BWW REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On GREEN PARK
Green Park is the place, the venue and the Play where two men meet for the first time after chatting online.
Sydney, Australia Theater Reviews
The latest reviews and critic recommendations from Sydney, Australia.
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BWW REVIEW: BEAUTIFUL THING Is A Heartwarming Coming Of Age Story That Emerges From The Bleak Concrete Of British Council Housing.
Mark G Nagle (director) presents Jonathan Harvey’s (playwright) BEAUTIFUL THING for New Theatre’s 2021 Sydney Gay and Lesbian Mardi Gras offering.
BWW REVIEW: The Inescapable Curse Of A Dysfunctional Family Erupts As Brothers Reunite In TRUE WEST.
Sibling rivalry and inherited trauma collide with explosive force in Georgina Symes’ (Director) expression of Sam Shepard’s (playwright) TRUE WEST.
BWW REVIEW: CIRCA'S PEEPSHOW Enchants With Elegant Style At Sydney Opera House
CIRCA’S PEEPSHOW blends circus acrobatics and aerial work with dance, clowning and a bit of burlesque for a Covid-safe classy contemporary cabaret.
BWW REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On FANGIRLS.
Belvoir’s FANGIRLS is back, the award-winning musical that explores the growing pains of fandom in today’s teenage world.
BWW REVIEW: THE APOLOGISTS Questions Whether Sorry Really Is Sorry In Three Short Monologues.
Gabrielle Scawthorn reprises her solo performance in THE APOLOGISTS to bring the trio of tales to the Sydney stage.
BWW REVIEW: Australia's Favorite Plumber Comes To The Sydney Stage For A Lavatorial Lesson In Respect and Dignity in KENNY
Australia’s lovable lavatory technician makes his stage debut in Ensemble Theatre’s KENNY.
BWW REVIEW: Philip Quast Shares Stories And Songs From His 40 Year Career In IS THIS ALL THEN?
Philip Quast, the humble star of Australian, West End and Broadway theatre and musical theatre, shares stories and songs from his extraordinary career in a new cabaret IS THIS ALL THEN?.
BWW REVIEW: MAUREEN: THE HARBINGER OF DEATH Is A Captivating Celebration Of Society's Often Unseen Older Women
MAUREEN: THE HARBINGER OF DEATH is a wonderful reminder that Western society should be doing more to acknowledge and listen to its older women.
BWW REVIEW: THE RISE AND FALL OF SAINT GEORGE Is A Musical Account Of Australia's Modern History Of The Road To Marriage Equality & The Resilience Of The Queer Community
Inspired by the ‘life’ of the famous street artwork “Saint George”, THE RISE AND FALL OF SAINT GEORGE captures the heart and soul of the Queer community as it grappled with the destructive forces that were magnified when the right for same sex marriage was put to the public vote in 2017.
BWW REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On TWELFTH NIGHT (HEADS OR TAILS)
Twelfth Night (HEADS OR TAILS) at the New Theatre plays two up and wins.
BWW REVIEW: Baked Goods, A Love Of Britney And Need To Boost An Ego Collide Come Together In QUEEN FATIMA, A Modern Australian Tale Of Acceptance And Understanding.
Continuing his quest to put working class Lebanese Australian stories on stage, Playwright James Elazzi delivers another hilarious look into his community with QUEEN FATIMA.
BWW REVIEW: Channing Tatum's MAGIC MIKE LIVE Reinvents The Male Strip Show For A Modern Era Of Empowered Women Wanting More.
Channing Tatum (Creator, Co-Writer, and Co-Director) taps into the wishes and desires of real women to deliver an empowering evening of entertainment with MAGIC MIKE LIVE.
BWW REVIEW: Sydney Opera House's Studio Transforms Into James Galea's Apartment As The Audience Is Invited To Witness a Magic Jam Where His Friends Share Their BEST TRICK
World famous magician and musician James Galea has gathered his friends to treat Sydney audiences to their signature acts in BEST TRICK EVER.
BWW REVIEW: A Quarter Of A Century On, RENT Retains A Relevance To A World Desperate For Connection And Community.
Director Shaun Rennie revisits his connection with Jonathan Larson’s iconic rock musical to present a fresh interpretation of RENT for the show’s 25th anniversary.
