SOUND OFF: Sondheim Palooza Part 2
Today, we are taking a listen to ANYONE CAN WHISTLE and COMPANY, two of the most genre-bending and revolutionary musicals of the latter twentieth century, both boasting Sondheim's strongest songs of the sixties.
Today, we are taking a listen to ANYONE CAN WHISTLE and COMPANY, two of the most genre-bending and revolutionary musicals of the latter twentieth century, both boasting Sondheim's strongest songs of the sixties.
Today we continue our critical appraisal of the entire English-language recorded canon of Stephen Sondheim - at the very least, all the major productions which were recorded - beginning where we have left off with the round-ups of GYPSY and WEST SIDE STORY, as well as the 2009 Revival Recording of A
This week, we are taking a listen to the sparkling new cast recording of the hit 2009 Broadway revival of Stephen Sondheim & Hugh Wheeler's A LITTLE NIGHT MUSIC.
This week, continuing our show-by-show analysis of the entire canon of Stephen Sondheim's theatre scores, we are taking a listen to the various cast recordings of that other legendary musical Sondheim helped to create early in his career, a show which is currently wowing them every night in its hit
This week, both in memory of the real-life Baby June, June Havoc, who passed away this week, as well as a precursory introduction to a multi-part series critiquing the entire canon of all major Sondheim cast albums available in anticipation of the late April opening of the new review SONDHEIM ON SON
This week we are taking a listen to one of Broadway's brightest stars Laura Bell Bundy, late of HAIRSPRAY and LEGALLY BLONDE, who is hoping for some pop/country-crossover success with her latest, for all intents and purposes, double-album.
This week we are taking a listen to two wonderful releases from Broadway and West End luminaries John Barrowman and Elaine Paige.
This week we are taking a look at the just-released cast album of the new Andrew Lloyd Webber musical sequel, LOVE NEVER DIES, which has proven to be among many phans and theatre fans, in a word, divisive.
This week we are talking a trip to the Paris Opera and visiting some old friends on the eve of their re-appearance in Andrew Lloyd Webber's musical sequel LOVE NEVER DIES, but before that review next week (clue: it's truly phantastic, with an 'f' and a 'ph'!) let us take a look at the best and most
This week, we are taking a listen to a pair of crossover theatre/pop stars who have two timely new releases.
This week we are taking a look at two thrifty releases that come from very different places, from two very different performers with wildly divergent intended goals for their work.
Probably my favorite recording of my all-time favorite Christmas song, Frank Loesser's 'Baby, It's Cold Outside!', is the barn-burning opener to one of the best Christmas albums out there, Broadway Cares' HOME FOR THE HOLIDAYS.
This week we are taking a listen to the new Off-Broadway rock musical ROOMS: A Rock Romance and the revival cast recording of FINIAN'S RAINBOW.
Let's take a look at two new recordings of a song from the forthcoming Green Day rock opera AMERICAN IDIOT that is now available on iTunes as well as the cast recording for the new Broadway musical MEMPHIS, which is available at the theatre, stores and on iTunes.
Melora Hardin's new album ALL THE WAY TO MARS traverses the galaxy in a madcap manner most immediately reminiscent of a ‘60s cocktail hour album and for that frivolous and fun factor alone it deserves high praise - but there is far more here than what at first meets the eye.