The Life I Lead Photos - West End

As their dark comedy Abandon All Hope sets up for a Philadelphia run at Beacon Church, writer/producer Peter Fenton and actor/producer Avery Kellington share backstory on the play's creation and their own creative partnership.

The American Repertory Theater (A.R.T.) at Harvard University celebrated Harvard President Lawrence S. Bacow and Adele Fleet Bacow for their impact on the arts at Harvard and beyond at the theater’s annual gala last Monday, May 8.

The New Jewish Theatre will perform Gloria: A Life at the Wool Studio Theatre from June 1 to June 18. Written by acclaimed playwright Emily Mann, with guidance and participation from Gloria Steinem herself, Gloria: A Life explores the iconic feminist's legacy. Check out photos here!

IT'S A WONDERFUL LIFE: A LIVE RADIO PLAY.....a perfect time for a perfect holiday performance

With the current theatre world on hiatus, I have created a Spotlight Series on Broadway World which features interviews with some of the many talented artists who make our Los Angeles theatre community so exciting and vibrant thanks to their ongoing contribution to keeping the Arts alive in the City of the Angels. And just like all of us, I wondered how they are dealing with the abrupt end of productions in which they were involved. This Spotlight focuses on Monica Ricketts who discovered the magic of performing onstage as a child and never looked back or wanted to do anything else.

RUTHLESS! THE MUSICAL originally opened Off-Broadway in 1992, created as an over-the-top dark comedy spoof of the films The Bad Seed and All About Eve, and well-known Broadway musicals Gypsy and Annie. Similar to the dark comedy in musicals such as Little Shop of Horrors and Sweeney Todd where characters are murdered and then eaten, RUTHLESS! THE MUSICAL centers on 8-year old Tina Denmark, who knows she was born to play the lead in her school's third grade show and will do anything to win the part. And I do mean anything. Now onstage at Theatre Palisades, directed by Alta Abbott who first fell in love with the show during its 1993 West Coast premiere at the Canon Theatre in Beverly Hills, I can only say that the over-the-top production sometimes seemed so dark that the comedy became invisible.

The Walnut Street Theatre opens its 2019-20 Independence Studio on 3 season with Steve Martin's new comedy, METEOR SHOWER. Directed by Debi Marcucci, the production begins previews on September 10, opens September 19, and has already been extended through October 27.

Speaking with Seibi Lee and Rachna Nivas (of the Leela Dance Collective) Performing in the Los Angeles Premiere of 'Son of the Wind' An All-Female Production of India's Ancient Epic, the Ramayana I had the great pleasure to speak with both Seibi Lee and Rachna Nivas, of the Leela Dance Collective, both directors, performers and disciples of the art form of Kathak, (pronounced Ka'ta'k'); both choreographers, followers, leaders, teachers; devoted, focused, grateful, studied and deeply, intelligently guided artists. In the truest sense. I could go on, but I must write about the performance they are to give on September 14th, 2019 at The John Anson Ford Theatre, World Premiering the Indian saga 'Son of The Wind,' a full-length telling of a story through dance, emotions, traditions, belief, wisdom, beauty, ancestry, soul-searching, the tempered future, and perfected performance. I am so excited to witness this amazing piece of theatre.

I'M NOT A COMEDIANa?? I'M LENNY BRUCE focuses on the life and battles of the undisputed comic legend, one of the greatest stand-up artists of the 20th Century. His life and work have had an impact on poetry, politics, music, film and, of course, comedy, becoming a true inspiration for hundreds of comics who followed his lead in speaking the truth about our out-of-whack society. During the 90-minute show, now more tightly presented so scenes seem to flow effortlessly, Marmo authentically inhabited the great passion and great pain Bruce endured in his tempestuous personal and professional lives, as well as his unwavering commitment to free speech which led to numerous obscenity charges and arrests.

The Color Iz was part dance showcase, part musical theatre and part gender-bending Drag show with a heavy, heady dose of disco, glam and glitter and a focus on celebrating all shades of expression in dance and identity.