BWW REVIEW: The Feisty Fiery Tale From Australia's Early Feminist Writer Miles Franklin Comes To Live With Fabulous Passion With A New Adaptation Of MY BRILLIANT CAREER
Kate Champion’s (Director) presentation of Kendall Feaver’s adaptation of Miles Franklin’s MY BRILLIANT CAREER proves that the Australian classic still holds a relevance in the 21st century.
BWW REVIEW: The Touring Production of FROZEN: THE MUSICAL Arrives In Sydney
FROZEN: THE MUSICAL serves up a treat for young audiences, thrilled to see their animated heroines come to life.
BWW REVIEW: Main Stage Musical Theatre Returns To Sydney With The Magical Broadway Revival Production Of PIPPIN.
Diane Paulus’ (Director) multiple Tony Award winning 2013 Broadway Revival of Stephen Schwartz (Music and Lyrics) and Roger O.
BWW REVIEW: Christmas Comes To Paddington RSL With Snow, Sequins And Lots of Laughs in Trevor Ashley's RING THEM BELLS! A VERY LIZA XMAS
Powerhouse of Australian Cabaret, Drag and Musical Theatre, Trevor Ashley dons the short black wig and comfortable sequins again to bring back his most famous impersonation for RING THEM BELLS! A VERY LIZA XMAS.
BWW REVIEW: Eryn Jean Norvill Shines As the 26 Characters Of Kip Williams' Adaptation Of Oscar Wilde's THE PICTURE OF DORIAN GRAY
Oscar Wilde’s Victorian Gothic tale of libertine hedonism is presented for the 21st century audience in Kip Williams’ (Adaptor and Director) one woman show featuring Eryn Jean Norvill.
BWW REVIEW: Sydney Political Satire Institution Delivers A Brilliant Sign Off Performance of THE WHARF REVUE: GOOD NIGHT AND GOOD LUCK
After delivering 20 years of fabulously clever comedy THE WHARF REVUE team sign off with their farewell tour THE WHARF REVUE: GOOD NIGHT AND GOOD LUCK.
BWW REVIEW: New Theatre Presents A Chilling Expression Of Tom Wright's Adaptation Of Joan Lindsay's Australian Gothic Classic PICNIC AT HANGING ROCK
Sahn Millington (Director) brings together five incredible performers to tell the classic mystery of PICNIC AT HANGING ROCK.
BWW REVIEW: IPHIGENIA IN SPLOTT Shines A Spotlight On The Cost Of Society's 'Progress' On Those That Can Least Afford It
Meg Clarke (performer) delivers a powerful interpretation of Gary Owen’s one-woman political play IPHIGENIA IN SPLOTT.
BWW REVIEW: WICKED SISTERS is a complex contemporary study of survival of the fittest in the framework of the female experience.
Alma De Groen’s WICKED SISTERS, returns to Griffin Theatre under Nadia Tass’ direction 18 years after it’s premiere in 2002.
BWW REVIEW: THE THINGS I COULD NEVER TELL STEVEN Is A Captivating Musical That Explores The Unspoken Truths and Lies Of Omission That Could Have Changed History If Only
Western Sydney composer/lyricist Jye Bryant’s musical THE THINGS I COULD NEVER TELL STEVEN is a wonderful expression of the challenges of human connection and is perfect piece of live theatre for a community emerging from social isolation and challenging communication channels.
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Monty Python's Spamalot Coliseum Theatre, Rooty Hill (10/22-10/25) |
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A Taste of Ireland - The Irish Music and Dance Sensation Jetty Memorial Theatre (9/01-9/01) |
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The Roommate Ensemble Theatre (6/19-7/25) |
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A Taste of Ireland - The Irish Music and Dance Sensation WIN Entertainment Centre (9/11-9/11) |
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2026 IFAC Handa Australian Singing Competition Semi-Finals Concert The Independent Theatre (8/16-8/16) |
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The Merry Widow Joan Sutherland Theatre, Sydney Opera House (7/08-8/18) |
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Beyond the Beehive: Amy Winehouse's Musical Mastery Kingston Arts Centre (7/31-7/31) |
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Good Company Entertainment Presents: The Big Chillout Saraton Theatre (10/11-10/11) |
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A Taste of Ireland - The Irish Music and Dance Sensation Sutherland Pavilion (9/09-9/09) |
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A Taste of Ireland - The Irish Music and Dance Sensation The Pavilion (9/09-9/09) |