IN THE LIGHT PERFORMING ARTS CENTER

by James Lindhorst - May 09, 2024

The Blue Strawberry in Midtown St. Louis welcomed John Lloyd Young on Wednesday evening for the first of two Shows.Highlights from his set included a soulful performance of the R & B classic “Show and Tell,” and a haunting introspective rendition of The Hollies song “The Air That I Breathe.” To say ...

by James Lindhorst - May 04, 2024

The Tesseract Theatre Company’s production of THE INHERITANCE was a marvelous accomplishment thanks to the genius direction of Stephen Peirick and the out-of-body performances he evoked from each member of his cast. Peirick took the more than 300 pages of Lopez’s wordy script and swiftly paced the p...

by Steve Callahan - May 09, 2024

A veritable hail-storm of verbal shrapnel, with shreds and shards of Shakespeare, frenzied fund-raising fragments, and a sprightly sprinkle of super-powers....

by James Lindhorst - April 28, 2024

Some bright local voices were heard at Prism Theatre Company’s SPOTLIGHT ON ... BEING YOU over this past weekend in St. Louis. The best of the festival was the performance billed as a ‘Popera’ written and composed by Holly Barber and Lee Ehmke. THAT PERFECT KISS, a retelling of Cinderella and her Pr...

by James Lindhorst - April 19, 2024

Bayoc, like the rest of us is just an everyday person finding his way in this world. He is talented, has enjoyed success in the art world, learned from his mistakes, and understands the importance of personal accountability. Bayoc shares many sensitive moments. None more exposing than the story of t...

by Rob Levy - April 15, 2024

Based on the 1980 film starring Olivia Newton-John and, before that, the Rita Hayworth film, Down To Earth, this lively adaptation never takes itself too seriously. From start to finish the ensemble prances, preens, and mugs it up, giving audiences a sugary sweet over the top show filled with kineti...

by James Lindhorst - April 14, 2024

This well-directed and remarkably acted version of HAMLET illustrates how entertaining and engaging Shakespeare’s works can be. Siler and his cast created a production that would meet the highest standards of a finicky bardolator while entertaining a casual theater goer who may wonder if Shakespeare...

by Steve Callahan - April 15, 2024

The remarkable Upstream Theater is approaching its twentieth season.  This unfailingly excellent little company was founded by Philip Boehm as a vehicle for bringing to America plays from around the world—plays that, for the most part, make their very first American appearance at Upstream.  We so ne...

by James Lindhorst - April 13, 2024

Boehm’s translation and direction tells a melancholic tale about life, choices, relationships, and death. His trio of actors create stylized characters to challenge beliefs and self-morality. DON’T WAIT FOR THE MORLBORO MAN uses different conventions to tell a somber story that penetrates your consc...

by James Lindhorst - April 11, 2024

THE CHER SHOW is an eye-popping traipse down memory lane but suffers from drive-by storytelling. While far from perfect as a full-fledged Broadway musical, there are plenty of wildly entertaining moments that make this show more enjoyable than it should be. It is the casting, strong vocal performanc...