“Pepperland” Premiered two years ago in Liverpool, the Beatles birthplace, when the famous 'Sgt. Peppers Lonely Hearts Club Band' album turned 50 and the UK celebrated it spectacularly. It is coming to the Segerstrom Center Of the Arts this weekend, June 14th and 15th, 2019. Choreographed and Directed by Mark Morris, whose repertoire of creative work uses and melds music genres in innovative ways, with choreography that has unbridled enthusiasm mixed with stylish technique that immerses itself into the score and lyrics completely. It is his unique style, and the collaboration with Ethan Iverson, the Musical Director and Reconstructor of sorts, that has crafted this delicious and captivating romp through the '60s and The Beatles' 'Sgt. Pepper's Lonely Hearts Club Band' album, with a new twist and dimension to the score and brilliant choreographic concepts and costuming.

Theatre Royal Bath Productions today releases production photography for the UK premiere of Christopher Durang's Vanya and Sonia and Masha and Spike, directed by the Tony Award-winning US director Walter Bobbie. The comedy stars Michelle Asante, Janie Dee, Mark Hadfield, Aysha Kala, Rebecca Lacey and Lewis Reeves and runs at the Ustinov Studio until 6 July with opening night for press this evening.

Segerstrom Center for the Arts is excitingly welcoming the return of the Eifman Ballet of St. Petersburg with the West Coast Premiere of The Pygmalion Effect May 24-26, 2019 A new ballet from the company's award-winning artistic director and choreographer, Boris Eifman, The Pygmalion Effect is inspired by the Greek mythological tale of Pygmalion - a sculptor who became infatuated with his own life-like carving of a beautiful girl. Renowned for works that are 'bold, psychological and highly theatrical' (The New York Times), Boris Eifman infuses his signature choreographic style into this dynamic new production, set to a score by 'The Waltz King' Johann Strauss II. The Pygmalion Effect received its world premiere in St. Petersburg's Alexandrinsky Theatre on February 6, 2019. This new production marks choreographer Boris Eifman's return to the genre of comedy or, more accurately, tragicomedy; a form which the choreographer has perfected. Eifman offers the audience a balletic interpretation of the archetypical story of Pygmalion. In the ballet the protagonist is a successful ballroom dancer who transforms a clumsy girl into a virtuoso performer. In this production, Eifman presents a comprehensive artistic and philosophical portrayal of a human personality's remarkable flexibility and ability to adjust in response to set aims and aspirations. The title is a reference to a well-known physiological phenomenon whereby a person's performance is positively influenced by the expectations of others.

FAMOUS re-opened in April after a successful run in 2018. I decided to speak with the show's Creator/Director Michael Leoni (ML) and producers Michelle Kaufer (MK) and Cassidy Pepper (CP), about how the new production uses stylized movements by the characters, enhanced lighting and sound designs, to bring the play flow so much more fluid than last year's version. The result grabs the audience's attention to the point of being able to hear a pin drop, making the entire experience even more stunning and breathtaking than before. And, of course, its relevance to the #MeToo movement is immediately recognizable as power players move in and out of Jason's life during the party.

Over 450 alumni, donors and supporters gathered at St. Ann's Warehouse on Monday night for the NYU Tisch School of the Arts 2019 Gala, honoring notable alumni Susan Kelechi Watson and Sharon Chang. The event featured several performances by current Tisch students in tribute to the two honorees. Alec and Hilaria Baldwin and Martin Scorsese served as honorary co-chairs for the evening. In attendance were NYU Tisch Dean Allyson Green, NYU Provost Katherine Fleming, Grammy Award-winning music executive Clive Davis and Tony Award-winning actress Phylicia Rashad. Nearly $1 million was raised to support critical needs of talented Tisch students.

The Joyce Theater catapults its scintillating 2019 season that encapsulates an entire spectrum of contemporary international movement with a renowned and acclaimed audience-favorite, COMPLEXIONS Contemporary Ballet.

Crossroads Theatre Company and New Jersey Performing Arts Center (NJPAC) are presenting a co-production of Duke Ellington's Sophisticated Ladies at NJPAC, 1 Center Street in Newark, Thursday, March 21 - Sunday, March 24, 2019. Click here to purchase tickets.

BWW Review: THE DEAD SOUTH Charms North America and Europe With Bluegrass, Banjo, Guitar and Grit

The King and I's Jose Llana dazzled in his return to Lincoln Center's American Songbook Concert Series on February 1st, four years after his sold-out appearance at the Stanley H. Kaplan Penthouse. Mr. Llana's glorious tenor filled The Appel Room, where he was accompanied by his Here Lies Love cast members Jaygee Macapugay, Jeigh Madjus, Renee Albulario and Billy Bustamante.