in the popularity pecking order? With an unforgettable rock score and a young, talented cast this is sure to be a fringe hit.

EDINBURGH 2018: BWW Q&A- The Worst Little Warehouse In London
by Natalie O'Donoghue -

When 12 people live in a converted warehouse in north London, what could possibly go wrong? In this hilarious and off-the-wall cabaret, Lala Barlow and Robbie Smith are two wide-eyed koalas fresh off the boat and looking for the perfect place to call home. Relive their year living at Daisy Mill as they discover high ceilings, bathroom baskets and very thin bedroom walls. Directed by Sarah Redmond and starring every housemate you've ever lived with, it's a celebration of the joys of shared housing.

EDINBURGH 2018 - BWW Review: THE EGG IS A LONELY HUNTER, Summerhall
by Amy Hanson -

A monologue by Hannah Mamalis, The Egg Is A Lonely Hunter is a wry, absurd piece that finds humour in both the mundane and the extraordinary, from talking horses to being overly conscious of one's body.

EDINBURGH 2018 - BWW Review: THE FROGS, Theatre Bath Bus
by Amy Hanson -

Adapted from the comedy of Aristophanes, The Frogs features the god Dionysus, aghast at the state of theatre, descending into the Underworld on a mission to bring back the greatest playwright of all time in a bid to save civilisation through the arts.

EDINBURGH 2018: BWW Interview: Anna Morris
by Natalie O'Donoghue -

BWW catches up with comedian and actress Anna Morris to chat about performing Bombastic at the 2018 Edinburgh Festival Fringe.

EDINBURGH 2018: BWW Interview: Tom Lenk
by Natalie O'Donoghue -

BWW caught up with Tom Lenk to chat about performing in Tilda Swinton Answers An Ad On Craigslist at the 2018 Edinburgh Festival Fringe.

EDINBURGH 2018 - BWW Review, ANTIGONE NA H'EIREANN, Paradise in The Vault
by Amy Hanson -

The ancient Greek tragedy Antigone is a hugely versatile piece, lending itself well to adaptations to situations far beyond its original Theban setting.  In this new adaptation by James Beagon, the play is set in the near future, where Brexit has resulted in a hard border with Ireland and consequent return to sectarian violence.  This is a setting that works well with the themes of rebellion, religion and family relationships of Sophocles' original text.

EDINBURGH 2018 - BWW Review, CARD NINJA, Gilded Balloon Teviot
by Amy Hanson -

All the way from New Zealand, Javier Jarquin has always wanted to be a ninja.  With martial arts lessons proving disappointing and traditional weapons like nunchaku hard to master, Javier instead dedicated his time and effort to adapting playing cards into deadly shuriken.  In this show, he attempts to pass through a series of trials that proves he has what it takes to be a true ninja.

EDINBURGH 2018 - BWW Review: MINISTERS OF GRACE, TheSpace on the Mile
by Amy Hanson -

Here at the world's biggest arts festival, creatives and artists from all over the globe are tackling truly important questions, with surely none more crucial than what the result would be if Shakespeare had written seminal 80s classic Ghostbusters. REDuck Producktions have slapped Shakespearean language, costumes and setting on to the story of disgraced "philosophers" saving the public from the supernatural.

EDINBURGH 2018: BWW Review: SONG OF LUNCH, Pleasance
by Natalie O'Donoghue -

Robert Bathurst (Cold Feet, Downton Abbey, Toast of London) and Rebecca Johnson (The Trip, The Flood) star in this hilarious and poignant drama of a disastrous attempt to rekindle lost love. Set in a Soho Italian restaurant, Costa Award winner Christopher Reid's verse comedy is exquisitely intertwined with glorious animations by Charles Peattie (Alex cartoon, Daily Telegraph) in this bittersweet tragi-comedy of love, loss and Chianti.

EDINBURGH 2018: BWW Review: TOAST, Traverse Theatre
by Natalie O'Donoghue -

Nigel Slater's Toast is a new play based on his award-winning autobiography. Vividly recreating suburban England in the 1960s, Nigel Slater's childhood is told through the tastes and smells he grew up with. From making the perfect sherry trifle and waging war over cakes through to the playground politics of sweets and the rigid rules of restaurant dining, this is a moving and evocative tale of love, loss and... toast.

EDINBURGH 2018: BWW Review: ANNA MORRIS: BOMBASTIC, Voodoo Rooms
by Natalie O'Donoghue -

The award-winning character comedian and star of Channel 4's Lee and Dean celebrates four sell-out shows at the Voodoo Rooms with a mash-up of her favourite creations.

Edinburgh 2018: BWW Review: THE SHOWSTOPPERS' KIDS SHOW, Pleasance Courtyard
by Fiona Scott -

Showstoppers! have made a name for themselves as the UK's most acclaimed and in-demand musical improvisers, creating brand new musicals in a single evening. As well as bringing their usual hit show to the Edinburgh Fringe, they present a highly entertaining family-friendly edition of the Showstoppers! experience.


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